<emph render="italic">II B.S.</emph>

http://hdl.loc.gov/loc.music/eadmus.mu004009 Charles Mingus Collection Processed by the Music Division of the Library of Congress Music Division, Library of Congress

Washington, D.C.

2005 Guides to Special Collections in the Music Division of the Library of Congress

Catalog Record: http://lccn.loc.gov/2004598900

Finding Aid encoded by Library of Congress Music Division, 2005 Finding aid written inEnglish 2010 November Adjustments to the container list made by Tom Barrick in November 2010. 2010 March Editorial revisions made to this finding aid by Nancy Seeger in March 2010. Collection Summary Charles Mingus Collection1939-1979 ML31.M56 Mingus, Charles, 1922-1979 circa 15,000 items 84 boxes 13 linear feet Collection material in English Music Division Library of Congress

Washington, D.C.

This is the collected archive of world renowned African American jazz bassist and composer Charles Mingus. The Charles Mingus Collection includes music (manuscript and printed of Mingus and others), writings by and about Mingus by Mingus and others, business papers, printed matter (such as articles and clippings, books and pamphlets, organizations and affiliations, programs, and promotional material), iconography (photographs of Mingus, his family, and colleagues such as Eric Dolphy, Dannie Richmond, Max Roach, Oscar Pettiford, and Miles Davis, artwork, and three dimensional items), personal material, and sound recordings. Selected Search Terms

The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein.

People Davis, Miles--Portraits. Dolphy, Eric--Portraits. Mingus, Charles, 1922-1979--Autographs. Mingus, Charles, 1922-1979--Portraits. Mingus, Charles, 1922-1979. Pettiford, Oscar, 1922-1960--Portraits. Richmond, Dannie--Portraits. Roach, Max, 1924-2007--Portraits. Subjects Jazz musicians--Portraits. Jazz. Administrative Information Provenance

Purchase; Susan Ungaro Mingus; 1992-1995.

Custodial History

Shortly after the Wolf Trap premiere of Mingus' extended work Epitaph in the summer of 1989, the endeavor to bring the Charles Mingus archives to the Library of Congress Music Division was set in motion. On May 21, 1992, the purchase agreement between the Library and Susan Ungaro Mingus, the musician’s widow, was signed and the first of four deliveries of Mingus material soon followed. Subsequent deliveries of material took place in 1993, 1994, and 1995.

Accruals

No further accruals are expected.

Processing History

The Charles Mingus Collection was processed in 1998 by Lloyd A. Pinchback. The original finding aid was prepared with Corel WordPerfect 8. In 2004 the Charles Mingus Collection finding aid was coded for EAD format by Michael A. Ferrando.

Transfers

Sound recordings transferred to the Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division.

The status of copyright on the materials of the Charles Mingus Collection is governed by the Copyright Law of the United States (Title 17, U.S.C.).

Access and Restrictions

The Charles Mingus Collection is open to research. Researchers are advised to contact the Performing Arts Reading Room prior to visiting. Many collections are stored off-site and advance notice is needed to retrieve these items for research use.

Certain restrictions to use or copying of materials may apply.

Preferred Citation

Researchers wishing to cite this collection should include the following information: container number, Charles Mingus Collection, Music Division, Library of Congress, Washington, D.C.

Biographical Sketch Date Event 1922 Born April 22 in Nogales, Arizona, to Harriett Sophia Mingus and Charles Mingus, Sr.; Sergeant Charles Mingus, Sr. retired from the U.S. Army on August 31; Mingus family moved to Los Angeles, California; Harriett Mingus died October 3. 1928 Given his first musical instrument, the trombone, by his father for Christmas. 1934 Persuaded by fellow trombonist and friend Britt Woodman, Mingus began studying the cello. 1937 Suggested by high school musician Buddy Collette, Mingus switched from cello to bass. 1938 Mingus introduced to bassist Red Callender by Buddy Collette; Mingus began studying with Callender; began arranging pieces for the high school jazz ensemble. 1939 Began studying composition with Lloyd Reese; composed What Love and Half Mast Inhibitions. 1940 Professional career began at the age of eighteen when he began playing bass with Lee Young. 1941 Began touring with Louis Armstrong's big band. 1942 Played bass with Barney Bigard's ensemble which featured retired trombonist Kid Ory. 1943 Began studying symphonic form and technique with former bassist of the New York Philharmonic, Herman Rheinschagen. 1944 Married Camilla Jeanne Gross on January 3; met saxophonist Eric Dolphy; Charles Mingus III was born on September 12. 1946 Began touring with Lionel Hampton's big band; Eugene Mingus born in September; Mingus separated from wife Jeanne; Mingus takes part-time job at San Francisco post office during Christmas. 1947 Step-brother Odell Carson died in August. 1950 Gained national attention as a member of Red Norvo's trio. 1951 Married Celia Nielson on April 2; moved from the West Coast to New York City for the remainder of his life. 1952 For economic reasons, Mingus for the second time in his life took a job at the Post Office; persuaded to quit that job by Charlie Parker; celebrated his thirtieth birthday recording the first session for his newly formed record label, Debut Records. 1954 Recorded his tunes Getting Together and Gregarian Chant. 1955 Founded the Jazz Workshop, Inc. 1956 Released Pithecanthropus Erectus in September; established Mingus as an innovative jazz composer. 1959 Although Mingus composed the piece at the age of seventeen, he finally recorded Half Mast Inhibitions with a 22 piece orchestra conducted by Gunther Schuller. 1962 With some difficulty, Mingus began search for a publisher for his autobiographical Beneath the Underdog. 1964 Played concert at Monterey; started record company called Charles Mingus Enterprises, which recorded and released the Monterey concert as its first product under the title "Mingus at Monterey"; Mingus elected Jazz Man of the Year by Downbeat Magazine. 1966 Suffering from psychological and financial problems, Mingus began self-imposed exile from public life and performing. 1969 Resumed his music career in June. 1970 Made final music tour of Europe in the fall. 1971 Granted fellowship for composition from the Guggenheim Foundation; a one hour film titled "Mingus" was aired nationally in March and April; Beneath the Underdog was published by Knopf in April; performed at the Newport Jazz Festival in July. 1972 Commissioned to write three-act ballet on "The Life of Malcolm X" for Alvin Ailey's Ballet for the spring of 1972. 1976 Collaborated on album with pop singer Joni Mitchell. 1979 After battling physical complications for several years, Mingus succumbed on January 5. Scope and Content Note

The Charles Mingus Collection covers the music career of this celebrated African American jazz musician/composer from about 1939, the year he composed What Love and Half Mast Inhibition, to his death on January 5, 1979. Originally estimated to have an item count of less than 10,000, the collection actually contains nearly 15,000 items. The Mingus Collection represents the first multi-format jazz collection processed in the Library of Congress Music Division to include holograph music manuscripts and sound recordings.

The purchase of the Mingus archives by the Library of Congress marks its first acquisition of a jazz composer's written works (both music and literary) and papers. On June 1, 1993, the Library celebrated this momentous occasion with a press conference and lecture conducted by Sue Mingus and Mingus scholar Andrew Homzy. The event culminated on June 4, 1993, with an all-Mingus concert performed by Mingus Dynasty, a jazz orchestra dedicated to the memory and music of Charles Mingus, at the National Academy of Sciences Auditorium.

The Series in the collection include Music, Writings (by and about Mingus), Business Papers, Printed Matter, Iconography, Personal, and Sound Recordings. Each series is rich with Mingus effects and memorabilia depicting his experiences in the world of jazz and some aspects of his private life.

Music Series: Undoubtedly, the central focus of the Mingus Collection is the Music series, the manuscripts in particular. It includes all of his major original compositions as well as his manuscript arrangements of music by others. There are numbers assigned to some pieces - including his adaptations of works by others - but not to all. His original works and his arrangements share one numerical sequence rendering a numerical listing unwieldy, if not confusing. Thus, the music manuscripts are divided into three subseries: Original Music Manuscripts, Mingus Manuscript Arrangements of Music by Others, and Manuscript Music by Others. The Printed Music subseries comprises a small segment of the collection, and is sub-divided into two smaller groupings: Printed Music by Mingus and Printed Music by Others.

Writings Series: This Series is divided into three subseries: Writings By Mingus, Writings About Mingus, and Miscellaneous Writings. The highlight of the Writings By Mingus subseries is Mingus' controversial autobiographical work, Beneath the Underdog, in several versions. Mingus, a proud man, was very much aware of his contributions to the American music landscape in general and to the jazz idiom in particular. This is evident in a one page typescript titled, "A Living Benefit for Mingus". Also included in this subseries are Mingus' manuscript liner notes (written for record album jackets), and articles published in serials.

The Writings About Mingus subseries is principally a collection of articles written about Charles Mingus and his music, some found in serials while others are photocopies of loose clippings. The articles published in serials are divided by publication locale (domestic or foreign) and are arranged alphabetically by article title. The loose clippings, photocopies of the originals, also separated by publication locale, are arranged chronologically by date. This subseries also includes clippings covering particular subjects relating to Mingus and his music. Filed under subject headings, contents here include: articles on Mingus' biography; articles and reviews relating to his literary work Beneath the Underdog; articles on Mingus Dynasty ( the New York- based jazz orchestra established after his death as a tribute to him and his contributions in music); and articles about his widow, Susan Graham Mingus. The Writings About Mingus subseries concludes with a listing of newsletters, press releases, and bulletins relating to Mingus and his music career.

In Miscellaneous Writings are written works on a variety of subjects not necessarily relating to Mingus. The material in this subseries is divided further into three categories: Film Work (Mingus was sought on several occasions to score music for film), Poetry, and Short Stories. The Poetry segment is of particular interest because it contains a work titled Four Poems for Charles Mingus by Lyon Phelps, and a poem written for Mingus’ close friend and colleague Eric Dolphy, titled "Blues for Eric Dolphy," by John Sinclair.

Business Papers Series: Charles Mingus headed three music business ventures: Charles Mingus Enterprises, Inc., Debut Records, and the Jazz Workshop, Inc. Mingus' business acumen and meticulous record-keeping is legendary. An examination of the Business Papers series is a testament to both qualities. Although Mingus did not record dates of his music compositions, it is quite apparent that he realized the importance of documenting everything he considered to be a "business related" matter. He was particularly persnickety about dispensing cash to fellow musicians. He literally used anything that could be written on as a receipt when paying the musicians for services rendered; he had them sign it, regardless of medium: these unique items are included in the collection.

Although there is not a series dedicated solely to correspondence, there is correspondence found throughout the collection. The correspondence in Business Papers, for instance, is quite extensive in that it contains letters to and from three Charles Mingus business entities, and includes names of jazz-world figures such as musicians Sam Most, Max Roach and Dannie Richmond, record producers Teo Macero and Clive Davis, and poet Langston Hughes.

Printed Matter Series: There are six subseries in the Printed Matter series: Articles & Clippings, Books and Pamphlets, Organizations and Affiliations, Programs, Promotional Material, and Miscellaneous. Much of the material in this series does not directly relate to Mingus, but represents his personal collection. The Articles & Clippings and Miscellaneous subseries consist of his personal collection of articles, magazines, newsletters, and press releases not relating to himself. On the other hand, the Organizations and Affiliations, Programs, and Promotional Material subseries do reflect material generated by Mingus' personal and professional life.

Iconography Series: The Mingus Collection contains photographs, artwork, and three dimensional items, filed in the Iconography series. This series is divided into four subseries: Photographs, Awards and Award Nominations, Artwork, and Picture Post Cards. The Photographs subseries contains images of Mingus and his family (including his parents), as well as photographs of fellow musicians such as Eric Dolphy, Dannie Richmond, Max Roach, Oscar Pettiford, and Miles Davis.

Mingus was the recipient of several awards and award nominations, such as the Newport Jazz Festival Hall of Fame Award in July 1976, and the ASCAP-Deems Taylor Award in 1990. In January 1973, Mingus was nominated for a Grammy Award by the National Academy of Recording Arts & Sciences (NARAS).

The Artwork subseries is fairly small, but is very interesting in that it includes record album cover art layouts for Debut Records, some in color. There is one painting by Mingus acquaintance Elliott Cola, who is also represented by music manuscripts (apparently gifts to Mingus) in the Collection, (see Music Manuscripts by Others subseries).

Charles Mingus, among many things, was a traveler. His career as a jazz bassist and businessman afforded him the opportunity to tour the world, his family vacations outside the United States on several occasions notwithstanding. As many travelers do, Mingus collected picture post cards as mementos of his trips. Unmarked and arranged alphabetically by subject, these items are filed in the Picture Postcards subseries of the Iconography series.

Personal Series: The Personal series incorporates Mingus' private archives and an unusual collection of physical effects associated with him. There are six subseries in this series: Correspondence (fairly small compared to the volume of business correspondence), Financial Papers, Legal File, Medical File, Travel, and Miscellaneous.

The Correspondence subseries in the Personal series consists of letters, greeting cards and personal notes from family members, including his sister Grace Mingus, second wife Celia Mingus, and widow Sue Mingus, and friends such as author Helen Gurley Brown, musician Roy Ayers, and comedian/social activist (as well as health advisor to Mingus), Dick Gregory.

The Financial Papers document Mingus’ family assets, banking history, household expenses, and tax records. This material is comprehensive in breadth and gives a fairly clear picture of his personal financial history.

The Legal File includes divorce papers between Charles and Celia Mingus, personal legal correspondence, and documents related to his dealings with the New York City court system.

The Medical File subseries chronicles matters relating to Mingus' health concerns: correspondence from physicians, prescriptions for medications, brochures from health clinics, and statements and receipts for medical services rendered.

As mentioned earlier, Charles Mingus traveled extensively both professionally and privately: the Travel subseries in the Personal series is a record of his personal travels. Following a pattern similar to that of his business dealings, Mingus retained almost everything, especially when finances were involved. The file contains most, if not all, receipts from travel expenses for lodging, meals, and transportation. There is a section in the Travel series dedicated to printed matter acquired while "on the road". It includes maps, travel brochures, and foreign news clippings.

The final section in the Personal series is the Miscellaneous subseries. This contains unusual items that fit no other category of material in the collection. The file includes two calendars of jazz musicians (1973 and 1979), tarot cards, a lock of hair from Eric Mingus' (Charles' son) first haircut, business cards given to Mingus, and a collection of telephone numbers written on a variety of media. One peculiar yet interesting item in this file is a book titled Cultivation of Personal Magnetism in Seven Progressive Steps, by Edmund Shaftesbury, with the mid-section carved out to house Mingus' firearm.

Recorded Sound: Both voice and music recordings are included in this series. The series is sub-divided by format, which includes acetate and vinyl discs (with metal parts), cassettes, and reel-to-reel tapes on five-, seven- and ten-inch reels. The range of subject matter includes voice recordings of interviews with Mingus, Mingus composing at the piano, rehearsals, live performances, studio recordings, and pressed disc recordings.

These recordings are not completely inventoried; most will be transferred to the Motion Picture, Broadcasting, and Recorded Sound Division (M/B/RS) where they will be prepared for preservation and inclusion in the Library's recorded sound collection.

Lloyd A. Pinchback, February 1998

Organization of the Charles Mingus Collection

The Charles Mingus Collection is organized in 6 series:

Music Writings Business Papers Iconography Printed Matter Personal http://lccn.loc.gov/2004598900 Container List Box Contents 1-44 Music

The Music series consits of manuscripts of all Mingus' major original compositions as well as his manuscript arrangements of music by others. There are numbers assigned to some pieces - including his adaptations of works by others - but not to all. His original works and his arrangements share one numerical sequence.

Music series is arranged as follows:

Music Manuscripts: Mingus Original Music Manuscripts, arranged alphabetically by title. Manuscripts of Music by Others, arranged alphabetically by title. Printed music: Printed music by Mingus, arranged alphebeteically by title. Printed by others, arranged alphabetically by composer then by title. 1-29 32-44 Manuscript Music 1-28 32-44 Original Music Manuscripts 1/1 <emph render="italic">II B.S.</emph> Lead sheet; 1 p.; 27.5 cm.

Note: Photocopy of holograph. At bottom: © Jazz Workshop, Inc., November, 1976.

1/2 <emph render="italic">12 Alder Place</emph>. Full score (incomplete); 4 p. (pp. 6-9 only); 31.5 cm.

Note: Holograph in pencil.

Reference no.: 174.

1/3 <emph render="italic">12 Alder Place</emph>. Instrumental parts; pagination varies; 31.5 cm.

Note: Holographs in pencil.

Reference no.: 174.

1/4 <emph render="italic">Abstractions</emph>. Lead sheet; 1 p.; 35.5 cm.

Note: Photostat of holograph. At bottom: © December 1976 - Jazz Workshop, Inc.

Adagio ma non troppo see: Mingus dance no. 7 1/5 <emph render="italic">After hours</emph>. Lead sheet; 1 p.; 29.5 cm.

Note: Photocopy of holograph. Marked at head: 124. In typescript: Di Charles Mingus - Edizioni Blue Team Music.

1/6 <emph render="italic">Ain't jivin' blues</emph>. Lead sheet; 1 p.; 28 cm.

Note: Photocopy of holograph in pencil. Marked at head: 125. In typescript: Di Charles Mingus - Edizioni Blue Team Music.

1/7 [<emph render="italic">Alive and living in Dukeland</emph>] <emph render="italic">(#29)</emph> / Sy Johnson, arr. Condensed score; [7] leaves; 32 cm.

Note: Photocopy of holograph in pencil.

Reference no.: 001.

Access points:

Johnson, Sy 1/8-10 [<emph render="italic">Alive and living in Dukeland</emph>] <emph render="italic">(#29)</emph> / Sy Johnson, arr. Instrumental parts; pagination varies; 32 and 28 cm. (3 folders).

Note: Copyist's manuscripts in ink and pencil; includes photocopies.

Reference no.: 210.

Access points:

Johnson, Sy Alice in wonderland see: Mingus dance no. 7 Alice on wonderland see: Mingus dance no. 7 Alice's wonderland see: Mingus dance no. 7 1/11 <emph render="italic">All the things you could be right now if Sigmund Freud's wife was your mother</emph>. Lead sheet; 1 p.; 35.5 cm.

Note: Photocopy of holograph. At bottom: © Jazz Workshop, November, 1976.

1/12 <emph render="italic">The arts of Tatum and Freddie Webster</emph>. Lead sheet; 1 p.; 28 cm.

Note: Photocopy of copyist's manuscript. At bottom: © December, 1975, Jazz Workshop, Inc.

Reference no.: 002.

32/1 <emph render="italic">The arts of Art Tatum and Freddie Webster</emph>. Full score; 10 leaves; 39.5 cm.

Note: Holograph in pencil.

Reference no.: 158.

1/13-14 <emph render="italic">The arts of Tatum and Freddie Webster</emph>. Instrumental parts; pagination varies; 31.5 cm. (2 folders).

Note: Copyists' manuscripts in ink and pencil.

Reference no.: 002.

2/1 <emph render="italic">Atomic bomb</emph>. Full score; 3 leaves; 31.5 cm.

Note: Holograph in pencil.

Reference no.: 185.

32/2 <emph render="italic">B.F.T.</emph> Full score (incomplete); 2 leaves; various sizes.

Note: Holograph in pencil.

Reference no.: 108.

2/2 <emph render="italic">B.F.T.</emph> Instrumental parts; pagination varies; 31.5 cm.

Note: Copyists' manuscripts in ink and pencil. On verso of bass part: "Portrait".

Reference no.: 108.

2/3 <emph render="italic">Baby, take a chance with me</emph>. Lead sheet; 1 p.; 29.5 cm.

Note: Photocopy of holograph. Marked at head: 126. In typescript: Di Charles Mingus - Edizioni Blue Team Music.

Reference no.: 189.

32/3 <emph render="italic">Baby, take a chance with me</emph>. Full score; 10 leaves; 30.5 x 40.5 cm.

Note: Holograph in pencil.

Reference no.: 189.

2/4 <emph render="italic">Back a few years (Tijuana table dance)</emph>. Condensed score (incomplete); 2 p.; 32 cm.

Note: Holograph in pencil.

Reference no.: 238.

2/5 <emph render="italic">Back a few years (Tijuana table dance)</emph>. Piano part; 2 p.; 32 cm.

Note: Holograph in pnecil.

Reference no.: 238.

2/6 <emph render="italic">Back home blues</emph>. Lead sheet; 1 p.; 27.5 cm.

Note: Photocopy of holograph. At bottom: © November, 1976, Jazz Workshop, Inc.

2/7 <emph render="italic">Background for thought</emph>. Instrumental parts; pagination varies; 31.5 cm.

Note: Copyist's manuscripts in ink.

2/8 <emph render="italic">Basically speaking</emph>. Lead sheet; 1 p.; 28 cm.

Note: Photocopy of holograph. Marked at head: 132. In typescript: Di Charles Mingus - Edizioni Blue Team Music.

2/9 <emph render="italic">Bemoanable lady</emph>. Lead sheet; 1 p.; 35.5 cm.

Note: Photocopy of holograph. At bottom: © Jazz Workshop, Inc., November, 1976.

Reference no: 004.

2/10 <emph render="italic">Bemoanable lady</emph>. Instrumental parts, 2nd and 3rd trumpets only; pagination varies; 31.5 cm.

Note: Copyist's manuscript in ink.

Reference no.: 004.

2/11 <emph render="italic">Better get hit in your soul</emph> / Sy Johnson, arr. Piano-vocal score; 6 p.; 31 cm.

Note: Manuscript in pencil and ink by Sy Johnson.

Reference no.: 100.

Access points:

Johnson, Sy 32/4 <emph render="italic">Better get hit in your soul</emph>. Full score; 10 p.; 28.5 x 43 cm.

Note: Holograph in pencil. One page missing.

Reference no.: 124.

2/12 <emph render="italic">Better get hit in your soul</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Copyist's manuscripts in ink and pencil.

32/5 [<emph render="italic">Better get it in your soul</emph>]. Full score (incomplete); 1 p. (pp. 17); 28 x 41 cm.

Note: Holograph in pencil. Title at head: Gitt.

2/13 <emph render="italic">Better get it in your soul (#6)</emph>. Instrumental parts; pagination varies; 31.5 cm.

Note: Copyist's manuscripts in ink.

Reference no.: 153.

2/14 <emph render="italic">Better get it in your soul : old version</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Copyist's manuscript in ink with markings in pencil; includes 1 p. photocopy.

Reference no.: 100.

2/15 <emph render="italic">Better get it in your soul : new version, Jan. 1963</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Copyist's manuscripts in ink.

Reference no.: 152.

32/6 <emph render="italic">Better git it in your soul : Epitaph</emph>. Full score; 17 leaves; 28 x 41.5 cm.

Note: Holograph in pencil. Measures 2832-3090.

32/7 <emph render="italic">Big Jim Whitey's mule</emph>. Full score (incomplete); 10 leaves; 39 cm.

Note: Holograph in pencil.

Reference no.: 130.

2/16 <emph render="italic">Bill's song</emph> / lyrics by Charles Mingus ; music by Paul M. Jeffrey. Lead sheet; 2 p.; 28 cm.

Note: Photocopy of copyist's manuscript.

Access points:

Jeffrey, Paul M. Mingus, Charles 2/17 <emph render="italic">Bird calls</emph>. Lead sheet; 1 p.; 28 cm.

Note: Photocopy of holograph. Marked at head: 127. In typescript: Di Charles Mingus - Edizioni Blue Team Music.

3/1 <emph render="italic">Black saint and the sinner lady</emph>. See also: Soul fusion Full score; 57 p.; various sizes.

Note: Holograph in pencil.

Reference no.: 131.

3/2 <emph render="italic">Black saint and the sinner lady</emph>. See also: Soul fusion Full score; [59] leaves; 33 x 26.5 cm.

Note: Photocopy of holograph score in pencil, with annotations in red pencil.

Reference no.: 131.

3/3 <emph render="italic">Black saint and the sinner lady</emph>. See also: Soul fusion Full score; 57 p.; 28 x 21.5 cm.

Note: Photocopy of holograph score in pencil.

Reference no.: 131.

3/4 <emph render="italic">Black saint and the sinner lady</emph>. See also: Soul fusion Instrumental parts; pagination varies; 32 cm.

Note: Copyist's manuscripts in ink and pencil.

Reference no.: 131.

3/5 <emph render="italic">Black saint and the sinner lady</emph>. See also: Soul fusion Instrumental parts; pagination varies; 28.5 cm.

Note: Photocopies of copyist's manuscripts.

Reference no.: 131.

3/6 <emph render="italic">Black stome 10:30</emph>. Lead sheet; 1 p.; 31.5 cm.

Note: Holograph in pencil. At bottom: Piano score for untitled piece. On verso: Chord scheme for the piece "Sweet".

3/7 <emph render="italic">Blue cee</emph>. Baritone sax part; 1 p.; 28 cm.

Note: Holograph in pencil. On verso: Reincarnation of a lovebird.

Reference no.: 227.

3/8 <emph render="italic">Blue cee</emph>. Lead sheet; 2 leaves; 28 cm.

Note: Photocopies of copyist's manuscripts. At bottom of first p.: © January 1975, Jazz Workshop, Inc.

Reference no.: 227.

3/9 <emph render="italic">Blue tide</emph>. Trumpet part; 1 p.; 31 cm.

Note: Holograph in pencil.

Reference no: 243.

3/10 <emph render="italic">Blues Ballard</emph>. Instrumental part; 1 p.; 15 x 24.5 cm.

Note: Holograph in ink and red pencil. At head: A-167.

3/11 <emph render="italic">Blues for some bones</emph>. Lead sheet; 1 p.; 35.5 cm.

Note: Photocopy of holograph. At bottom: © December, 1976, Jazz Workshop, Inc.

3/12 <emph render="italic">Blues [in F]</emph>. Trombone part; 1 p.; 31.5 cm.

Note: Holograph in pencil. On verso: Untitled piece for trombone.

3/13 <emph render="italic">Body</emph>. Full score; 4 p.; 27 cm.

Note: Holograph in pencil.

3/14 <emph render="italic">Boogie stop shuffle</emph>. Lead sheet; 2 leaves; 31.5 cm.

Note: Copyist's manuscript in ink on transparent paper. On bottom: © December, 1950, Jazz Workshop, Inc.

Reference no.: 220.

32/8 <emph render="italic">Boogie stop shuffle</emph> / Sy Johnson, arr. Full score; 11 leaves; 28 x 43 cm.

Note: Manuscript in pencil by Sy Johnson.

Reference no.: 006.

Access points:

Johnson, Sy 3/15 <emph render="italic">Boppin' in Boston</emph>. Lead sheet; 1 p.; 28 cm.

Note: Photocopy of holograph. Marked at head: 130. In typescript: Di Charles Mingus - Edizioni Blue Team Music.

32/9 <emph render="italic">Bus voice</emph>. Full score; 12 leaves; 30.5 x 41 cm.

Note: Holograph in pencil.

Reference no.: 121.

3/16 <emph render="italic">But you</emph>. Full score; 5 leaves; 31.5 cm.

Note: Holograph in pencil.

Reference no.: 138.

Cabin see: Winds 3/17 <emph render="italic">Canon</emph>. Lead sheet; 1 p.; 28 cm.

Note: Photocopy of copyist's manuscript.

4/1 <emph render="italic">Carolyn "Keki" Mingus</emph>. Condensed score; 2 leaves; 28 cm.

Note: Photocopy of holograph. At bottom: © Jazz Workshop, Inc. 1977.

Reference no.: 119.

43/1 <emph render="italic">Carolyn "Keki" Mingus</emph>. Full score; 10 leaves; 39 x 43.5 cm.

Note: Holograph in pencil.

Reference no.: 007, 119.

4/2 <emph render="italic">Carolyn "Keki" Mingus</emph>. Instrumental parts; pagination varies; 31.5 cm.

Note: Copyist's manuscripts in ink and pencil.

Reference no.: 007.

4/3 <emph render="italic">Celia (chords)</emph>. Lead sheet; 1 p.; 30.5 cm.

Note: Holograph in pencil and ink. At head: Roberto Laueri [sic]. At bottom, note to Roberto: "Never write 8th notes trip's in N.Y.C. ..."

4/4 <emph render="italic">Celia</emph>. Lead sheet; 1 p.; 28 cm.

Note: Photocopy of holograph. Marked at head: 131. In typescript: Di Charles Mingus - Edizioni Blue Team Music.

4/5 <emph render="italic">Celia</emph>. Chord chart; 1 p.; 31 cm.

Note: Photocopy of holograph.

4/6 <emph render="italic">Celia (chord progressions)</emph>. Chord charts; 7 leaves; 28 cm.

Note: Manuscripts in pencil. This material appears to be graded classroom assignments.

4/7 <emph render="italic">Celia</emph>. Instrumental parts; 14 leaves; 32 cm.

Note: Copyists' manuscripts in pencil and ink. Verso of drum part: Canon II in pencil. Folder includes photocopies.

4/8 <emph render="italic">Celia</emph>. Instrumental parts; pagination varies; various sizes.

Note: Copyist's manuscripts in ink and pencil. Verso of baritone saxophone part: Diane and Peggy's ________ Skylight. Folder includes photocopies of parts.

Cell block F is Nazi U.S.A. see: Jive five floor four 32/10 <emph render="italic">Chair in the sky</emph> / Sy Johnson, arr. Full score; 19 leaves; 28 x 43 cm.

Note: Manuscript in pencil by Sy Johnson.

Reference no.: 010.

Access points:

Johnson, Sy 4/9 <emph render="italic">Chazzenova</emph>. Lead sheet; 1 p.; 35.5 cm.

Note: Photocopy of holograph. At bottom: © January, 1977, Jazz Workshop, Inc.

43/2-3 <emph render="italic">The chill of death</emph>. Full score; 38 leaves in 2 folders; 53.5 cm.

Note: Deshan (thermofax) copy of copyist's manuscript.

Reference no.: 274.

4/10 <emph render="italic">Clark in the dark</emph>. Lead sheet; 1 p.; 28 cm.

Note: Photocopy of holograph. Marked at head: 134. In typescript: Di Charles Mingus - Edizioni Blue Team Music.

Cleaner from Des Moines see: Dry cleaner from Des Moines 4/11 <emph render="italic">The clown</emph>. Lead sheet; 2 leaves; 28 cm.

Note: Photocopy of copyist's manuscripts. At bottom: © January, 1975, Jazz Workshop, Inc.

4/12 <emph render="italic">The clown</emph> / Jaki Byard, arr. Instrumental parts with narration; pagination varies; 28 cm.

Note: Photocopies of copyist's manuscripts; narrative text on separate page.

Access points:

Byard, Jaki 4/13 <emph render="italic">The clown's afraid too</emph>. Instrumental parts (trumpet 1 and French horn parts only); pagination varies; 31.5 cm.

Note: Copyist's manuscripts in ink with pencil markings.

32/11 <emph render="italic">The clown's afraid too, </emph>[<emph render="italic">don't be afraid</emph>]. See also: Don't be afraid, the clown's afraid too Condensed score; 4 leaves; 39.5 cm.

Note: Holograph in pencil.

Reference no.: 117.

4/14 <emph render="italic">The clown's afraid too (don't be afraid)</emph>. Instrumental parts; pagination varies; 31.5 cm.

Note: Copyists' manuscripts in ink with pencil and ink markings.

Reference no.: 161.

4/15 <emph render="italic">Color blind</emph>. Full score (incomplete); 1 p.; 28 x 35.5 cm.

Note: Holograph in pencil.

4/16 <emph render="italic">Come Sunday</emph>. Chord chart; 1 p.; 28 x 35.5 cm.

Note: Holograph in ink.

4/17 <emph render="italic">Compositional theme story</emph>. Lead sheet; 1 p.; 35.5 cm.

Note: Photocopy of holograph. At bottom: © Jazz Workshop, Inc., November, 1976.

4/18 <emph render="italic">Confucius says</emph>. Instrumental part; 1 p.; 27 cm.

Note: Holograph in pencil. On verso an untitled holograph score in pencil.

4/19 <emph render="italic">Consider me</emph>. Lead sheet; 2 p.; 32 cm.

Note: Photocopy of holograph.

32/12 <emph render="italic">The critic - string quartet</emph>. Full score; 1 p.; 39.5 cm.

Note: Holograph in pencil.

Reference no.: 187.

4/20 <emph render="italic">Cro-Magnum nights</emph>. Lead sheet; 1 p.; 32 cm.

Note: Holograph in pencil. On verso: instrumental part for Portrait; holograph in ink.

4/21 <emph render="italic">Cryin' blues</emph>. Lead sheet; 1 p.; 35.5 cm.

Note: Photocopy of holograph. At bottom: © December 1976, Jazz Workshop, Inc.

4/22 <emph render="italic">Cumbia and jazz fusion</emph>. Condensed score; 16 leaves; 32 cm.

Note: Photocopy of holograph signed by Mingus in ink.

4/23 <emph render="italic">Cumbia and jazz fusion</emph>. Instrumental parts

Note: Copyist's ms. in ink with annotations.

4/24 <emph render="italic">Cumbia and jazz fusion</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Holograph in ink and pencil.

5/1 <emph render="italic">Dark lightings</emph>. Instrumental parts; pagination varies; 31.5 cm.

Note: Holograph in pencil and crayon.

5/2 <emph render="italic">Depressions</emph>. Full score (incomplete); 3 leaves; 32 cm.

Note: Holograph in pencil.

5/3 <emph render="italic">Detour minus that dead end</emph>. Sketches; 2 p.; 31.5 cm.

Note: Holograph in pencil. On verso: Heavenly marriage.

5/4 <emph render="italic">Devil</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Holograph in ink. On verso: Fascination.

5/5 <emph render="italic">Devil is a woman</emph>. Full score; 2 p.; 32 cm.

Note: Holograph in pencil.

5/6 <emph render="italic">Devil woman</emph>. Lead sheet; 1 p.; 34.5 cm.

Note: Photocopy of holograph. At bottom: © December 1976, Jazz Workshop, Inc.

Reference no.: 123.

32/13 <emph render="italic">Devil woman</emph>. Full score; 6 leaves; 30.5 x 43.5 cm.

Note: Holograph in pencil and ink.

Reference no.: 123.

5/7 <emph render="italic">Devil woman</emph>. Condensed score sketch; 2 p.; 32 cm.

Note: Holograph in pencil.

Reference no.: 123.

5/8 <emph render="italic">Devil woman</emph>. Trumpet II part; 2 p.; 32 cm.

Note: Holographs in ink and pencil.

Reference no.: 123.

32/14 <emph render="italic">Diane</emph>. Full score; 3 leaves; 28 x 43.5 cm.

Note: Copyist's manuscript in pencil.

Reference no.: 114.

Diane see: Mingus dance no. 7 Dianeland see: Mingus dance no. 7 5/9 <emph render="italic">Dizzy moods</emph>. See also: Mingus dance no. 6 Lead sheet; 1 p.; 35.5 cm.

Note: Photocopy of manuscript. At bottom: © Jan. 1975, Jazz Workshop, Inc., Los Angeles, California.

Reference no.: 252.

5/10 <emph render="italic">Dizzy profile</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Holographs in pencil and ink.

Reference no.: 015.

5/11 <emph render="italic">Don't be afraid, the clown's afraid too</emph>. Lead sheet; 2 leaves; 27.5 cm.

Note: Photocopy of holograph.

Reference no.: 016, 117, 143, 161.

5/12 <emph render="italic">Don't be afraid, the clown's afraid too</emph>. Instrumental parts

Note: Copyist's manuscript in ink with pencil markings

Reference no.: 016

32/15 <emph render="italic">Don't be afraid, the clown's afraid too</emph>. Full score; 35 p.; 27.5 x 43.5 cm.

Note: Photocopy of copyist's manuscript.

Reference no.: 016.

43/4 <emph render="italic">Don't be afraid, the clown's afraid too</emph> / Sy Johnson, arr. Full score; [48] p.; 36.5 x 43 cm.

Note: Manuscript in pencil by Sy Johnson; includes photocopies.

Reference no.: 143.

Access points:

Johnson, Sy 32/16 <emph render="italic">Don't be afraid, the clown's afraid too (#13)</emph> / Sy Johnson, arr. Full score; 27 leaves; 35.5 x 43 cm.

Note: Photocopy of manuscript by Sy Johnson with markings in ink.

Reference no.: 016.

Access points:

Johnson, Sy 5/13 <emph render="italic">Don't let it happen here</emph> (from "I Am the Guilty"). Instrumental parts; pagination varies; 32 cm.

Note: Holographs in pencil and ink.

Reference no.: 164.

5/14 <emph render="italic">Dream of my girl</emph>. Lead sheet; 1 p.; 28 cm.

Note: Photocopy of holograph.

32/17 [<emph render="italic">Dry</emph>] <emph render="italic">cleaner from Des Moines</emph> / Sy Johnson, arr. Full score; 10 leaves; 28 x 43.5 cm.

Note: Manuscript in pencil by Sy Johnson.

Reference no.: 011.

Access points:

Johnson, Sy 5/15 <emph render="italic">Duke Ellington's sound of love</emph>. Instrumenal parts; pagination varies; 31.5 cm. [December, 1974].

Note: Copyists' manuscripts in ink. Includes photocopies of tenor sax part and piano-vocal score.

Reference no.: 022.

5/16 <emph render="italic">Duke's choice</emph>. Lead sheet; 1 p.; 29.5 cm.

Note: Photocopy of holograph.

5/17 <emph render="italic">E.S.P.</emph> See also: Extrasensory perception See also: Mind-readers convention Lead sheet; 1 p.; 29.5 cm.

Note: Photocopy of holograph. Marked at head: 140. In typescript: Di Charles Mingus - Edizioni Blue Team Music.

5/18 <emph render="italic">E's flat, Ah's flat too (#21)</emph>. Instrumental parts; pagination varies; 2 cm.

Note: Holograph in ink and pencil.

5/19 <emph render="italic">East coasting</emph> (a.k.a. <emph render="italic">"51st Street blues"</emph>). Lead sheet; 1 p.; 35.5 cm.

Note: Photocopy of holograph.

5/20 <emph render="italic">East coasting</emph>. Instrumental part; pagination varies; 32 cm.

Note: Holographs in pencil.

6/1 <emph render="italic">Eat that chicken</emph>. Lead sheet; 1 p.; 28 cm.

Note: Photocopy of holograph. At bottom: © February, 1976, Jazz Workshop, Inc., New York, NY.

6/2 <emph render="italic">Ecclusiastics</emph>. Lead sheet; 1 p.; 35 cm.

Note: Photocopy of copyist's manuscripts.

32/18 <emph render="italic">Ecclusiastics</emph> / Sy Johnson, arr. Full score; 16 leaves; 35.5 x 43 cm.

Note: Manuscript in pencil by Sy Johnson.

Reference no.: 151.

Access points:

Johnson, Sy 6/3 <emph render="italic">Ecclusiastics (#3)</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Copyist's manuscripts in ink; includes photocopies.

Reference no.: 018.

6/4 [<emph render="italic">Eclipse</emph>]. Lead sheet; 2 p.; 31.5 cm.

Note: Holograph in ink with holograph pencil markings. On verso: Lead line with lyrics.

Reference nos.: 019, 020, 141, 288.

6/5 <emph render="italic">Eclipse</emph>. Lead sheet, lyrics included; 1 p.; 19 x 23.5 cm.

Note: Holographs in pencil. In upper-right corner: "Celia Mingus - Chas Mingus".

Reference nos.: 019, 020, 141, 288.

6/6 <emph render="italic">Eclipse</emph>. Lead sheet, lyrics included (incomplete); 2 p.; 30.5 cm.

Note: Holograph in pencil.

Reference nos.: 019, 020, 141, 288.

6/7 <emph render="italic">Eclipse</emph>. Lead sheets, 2 versions; 1 + 1 p.; 32 cm.

Note: Manuscripts in ink by Andrew Homzy. Version I includes melody line, chord progressions, and lyrics. Handwritten note at bottom dated: 26 Feb. '87. Version II includes melody line and chord progressions only.

Reference nos.: 019, 020, 141, 288.

6/8 <emph render="italic">Eclipse</emph>. Lead sheet; 1 p.; 35.5 cm.

Note: Photocopy of copyist's manuscript. At bottom: © January, 1975, Jazz Workshop, Inc., Los Angeles, California.

Reference nos.: 019, 020, 141, 288.

6/9 <emph render="italic">Eclipse</emph>. Condensed score; 1 p.; 28 cm.

Note: Photocopy of holograph.

Reference nos.: 019, 020, 141, 288.

6/10 <emph render="italic">Eclipse</emph>. Full score; 3 p.; 32 cm.

Note: Holograph in pencil.

Reference no.: 141.

6/11 <emph render="italic">Eclipse</emph>. Instrumental parts; pagination varies; 30.5 cm.

Note: Holographs in ink and pencil.

Reference no.: 141.

6/12 <emph render="italic">Eclipse</emph>. Miscellaneous instrumental parts; pagination varies; various sizes.

Note: Holographs and copyist's manuscripts in ink and pencil; includes photocopies with holograph markings in ink and pencil. Laid in: Handwritten note by Andrew Homzy titled "Note for Eclipse 26/Feb/87".

Reference no.: 288.

33/1 <emph render="italic">Eclipse (#10)</emph>. Full score; 9 p.; 28 x 43.5 cm.

Note: Photocopy of copyist's manuscript.

Reference no.: 019.

6/13 <emph render="italic">Eclipse (#10)</emph>. Instrumental parts; pagination varies; 30.5 cm.

Note: Copyist's manuscripts in ink and pencil.

Reference no.: 019.

33/2 <emph render="italic">Eclipse</emph> / Sy Johnson, arr. Full score; 7 leaves; 36 x 42.5 cm.

Note: Manuscript in pencil by Sy Johnson. Dated 1-29-72.

Access points:

Johnson, Sy 33/3 <emph render="italic">Enchantment</emph>. Full score; 6 leaves; 30.5 x 40.5 cm.

Note: Holograph in pencil.

Reference no.: 113.

6/14 <emph render="italic">Enchantment</emph>. Instrumental parts; 9 lvs; 31.5 cm.

Note: Holographs in ink.

Reference no.: 113.

6/15 <emph render="italic">Epitaph</emph>. Lead sheet; 1 p.; 29.5 cm.

Note: Photocopy of holograph. Marked at head: 139. In typescript: Di Charles Mingus - Edizioni Blue Team Music.

Reference no.: 256.

6/16-17 <emph render="italic">Epitaph</emph>. Instrumental parts (reeds and brass); pagination varies; 32.5 cm. (2 folders).

Note: Copyist's manuscripts in ink.

Reference no.: 025.

33/4 <emph render="italic">Epitaph (main score)</emph>. Full score; 40 leaves; 52.5 cm.

Note: Holograph in pencil with holograph markings in colored pencil. Measures 1-199.

Reference no.: 256.

33/5-6 <emph render="italic">Epitaph (main score)</emph>. Full score; 40 leaves; 52.5 cm. (2 folders)

Note: Deshan (thermofax) copy of holograph score in pencil (33/1). Measures 1-199.

Reference no.: 256.

33/7 <emph render="italic">Epitaph (#2)</emph>. Full score; 40 leaves; various sizes.

Note: Holograph in pencil. Measures 180-355.

Reference no.: 257.

34/1 <emph render="italic">Epitaph (#3) : started melody</emph>. Full score; 36 leaves; various sizes.

Note: Holograph in pencil. Measures 356-701.

Reference no.: 258.

34/2 <emph render="italic">Epitaph (#4)</emph>. Full score; 23 leaves; various sizes.

Note: Holograph in pencil. Measures 702-1000; measures 1001-1142 missing.

Reference no.: 259.

6/18 <emph render="italic">Epitaph (#5) : moods in mambo section</emph>. Full score; 16 leaves; 28 x 35.5 cm.

Note: Copyist's manuscript in pencil. Measures 1143-1267.

Reference no.: 260.

6/19 <emph render="italic">Epitaph (#6)</emph>. Full score; 16 leaves; 28 x 35.5 cm.

Note: Copyist's manuscript in pencil. Measures 1268-1651.

Reference no.: 261.

34/3 <emph render="italic">Epitaph (#6)</emph>. Full score; [48] leaves; 34.5 x 43.5 cm.

Note: Holograph in pencil. Measures 1268-1651.

Reference no.: 261.

34/4 <emph render="italic">Epitaph (#7)</emph>. Full score; 29 leaves; 46 cm.

Note: Holograph in pencil. Measures 1652-1767.

Reference no.: 262.

34/5 <emph render="italic">Epitaph (#8) : Pinky don't come here for love man</emph>. Full score; 23 leaves; 34.5 x 43.5 cm.

Note: Holograph in pencil. Measures 1768-1951.

Reference no.: 263.

34/6 <emph render="italic">Epitaph (#9) : Pinky don't come here for love man (Section II)</emph>. Full score; [15] leaves; 47 cm.

Note: Holograph in pencil. Measures 1952-2019).

Reference no.: 264.

34/7 <emph render="italic">Epitaph (#10)</emph>. Full score; [21] leaves; 47 cm.

Note: Holograph in pencil. Measures 2020-2137.

Reference no.: 265.

35/1 <emph render="italic">Epitaph (#11) : Peggy's blue skylight</emph>. Full score; [17] leaves; 49 cm.

Note: Copyist's manuscript in pencil. Measures 2138-2216.

Reference no.: 266.

35/2 <emph render="italic">Epitaph (#12) : Wolverine blues</emph>. Full score; 22 leaves; 53.5 cm.

Note: Copyist's manuscript in pencil. Measures 2217-2394.

Reference no.: 267.

35/3 <emph render="italic">Epitaph (#13) : Todeskalte (The chill of death)</emph>. Full socre; 11 leaves; 35.5 x 41 cm.

Note: Holograph in pencil. Measures 2395-2477).

Reference no.: 268.

35/4 <emph render="italic">Epitaph (#14) : Children's dream-search</emph>. Full score; 37 leaves; 46 cm.

Note: Manuscript in pencil by Gene Roland and Charles Mingus. Measures 2478-2684.

Reference no.: 269.

35/5 <emph render="italic">Epitaph (#15)</emph>. Full score; 24 leaves; 54 cm.

Note: Holograph in pencil. Measures 2685-2762.

Reference no.: 270.

XL/0 <emph render="italic">Epitaph (#16)</emph>. Full score; 22 leaves; various sizes.

Note: Holograph in pencil.

Reference no.: 271.

35/6 <emph render="italic">Epitaph (#17) : Noon night</emph>. Full score; 19 leaves; 46 cm.

Note: Copyist's manuscript in pencil. Measures 3370-3446.

Reference no.: 272.

6/20 <emph render="italic">Eulogy for Rudy Williams</emph>. Lead sheet; 1 p.; 28 cm.

Note: Photocopy of holograph. At bottom: © February, 1976, Jazz Workshop, Inc., New York, N.Y.

Reference no.: 170.

6/21 <emph render="italic">Eulogy for Rudy Williams</emph>. Instrumental parts; pagination varies; 31.5 cm.

Note: Holographs in ink. On verso of alto saxophone, tenor saxophone, piano, bass, and drums part is the tune Portrait II.

Reference no.: 170.

7/1 <emph render="italic">Extrasensory perception (#12)</emph>. See also: Mind-readers convention Instrumental parts; pagination varies; 32 cm.

Note: Ozalid copies of copyists' manuscripts in ink with pencil markings.

Reference no.: 026.

7/2 <emph render="italic">Fables of Faubus</emph>. Lead sheet; 3 leaves; 35.5 cm.

Note: Photocopy of holograph.

Reference no.: 027.

7/3 <emph render="italic">Fables of Faubus</emph>. Instrumental parts; pagination varies; various sizes.

Note: Holographs in ink and pencil, photocopies of holographs, and copyists' manuscripts in ink. On verso of one part is the tune Koko.

Reference no.: 027.

7/4 <emph render="italic">Far Wells, Mill Valley</emph>. Bass part; 4 p.; 32 cm.

Note: Photocopy of holograph.

Reference no.: 245.

7/5 <emph render="italic">Farewell, Farwell : AKA last party</emph>. Lead sheet; 1 lv.; 28 cm.

Note: Photocopy of holograph. Marked at head: 110.

7/6 [<emph render="italic">Farwell farewell</emph>]. Piano sketch; 2 p.; 31 cm.

Note: Holograph in pencil.

Reference no.: 028.

43/5 <emph render="italic">Farwell farewell</emph>. Full score; 1 leaf; 39 x 43.5 cm.

Note: Holograph in pencil.

Reference no.: 028.

7/7 <emph render="italic">Farwell, farewell</emph> [a.k.a. <emph render="italic">Farwells Mill Valley</emph>]. Instrumental parts; 31.5 cm.

Note: Copyist's manuscripts in ink and pencil.

Reference no.: 028.

7/8 [<emph render="italic">Farwell farewell</emph>] : written "<emph render="italic">Farwell fairwell</emph>". Trombone part; 3 p.; 32 cm.

Note: Copyist's manuscript in ink with pencil markings. Note at head: Does not match other parts - A.[?].

Reference no.: 029.

7/9 <emph render="italic">Fascination</emph>. Guitar part; 2 p.; 31.5 cm.

Note: Copyist's manuscript in ink and pencil.

On verso: the tune Love nest crossed out.

36/1 <emph render="italic">The Fess Williams soul</emph>. Full score; 8 leaves; 34.5 x 43.5 cm.

Note: Copyist's manuscript in pencil.

Reference no.: 111.

36/2 <emph render="italic">The Fess Williams soul</emph>. Full score; 8 leaves; 35 x 43 cm.

Note: Deshan (thermofax) copy of copyist's manuscript (Ref. no. 111).

Reference no.: 285.

7/10 <emph render="italic">Flamingo</emph>. Lead sheet; 1 p.; 31.5 cm.

Note: Holograph in ink and pencil.

On verso: Diatonic chords.

7/11 <emph render="italic">Folk forms #1</emph>. Lead sheet; 1 p.; 35.5 cm.

Note: Photocopy of holograph. At bottom: © Jazz Workshop, Inc., November, 1976.

7/12 <emph render="italic">Folk forms #2</emph>. Lead sheet; 1 p.; 35.5 cm.

Note: Photocopy of holograph. At bottom: © Jazz Workshop, Inc., November, 1976.

7/13 <emph render="italic">Fool's passion</emph>. Instrumental part; 2 p.; 31.5 cm.

Note: Holograph in pencil. On verso: 2nd trumpet part for the tune Blue skies.

7/14 <emph render="italic">For you</emph>. Guitar part; 1 p.; 34 cm.

Note: Holograph in pencil.

7/15 <emph render="italic">Four hands</emph>. Lead sheet; 1 p.; 35.5 cm.

Note: Photocopy of holograph. At bottom: © Jazz Workshop, Inc., New York, New York, November 1975.

7/16 <emph render="italic">Frank Maybry, Jr</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Copyist's manuscripts in ink and pencil.

Reference no.: 030.

7/17 <emph render="italic">Frankie and Johnny</emph>. Full score; 69 leaves; 31 cm.

Note: Holograph pencil.

Reference no.: 105.

7/18 [<emph render="italic">Frankie and Johnny</emph> : <emph render="italic">2nd Act</emph>]. Full score; 2 leaves; 31 cm.

Note: Holograph in pencil.

Reference no.: 105.

36/3 <emph render="italic">Freedom</emph>. Full score; 11 leaves; 54 cm.

Note: Thermafax copy of copyist's manuscript.

Reference no.: 277.

7/19 <emph render="italic">GG train</emph>. Lead sheet; 1 p.; 28 cm.

Note: Photocopy of holograph. Marked at head: 136. In typescript: Di Charles Mingus - Edizioni Blue Team Music.

7/20 <emph render="italic">The glass enclosure</emph>. Bass part; 1 p.; 32 cm.

Note: Holograph in pencil.

7/21 <emph render="italic">God's portrait</emph>. Drum part; 1 p.; 31.5 cm.

Note: Holograph in ink. On verso: The habit.

7/22 <emph render="italic">Gone with the wind</emph>. Condensed score; 1 p.; 27.5 cm.

Note: Holograph in pencil.

Reference no.: 201.

7/23 <emph render="italic">Good-bye Eric (#8)</emph>. Instrumental parts; pagination varies; 30 cm.

Note: Holographs in ink and pencil.

Reference no.: 083.

8/1 <emph render="italic">Goodbye pork pie hat</emph>. Instrumental parts; pagination varies; various sizes

Note: Copyist's manuscripts in ink and pencil; includes photocopies.

Reference no.: 101.

8/2 <emph render="italic">Goodbye pork pie hat (#18)</emph>. Instrumental parts; pagination varies; 31.5 cm.

Note: Copyists' manuscripts in ink and pencil.

Reference no.: 032.

8/3 <emph render="italic">Goodbye pork pie hat</emph>. Instrumental parts; pagination varies; 30 cm.

Note: Copyist's manuscripts in ink and pencil.

Reference no.: 34.

8/4 <emph render="italic">Gotta</emph>. Condensed score; 3 p.; 31.5 cm.

Note: Holograph in pencil.

8/5 <emph render="italic">The grass is greener</emph> / lyrics by Charles Mingus ; music by Paul M. Jeffrey. Lead sheet; 2 p.; 27 cm.

Note: Photocopy of copyist's manuscript.

Access points:

Jeffrey, Paul M. Mingus, Charles 8/6 <emph render="italic">Gregorian chant</emph>. Lead sheet; 1 p.; 32 cm.

Note: Holograph in pencil. At bottom: © February, 1976, Jazz Workshop, Inc.

8/7 <emph render="italic">Gunslinging bird</emph>. Lead sheet; 1 p.; 28 cm.

Note: Photocopy of holograph.

Reference no.: 241.

8/8 <emph render="italic">Gunslinging bird</emph> / Sy Johnson, arr. Guitar 1 part; 1 p.; 32 cm.

Note: Copyist's manuscript in ink.

Reference no.: 241.

Access points:

Johnson, Sy 36/4 <emph render="italic">Half-mast inhibition</emph>. See also: Mingus dance no. 5 Full score; 24 leaves; 34.5 x 44.5 cm.

Note: Holograph and copyist's manuscript in pencil; last two pages arranged by Sy Johnson.

Reference no.: 120.

8/9 <emph render="italic">Hamps new blues</emph>. Lead sheet; 1 lv. ; 35.5 cm.

Note: Photocopy of holograph. At bottom: © December, 1976, Jazz Workshop, Inc.

36/5 <emph render="italic">Harris + Mingus fingers</emph>. See also: Mingus fingers Full score; 18 leaves; 35.5 x 40.5 cm.

Note: Holograph in pencil.

Reference no.: 052.

8/10 <emph render="italic">Harris + Mingus fingers (A-170)</emph>. See also: Mingus fingers Instrumental parts; pagination varies; 30.5 cm.

Note: Copyist's manuscripts in ink and pencil.

Reference no.: 052.

8/11 <emph render="italic">Hatian fight song</emph> / Sy Johnson, arr. See also: Mingus dances, no. 9 Lead sheet; 1 p.; 32 cm.

Note: Manuscript in ink on transparent paper by Sy Johnson.

Reference no.: 239.

Access points:

Johnson, Sy 8/12 <emph render="italic">Heart's beat and shades in physical embraces</emph>. Lead sheet; 1 p.; 31 cm.

Note: Photocopy of holograph. At bottom: © December, 1975, Jazz Workshop, Inc.

36/6 <emph render="italic">Herricane Sue</emph> [sic] / Sy Johnson, arr. Full score; 28 leaves; 35.5 x 43.5 cm.

Note: Manuscript in pencil by Sy Johnson.

Reference no.: 147.

Access points:

Johnson, Sy 8/13 <emph render="italic">Hobo-ho</emph>. Lead sheet; 2 leaves; 35.5 cm.

Note: Photocopy of holograph. Date at bottom of p. one: © Jan., 1975; date at bottom of p. two: © April, 1972, Jazz Workshop, Inc., New York, New York.

Reference no.: 035.

36/7 <emph render="italic">Hobo-ho</emph>. Full score; 25 leaves; 30.5 x 48.5 cm.

Note: Holograph in pencil and ink.

Reference no.: 035.

36/8 <emph render="italic">Hobo-ho</emph>. Full score; 26 leaves; 28.5 x 44.5 cm.

Note: Photocopy of holograph score.

Reference no.: 035.

8/14-15 <emph render="italic">Hobo-ho (#25)</emph>. Instrumental parts; pagination varies; 32 cm. (in 2 folders).

Note: Copyist's manuscripts in ink and pencil.

Reference no.: 35.

8/16 <emph render="italic">Hog callin' blues</emph>. Lead sheet; 1 p.; 33.5 cm.

Note: Photocopy of holograph. At bottom: © February, 1976, Jazz Workshop, Inc., NY, NY.

8/17 <emph render="italic">Hora decubitis</emph>. Lead sheet; 1 p.; 35.5 cm.

Note: Photocopy of holograph. At bottom: © Jazz Workshop, Inc., Nov., 1976.

8/18 <emph render="italic">Hot dogs for lunch</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Copyist's manuscripts in ink; includes photocopy of tenor saxophone part.

Reference no.: 036.

37/1 <emph render="italic">Hot town</emph>. Full score; 13 leaves; 34.5 x 44 cm.

Note: Holograph in pencil.

Reference no.: 112.

37/2 <emph render="italic">Hot town</emph>. Full score; 13 leaves; 35 x 43 cm.

Note: Deshan (thermofax) copy of copyist's manuscript (Ref. no. 112).

Reference no.: 280.

43/6 <emph render="italic">Hurricane Sue</emph>. See also: The I of Hurricane Sue Condensed score (incomplete); 1 leaf; 39.5 x 43 cm.

Note: Copyist's manuscript in pencil.

Reference no.: 147.

8/19 <emph render="italic">Hurt ego</emph>. Chord chart; 1 p.; 31.5 cm.

Note: Holograph in pencil. At bottom of page is trumpet part, in ink, to an untitled piece; on verso is piano part, in pencil, to an untitled piece.

8/20 <emph render="italic">I just don't care</emph>. Bass part; 1 p.; 28 cm.

Note: Holograph in pencil. At bottom and on verso: the tunes Whatever happened to U; Angela; 5:00 Whistle.

8/21 <emph render="italic">The I of Hurricane Sue</emph>. Lead sheet; 2 leaves; 30.5 cm.

Note: Holograph in ink on transparent paper.

Reference no.: 037.

8/22 <emph render="italic">The I of Hurricane Sue</emph>. Condensed score; 2 p.; 28 cm.

Note: Holograph in pencil and incomplete photocopy of same. On verso of holograph: bass part for the tune Orange was the color of her dress, then blue silk; holograph in ink, and at bottom, the continuation of I of Hurricane Sue. in pencil.

Reference no.: 037.

8/23 <emph render="italic">The I of Hurricane Sue</emph>. Instrumental parts; pagination varies; various sizes.

Note: Holographs and copyist's manuscripts in ink with pencil markings, and photocopies. The word "Hurricane" is spelled "Herricane" on some parts.

Reference no.: 142.

8/24 [<emph render="italic">The I of Hurricane Sue</emph>]. Instrumental parts (string parts only); pagination varies; 33.5 cm.

Note: Photocopies of copyist's manuscripts.

Reference no.: 037.

8/25 <emph render="italic">I x love</emph>. Lead sheet; 1 p.; 28 cm.

Note: Photocopy of holograph. Marked at head: 145. In typescript: Di Charles Mingus - Edizioni Blue Team Music.

9/1 <emph render="italic">I'm a lonesome woman</emph>. Song lyrics; 1 p.; 31.5 cm.

Note: Holograph in pencil.

9/2 <emph render="italic">Intermit</emph>. Lead sheet; 1 p.; 18 x 20 cm.

Note: Holograph in ink.

Reference no.: 234.

9/3 <emph render="italic">Intermit</emph>. Instrumental parts, tenor and piano only; 1 p.; 31.5 cm.

Note: Holograph in pencil and ink. On verso: Chord progressions for the tune Pensativa.

Reference no.: 234.

9/4 <emph render="italic">Invisible lady</emph>. Lead sheet; 2 leaves; 27.5 cm.

Note: Photocopy of holograph. On both leaves: © January, 1975, Jazz Workshop, Inc.

9/5 <emph render="italic">Invisible lady</emph>. Cello solo; 1 p.; 32 cm.

Note: Holograph in pencil. On verso: instrumental part for untitled piece.

9/6 <emph render="italic">Isabele's table dance</emph>. See also: Ysabel's table dance Instrumental parts; pagination varies; various sizes.

Note: Holographs in ink and pencil with holograph ink and pencil markings; includes photocopies with markings in pencil and ink. Alternate title scratched out: Tijuana's table dance.

Reference no.: 213.

37/3 <emph render="italic">Isabel's table dance</emph> / Sy Johnson, arr. See also: Ysabel's table dance Full score; 11 leaves; 32 cm.

Note: Manuscript in pencil by Sy Johnson.

Reference no.: 212.

Access points:

Johnson, Sy 9/7 <emph render="italic">Isabele's table dance</emph> / Sy Johnson, arr. See also: Ysabel's table dance Instrumental parts (guitar only); pagination varies; various sizes.

Note: Holographs in ink and includes photocopy of same.

Reference no.: 212.

Access points:

Johnson, Sy 9/8 [<emph render="italic">It's</emph>] <emph render="italic">nice of you to</emph> [<emph render="italic">have come to my funeral</emph>]. Full score; 1 p.; 31 cm.

Note: Holograph in pencil.

Reference no.: 038.

9/9 <emph render="italic">It's nice of you to have come to my funeral</emph>. Instrumental parts; various sizes; 32 cm.

Note: Copyist's manuscripts in ink, pencil, and marker.

Reference no.: 038.

9/10 [<emph render="italic">Jack the Bear</emph>]. Bass part; 1 p.; 32 cm.

Note: Holograph in pencil.

Reference no.: 244.

9/11 <emph render="italic">Jackie's blues</emph>. Piano-vocal score; 2 leaves; 31.5 cm.

Note: Holograph in pencil.

9/12 <emph render="italic">Jell Roll</emph>. Lead sheet (in bass cleff); 2 leaves; 32 cm.

Note: Copyist's manuscript in ink on transparent paper. At Bottom in pencil: © May 1956, Jazz Workshop, Inc.

Reference no.: 039.

9/13 <emph render="italic">(Jelly Roll) : aka "my Jelly Roll soul"</emph>. Lead sheet; 1 p.; 35.5 cm.

Note: Photocopy of holograph with markings in ink and felt-tip marker. In red ink: "This corresponds to the ABC version, not the CBS." At bottom: © Jan. 1975, Jan. 1977 Jazz Workshop, Inc., NYC, NY.

Reference no.: 136.

37/4 <emph render="italic">Jelly Roll</emph> / Sy Johnson, arr. Full score; 8 leaves; 28 x 43 cm.

Note: Manuscript in pencil by Sy Johnson.

Reference no.: 136.

Access points:

Johnson, Sy 9/14 <emph render="italic">Jive five floor four (remember Rockefeller at Attica) [cell block F is Nazi U.S.A.]</emph>. Condensed score; 2 p.; 32 cm.

Note: Holograph ms. in pencil.

Reference no.: 040.

9/15 <emph render="italic">Jive five floor four (remember Rockefeller at Attica) [cell block F is Nazi U.S.A.]</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Copyist's manuscripts in ink. At bottom of piano part: © Nov. 1974, Jazz Workshop, Inc.

Reference no.: 040.

9/16 <emph render="italic">John Doe</emph>. Instrumental parts ("baritone" and "1st bone" parts only); pagination varies; 30.5 cm.

Note: Copyist's manuscripts in ink; lyrics included on each parts.

Reference no.: 168.

Juice see: Winds (BOX: 28/14) 37/5 <emph render="italic">Jump Monk</emph> / Sy Johnson, arr. Full score; 27 leaves; 35.5 x 43.5 cm.

Note: Manuscript in pencil by Sy Johnson.

Reference no.: 041.

Access points:

Johnson, Sy 37/6 <emph render="italic">Jump Monk (#2)</emph>. Full score; 26 leaves; 36 x 42 cm.

Note: Manuscript in pencil, hand unknown.

Reference no.: 041.

9/17 <emph render="italic">Jump Monk (#2)</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Copyist's manuscripts in ink and pencil, hand unknown.

Reference no.: 041.

9/18 <emph render="italic">Just for laughs saps</emph>. Lead sheet; 2 p.; 30.5 cm.

Note: Holograph in pencil.

Reference no.: 042.

9/19 <emph render="italic">Just for laughs saps</emph>. Instrumental parts; pagination varies; 30.5 cm.

Note: Copyist's manuscripts in ink. At bottom: © November 1974, Jazz Workshop, Inc.

Reference no.: 042.

9/20 <emph render="italic">Lass</emph>. Guitar and bass parts; 2 p.; 32 cm.

Note: Holographs in ink and pencil.

9/21 <emph render="italic">Laura</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Holographs in pencil.

Reference no.: 196.

9/22 <emph render="italic">Letter ashes</emph>. Instrumental parts; 4 p.; 32 cm.

Note: Holographs in pencil.

9/23 <emph render="italic">Little Royal suite</emph>. Lead sheet; 2 leaves; 28 cm.

Note: Photocopy of copyist's manuscript. At head: June 1975, Jazz Workshop, Inc., NYC, NY.

Reference no.: 043, 116.

37/7 <emph render="italic">Little Royal suite (#26)</emph>. Condensed score; 25 leaves; 39.5 cm.

Note: Manuscript in pencil by Teo Macero (Intro., pages 1-2); the remainder arranged and scored by C. Mingus. Pages 1 and 2 are penned in full score form.

Reference no.: 043.

37/8 <emph render="italic">Little Royal suite (#26)</emph>. Full score, "coda"; 3 leaves; 35.5 x 43 cm.

Note: Copyist's manuscript in pencil by Sy Johnson.

Reference no.: 043.

37/9 <emph render="italic">Little Royal suite (#26)</emph>. Full score, "insert"; 9 leaves; 35.5 x 43 cm.

Note: Copyist's manuscript in pencil by Sy Johnson.

Reference no.: 043.

9/24-25 <emph render="italic">Little Royal suite (#26)</emph>. Instrumental parts; pagination varies; 32 cm. (2 folders).

Note: Copyist's manuscripts in ink and pencil.

Reference no.: 043.

10/1 <emph render="italic">Lonesome woman blues</emph>. Lead sheet; 1 p.; 30 cm.

Note: Photocopy of holograph. Marked at head: 148. In typescript: Di Charles Mingus - Edizioni Blue Team Music.

10/2 <emph render="italic">Los Mariachis</emph>. Lead sheet; 2 leaves; 35.5 cm.

Note: Photocopy of holograph.

10/3 <emph render="italic">Love chant</emph>. Lead sheet; 1 p.; 30.5 cm.

Note: Copyist's manuscript in ink. At bottom: © Chaz Mar Music, 19--.

10/4 <emph render="italic">Love is a dangerous necessity</emph>. Instrumental parts (incomplete); 3 leaves; 32 cm.

Note: Copyist's manuscripts in ink. At bottom: © June 1972, Jazz Workshop, Inc., NYC, NY.

Reference no.: 242.

37/10 <emph render="italic">Love's fury</emph>. Full score (incomplete); 1 p.; 30.5 x 40.5 cm.

Note: Holograph in pencil.

Reference no.: 044.

10/5 <emph render="italic">Love's fury</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Holographs in ink and pencil.

Reference no.: 044.

10/6 <emph render="italic">Make believe</emph>. Full score; 9 leaves; 28 x 35.5 cm.

Note: Holograph in pencil.

Reference no.: 062.

37/11 <emph render="italic">Make believe</emph>. Full score (incomplete); 9 leaves; 30.5 x 40.5 cm.

Note: Copyist's manuscript in pencil. Last page of score missing.

Reference no.: 063.

10/7 <emph render="italic">Make believe</emph>. Instrumental parts; pagination varies; 31.5 cm.

Note: Holographs in ink and pencil.

Reference no.: 062.

10/8 <emph render="italic">Make believe</emph>. Instrumental parts; pagination varies; 31.5 cm.

Note: Copyist's manuscripts in ink and pencil.

Reference no.: 063.

10/9 <emph render="italic">Make believe</emph>. Song lyrics; 3 p.; 31.5 cm.

Holograph in pencil.

Reference no.: 062, 063.

37/12 <emph render="italic">Make me know it</emph>. Full score; 12 leaves; 34.5 x 43.5 cm.

Note: Copyist's manuscript in pencil.

Reference no.: 104.

37/13 <emph render="italic">Make me know it</emph>. Full score; 12 leaves; 35.5 x 43.5 cm.

Note: Deshan (thermofax) copy of manuscript score.

Reference no.: 284.

10/10 <emph render="italic">Make me know it</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Copyist's manuscripts in ink.

Reference no.: 104, 284.

10/11 <emph render="italic">The nan who never sleeps</emph> / by Charles Mingus and Sy Johnson. Full score; 9 p.; 34 cm.

Note: Holograph in pencil and ink.

Reference no.: 048.

Access points:

Johnson, Sy Mingus, Charles 10/12 <emph render="italic">The man who never sleeps</emph> / by Charles Mingus and Sy Johnson. Condensed score; 3 leaves; 28 cm.

Note: Photocopy of holograph.

Reference no.: 204.

Access points:

Johnson, Sy Mingus, Charles 10/13 <emph render="italic">The man who never sleeps</emph> / by Charles Mingus and Sy Johnson. Lead sheets; 3 leaves; 33 cm.

Note: Copyist's manuscripts in ink.

Reference no.: 048.

Access points:

Johnson, Sy Mingus, Charles 10/14 <emph render="italic">The man who never sleeps</emph> / by Charles Mingus and Sy Johnson. Instrumental parts; pagination varies; various sizes.

Note: Holographs and copyist's manuscripts in ink and pencil.

Reference no.: 048.

Access points:

Johnson, Sy Mingus, Charles 10/15 <emph render="italic">Meditation #15)</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Holographs in ink and pencil.

Reference no.: 049.

10/16 <emph render="italic">Meditations for Moses</emph>. Lead sheet; 1 p.; 35.5 cm.

Note: Photocopy of holograph. At bottom: November 1976, © Jazz Workshop, Inc.

10/17 <emph render="italic">Meditations on integration</emph>. Lead sheet; 2 leaves; 35.5 cm.

Note: Photocopy of holograph.

10/18 <emph render="italic">Mike & Tike</emph>. Lead sheet; 3 p.; 27 cm.

Note: Photocopy of copyist's manuscript.

10/19 <emph render="italic">Mind-readers convention</emph>. Condensed score; 7 p.; 32 cm.

Note: Photocopy of holograph.

10/20 <emph render="italic">Mind-readers convention</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Holographs in ink and pencil.

10/21 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 1 : Pithecanthropus erectus</emph> / Alan Raph, arr. Instrumental parts; pagination varies; 32 cm. (folder 1 of 2).

Note: Ozalids of copyists' manuscripts in ink with pencil markings.

Reference no.: 246.

Access points:

Raph, Alan 11/1 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 1 : Pithecanthropus erectus</emph> / Alan Raph, arr. Instrumental parts; pagination varies; 32 cm. (folder 2 of 2).

Note: Ozalids of copyists' manuscripts in ink with pencil markings.

Reference no.: 246.

Access points:

Raph, Alan 11/2-4 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 1 : Pithecanthropus erectus</emph> / Alan Raph, arr. Instrumental parts; pagination varies; 28 cm. (3 folders).

Note: Photocopies of copyist's manuscripts.

Reference no.: 246.

Access points:

Raph, Alan 11/5 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 2 : O.P. (Oscar Pettiford)</emph> / Jaki Byard, arr. Full score; 20 p.; 34 cm.

Note: Holograph in ink and pencil; performance notes written throughout the score.

Reference no.: 247.

Access points:

Mingus, Charles Byard, Jaki 11/6-7 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 2 : O.P. (Oscar Pettiford)</emph> / Alan Raph, arr. Instrumental parts; pagination varies; 32 cm. (2 folders).

Note: Ozalids of copyists' manuscripts in ink with pencil markings.

Reference no.: 247.

Access points:

Raph, Alan 11/8-9 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 2 : O.P. (Oscar Pettiford)</emph> / Alan Raph, arr. Instrumental parts; pagination varies; 28 cm. (2 folders).

Note: Photocopies of copyists' manuscripts.

Reference no.: 247.

Access points:

Raph, Alan 12/1-3 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 3 : Myself when I am real</emph> / Alan Raph, arr. Instrumental parts; pagination varies; 32 cm. (3 folders).

Note: Ozalids of copyists' manuscripts in ink with pencil markings.

Reference no.: 248.

Access points:

Raph, Alan 12/4-6 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 3 : Myself when I am real</emph> / Alan Raph, arr. Instrumental parts; pagination varies; 28 cm. (3 folders).

Note: Photocopies of copyists' manuscripts.

Reference no.: 248.

Access points:

Raph, Alan 13/1-2 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 4 : Freedom</emph> / Alan Raph, arr. Instrumental parts; pagination varies; 32 cm. (2 folders).

Note: Ozalids of copyists' manuscripts in ink with pencil markings.

Reference no.: 250.

Access points:

Raph, Alan 13/3-4 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 4 : Freedom</emph> / Alan Raph, arr. Instrumental parts; pagination varies; 28 cm. (2 folders).

Note: Photocopies of copyist's manuscripts.

Reference no.: 250.

Access points:

Raph, Alan 13/5 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 5 : Half-mast inhibition</emph>. Lead sheet; 1 p.; 29.5 cm.

Note: Photocopy of holograph. Marked at head: 142. In typescript: Di Charles Mingus - Edizioni Blue Team Music.

Reference no.: 251.

13/6 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 5 : Half mast inhibition ("ballet suite")</emph> / Jaki Byard, arr. Full score; 18 leaves; 33 cm.

Note: Photocopy of copyist's manuscript in ink, reversed.

Reference no.: 251.

Access points:

Byard, Jaki 13/7 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 5 : Half mast inhibition</emph>. Condensed score; 8 p.; 31 cm.

Note: Holograph in ink and pencil.

Reference no.: 251.

13/8 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 5 : Half mast inhibition</emph>. Piano-conductors' score; 3 leaves; 31 cm.

Note: Holograph in pencil.

Reference no.: 251.

13/9 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 5 : Half mast inhibition</emph>. Piano transcription; 7 leaves; 35.5 cm.

Note: Photocopy of holograph.

Reference no.: 251.

13/10-12 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 5 : Half-mast inhibition</emph> / Alan Raph, arr. Instrumental parts; pagination varies; 32 cm. (3 folders).

Note: Ozalids of copyist's manuscripts in ink and pencil.

Reference no.: 251.

Access points:

Raph, Alan 14/1-3 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 5 : Half-mast inhibition</emph> / Alan Raph, arr. Instrumental parts; pagination varies; 28 cm. (3 folders).

Note: Photocopies of copyist's manuscripts.

Reference no.: 251.

Access points:

Raph, Alan 14/4-5 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 6 : Dizzy's moods</emph> / Alan Raph, arr. Instrumental parts; pagination varies; 32 cm. (2 folders).

Note: Ozalids of copyist's manuscript in ink and pencil.

Reference no.: 252.

Access points:

Raph, Alan 14/6-7 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 6 : Dizzy's moods</emph> / Alan Raph, arr. Instrumental parts; pagination varies; 28 cm. (2 folders).

Note: Photocopies of copyist's manuscripts.

Reference no.: 252.

Access points:

Raph, Alan 14/8 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 7 : Alice on wonderland (INA)</emph>. Lead sheet; 1 p.; 31 cm.

Note: Holograph in pencil. On verso: the tune Boogie-woogie.

Reference no.: 253.

14/9 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 7 : Alice in wonderland (ballad)</emph>. Chord chart; 1 p.; 31.5 cm.

Note: Holograph in ink. On verso: the tunes Nostalgia on Times Square; Shadows, and Girl of my dreams.

Reference no.: 253.

14/10 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 7 : Diane</emph>. Lead sheet (I); 1 p.; 30.5 cm.

Note: Holograph in pencil.

Reference no.: 253.

14/11 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 7 : Diane</emph>. Lead sheet (II); 1 p.; 30.5 cm.

Note: Holograph in ink.

Reference no.: 253.

14/12 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 7 : Diane</emph>. Lead sheet (III); 1 p.; 28 cm.

Note: Photocopy of holograph.

Reference no.: 253.

14/13 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 7 : Diane</emph>. Chord chart; 1 p.; 31.5 cm.

Note: Holograph in ink.

Reference no.: 253.

14/14 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 7 : Diane (ballet suite)</emph> / Jaki Byard, arr. Full score (incomplete); 7 p.; 34 cm.

Note: Copyist's manuscript in pencil.

Reference no.: 128.

Access points:

Byard, Jaki 14/15 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 7 : Diane (Alice's wonderland)</emph>. Instrumental parts; pagination varies; various sizes.

Note: Holographs in ink and pencil and photocopy of one instrumental part. On verso of the trumpet part: the tune Prayer meeting.

Reference no.: 221.

14/16-17 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 7 : Diane</emph> / Alan Raph, arr. Instrumental parts; pagination varies; 31.5 cm. (2 folders).

Note: Copyist's manuscripts in ink with pencil and crayon markings.

Reference no.: 253.

Access points:

Raph, Alan 15/1-2 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 7 : Diane</emph> / Alan Raph, arr. Instrumental parts; pagination varies; 28 cm. (2 folders).

Note: Photocopies of copyist's manuscripts.

Reference no.: 253.

Access points:

Raph, Alan 15/3 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 7 : Dianeland (Eatland ; Mingus, Op. 1959)</emph>. Condensed score; 14 p.; 36 cm.

Note: Copyist's manuscript in ink in unknown hand with pencil holograph markings. Three titles at head: 1) Dianeland; 2) Eatland; 3) Mingus - Opus 1959.

Reference no.: 253.

15/4 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 7 : Dianeland</emph>. Full score; [23] leaves; 21.5 x 28 cm.

Note: Photocopy of copyist's manuscript with red ink and pencil markings; unknown hand. Laid in: First page of manuscript full score in ink on transparent paper; unknown hand.

Reference no.: 253.

15/5-8 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 7 : Dianeland (adagio ma non troppo)</emph> / Alan Raph, arr. Instrumental parts; pagination varies; 32 cm. (4 folders).

Note: Copyist's manuscripts in ink with pencil and crayon markings.

Reference no.: 253.

Access points:

Raph, Alan 16/1 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 8 : Ysabel's table dance</emph> / by Charles Mingus and Alan Raph ; Sy Johnson, arr. Lead sheet; 3 leaves; 30 cm.

Note: Photocopy of holograph. At bottom of third p.: © Jazz Workshop, Inc., November 1976.

Reference no.: 254.

Access points:

Johnson, Sy Mingus, Charles Raph, Alan 16/2-3 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 8 : Ysabel's table dance</emph> / by Charles Mingus and Alan Raph ; Sy Johnson, arr. Instrumental parts; pagination varies; 32 cm. (2 folders).

Note: Copyist's manuscripts in ink and pencil.

Reference no.: 097.

Access points:

Johnson, Sy Mingus, Charles Raph, Alan 16/4-5 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 8 : Ysabel's table dance</emph> / Alan Raph, arr. Instrumental parts; pagination varies; 28 cm. (2 folders).

Note: Photocopies of copyist's manuscripts.

Reference no.: 254.

Access points:

Raph, Alan 16/6 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 9 : Haitian fight song</emph> / by Charles Mingus and Alan Raph. Full score; 5 leaves; 31.5 cm.

Note: Manuscript in pencil by Sy Johnson.

Reference no.: 255.

Access points:

Mingus, Charles Raph, Alan 16/7-8 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 9 : Haitian fight song</emph> / by Charles Mingus and Alan Raph ; Sy Johnson, arr. Instrumental parts; pagination varies; 32 cm. (2 folders).

Note: Copyists' manuscripts in ink with pencil markings; ozalid copies also included.

Reference no.: 255.

Access points:

Johnson, Sy Mingus, Charles Raph, Alan 17/1-2 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 9 : Haitian fight song</emph> / by Charles Mingus and Alan Raph ; Sy Johnson, arr. Instrumental parts; pagination varies; 28 cm. (2 folders).

Note: Photocopies of copyist's manuscripts.

Reference no.: 255.

Access points:

Johnson, Sy Mingus, Charles Raph, Alan 17/3 <emph render="italic">Mingus dances</emph>. <emph render="italic">No. 9 : Haitian fight song (#23)</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Copyist's manuscript in ink and pencil.

Reference no.: 154.

17/4 <emph render="italic">Mingus fingers</emph>. See also: Harris + Mingus fingers Lead sheet; 1 p.; 29.5 cm.

Note: Photocopy of holograph. Marked at head: 151. In typescript: Di Charles Mingus - Edizioni Blue Team Music.

37/13 <emph render="italic">Mingus fingers (#7)</emph>. See also: Harris + Mingus fingers Full score; 19 leaves; 34.5 x 43.5 cm.

Note: Holograph in pencil with copyist's markings in regular and colored pencil.

Reference no.: 051.

17/5 <emph render="italic">Mingus fingers (#7)</emph>. See also: Harris + Mingus fingers Instrumental parts; pagination varies; 32 cm.

Note: Copyist's manuscript in ink and pencil.

Reference no.: 051.

17/6 <emph render="italic">Mingus's lo slo bluze</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Copyist's manuscript in ink.

Reference no.: 050.

17/7 <emph render="italic">Minor intrusion</emph>. Lead sheet; 1 p.; 35.5 cm.

Note: Photocopy of copyist's manuscript. At bottom: © January, 1960, Jazz Workshop, Inc., New York, N.Y.

Reference no.: 157.

17/8 <emph render="italic">Minor intrusion</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Copyist's manuscript in ink and pencil.

Reference no.: 157.

17/9 <emph render="italic">Miss Bliss</emph>. Instrumental parts; pagination varies; 31 cm.

Note: Holographs in ink and pencil; cello part written in ink by Hugo Vianello.

Reference no.: 110.

17/10 <emph render="italic">Miss Bliss</emph>. Instrumental parts; pagination varies; 31.5 cm.

Note: Copyist's manuscript in ink and pencil.

Reference no.: 109.

18/1 <emph render="italic">Modern jazz writer</emph>. Condensed score (sketch); 2 p.; 21 x 23.5 cm.

Note: Holographs in pencil.

Reference no.: 233.

18/2 <emph render="italic">Modern jazz writer</emph>. Piano part; 2 p.; 28 cm.

Note: Manuscript in ink in unknown hand, and holograph markings in pencil.

Reference no.: 233.

18/3 <emph render="italic">Modern rhythms</emph>. Condensed score; 2 p.; 31.5 cm.

Note: Holograph in pencil.

18/4 <emph render="italic">Montage</emph>. Cello part; 4 p.; 31.5 cm.

Note: Copyist's manuscript in ink with pencil markings.

Reference no.: 211.

18/5 <emph render="italic">Moon light</emph>. Lead sheet; 2 p.; 31.5 cm.

Note: Holograph in pencil. On verson: the tune Lett, scratched out.

18/6 <emph render="italic">My city</emph>. Chord chart; 1 p.; 32 cm.

Note: Holograph in pencil.

18/7 <emph render="italic">Myself when I am real</emph>. Lead sheet; 1 p.; 28 cm.

Note: Photocopy of holograph. Marked at head: 154. In typescript: Di Charles Mingus - Edizioni Blue Team Music.

Reference no.: 053.

37/14 <emph render="italic">Myself when I am real</emph>. Condensed score; 9 p.; 35.5 cm.

Note: Manuscript in ink by H.B. Miller, with holograph markings in pencil.

Reference no.: 053.

18/8 <emph render="italic">Myself when I am real</emph>. Condensed score; 9 leaves; 28 cm.

Note: Photocopy of manuscript in ink by H.B. Miller; photocopy is smaller in size than original and contains additional markings.

Reference no.: 053.

18/9 <emph render="italic">Myself when I am real</emph>. Clarinet part; 1 p.; 31.5 cm.

Note: Copyist's manuscript in ink.

Reference no.: 053.

18/10 <emph render="italic">N.B.C. documentary</emph> See also: Where does a man go to find peace Instrumental parts; pagination varies; 31.5 cm.

Note: Copyist's manuscript in ink with pencil markings.

Reference no.: 160.

18/11 <emph render="italic">Nacirema</emph>. Instrumental parts; pagination varies; 28 cm.

Note: Holographs in pencil.

Reference no.: 236.

38/1 <emph render="italic">New Foundland</emph>. Full score; 24 leaves; 39 cm.

Note: Holograph in pencil.

Reference no.: 054.

18/12 <emph render="italic">New York sketch book</emph>. Lead sheet; 1 p.; 28 cm.

Note: Photocopy of holograph. Marked at head: 156. In typescript: Di Charles Mingus - Edizioni Blue Team Music.

18/13 <emph render="italic">No. 1</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Copyist's manuscript in ink and pencil.

Reference no.: 058.

38/2 <emph render="italic">No. 1 grandson</emph> / Sy Johnson, arr. Full score; 7 leaves; 36 x 43.5 cm.

Note: Manuscript in pencil by Sy Johnson.

Reference no.: 045.

Access points:

Johnson, Sy 18/14 <emph render="italic">No. 1 grandson (#16)</emph> / Sy Johnson, arr. Instrumental parts; pagination varies; 32 cm.

Note: Copyist's manuscript in ink with pencil markings.

Reference no.: 045.

Access points:

Johnson, Sy 18/15 <emph render="italic">No. 2 (rebop and bebop)</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Copyist's manuscript in ink and pencil.

Reference no.: 046.

18/16 <emph render="italic">No. 3 (opus 3)</emph>. Chord chart; 1 p.; 32 cm.

Note: Copyist's manuscript in ink and pencil.

Reference no.: 059.

18/17 <emph render="italic">No. 3 (opus 3)</emph>. Instrumental parts; pagination varies; various sizes.

Note: Holograph and copyist's manuscripts in ink.

Reference no.: 059.

18/18 <emph render="italic">No where</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Holographs in ink and pencil.

Reference no.: 188.

18/19 <emph render="italic">Nobody knows the Bradley I know</emph>. Lead sheet; 2 leaves; 28 cm.

Note: Photocopy of holograph. At bottom: © April 1975, Jazz Workshop, Inc.

Reference no.: 122.

38/3 <emph render="italic">Nobody knows</emph> [<emph render="italic">the Bradley I know</emph>]. Full score (incomplete); [6] p.; 28 x 43.5 cm.

Note: Copyist's manuscript in pencil.

Reference no.: 122.

18/20 <emph render="italic">Nobody knows</emph> [<emph render="italic">the Bradley I know</emph>]. Instrumental parts; pagination varies; 32 cm.

Note: Copyist's manuscript in ink with pencil markings.

Reference no.: 122.

18/21 <emph render="italic">Noddin' ya head blues</emph>. Lead sheet; 1 p.; 31.5 cm.

Note: Copyist's manuscript in ink.

Reference no.: 056, 057, 224.

38/4 <emph render="italic">Noddin' ya head</emph> [<emph render="italic">blues</emph>]. Full score; 2 p.; 28 x 43.5 cm.

Note: Manuscript in pencil by Paul Jeffrey.

Reference no.: 056.

18/22 <emph render="italic">Noddin' ya head blues</emph>. Instrumental parts; pagination varies; various sizes.

Note: Holographs in ink and pencil, and photocopies of holographs.

Reference no.: 057.

18/23 <emph render="italic">Noddin' ya head blues</emph> / Sy Johnson, arr. Instrumental parts; pagination varies; 32 cm.

Note: Copyist's manuscrip mt in ink with markings in pencil.

Access points:

Johnson, Sy 38/5 [<emph render="italic">Nostalgia in Times Square</emph>] <emph render="italic">(Strollin')</emph> / Sy Johnson, arr. Full score; 16 leaves; 36 x 43 cm.

Note: Manuscript in pencil by Sy Johnson. Title at head: Strollin'.

Reference no.: 148.

Access points:

Johnson, Sy 18/24 [<emph render="italic">Nostalgia in Times Square</emph>] <emph render="italic">(Strollin')</emph> / Sy Johnson, arr. Instrumental parts; pagination varies; 32 cm.

Note: Copyist's manuscript in ink with pencil markings.

Reference no.: 149.

Access points:

Johnson, Sy 18/25 <emph render="italic">Nourog</emph>. Lead sheet; 1 p.; 28 cm.

Note: Photocopy of holograph. Marked at head: 157. In typescript: Di Charles Mingus - Edizioni Blue Team Music.

Reference no.: 047, 272, 283.

43/7 <emph render="italic">Nouroog</emph>. Full score; 19 leaves; 53.5 cm.

Note: Deshan (thermofax) copy of copyist's manuscript.

Reference no.: 283.

18/26 <emph render="italic">Nouroog</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Copyist's manuscript in ink with pencil markings.

Reference no.: 047.

18/27 <emph render="italic">O.P. (also "O.P. Jr.")</emph> Lead sheet; 1 p.; 35.5 cm.

Note: Photocopy of copyist's manuscript. At bottom: © June, 1974, Jazz Workshop, Inc., New York, NY.

Reference no.: 155, 273.

38/6-7 <emph render="italic">O.P.</emph> Full score; 29 leaves, in 2 folders; 43.5 cm.

Note: Deshan (thermofax) copy of copyist's mauscript.

Reference no.: 273.

19/1 <emph render="italic">Of love, pain, and passioned revolt ...</emph>. Lead sheet; 1 p.; 28 cm.

Note: Photocopy of holograph. Full title: Of love, pain, and passioned revolt, then farewell my beloved until it's Freedom Day.

19/2 <emph render="italic">Oh Lord, don't let them drop that atomic bomb on me</emph>. Lead sheet; 1 p.; 28 cm.

Note: Photocopy of holograph. At bottom: © Nov. 1976, Jazz Workshop, Inc., NYC, NY.

19/3 <emph render="italic">Once upon a time there was a holding corporation called Old America</emph>. Trumpet 1 part; 1 p.; 32 cm.

Note: Holograph in pencil.

19/4 <emph render="italic">Open letter to Duke</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Copyist's manuscript in ink and pencil.

Reference no.: 240.

19/5 <emph render="italic">Opus 4</emph>. Lead sheet; 1 p.; 35.5 cm.

Note: Photocopy of holograph. At bottom: © Jan. 1975, Jazz Workshop, Inc., NYC, NY.

19/6 <emph render="italic">Orange</emph>. Lead sheet; 1 p.; 32.5 cm.

Note: Photocopy of holograph.

19/7 <emph render="italic">Orange</emph>. Instrumental parts; pagination varies; various sizes.

Note: Holographs in ink with pencil markings.

19/8 <emph render="italic">Orange was the color of her dress, then pink</emph>. Lead sheet; 1 p.; 28 x 35.5 cm.

Note: Holograph in ink with pencil markings.

Reference no.: 060.

19/9 <emph render="italic">Orange (also orange was the color of her dress, then silk blues)</emph>. Lead sheet; 1 p.; 35.5 cm.

Note: Photocopy of holograph. At bottom: © January 1975, Jazz Workshop, Inc., NYC, NY.

Reference no.: 060.

19/10 <emph render="italic">Orange orange was the color of her dress, then silk blues</emph>. Instrumental parts; pagination varies; various sizes.

Note: Holographs in ink and pencil, photocopies of holographs, and copyist's manuscripts.

Reference no.: 060.

38/8 <emph render="italic">Osmotin</emph>. Full score; 21 leaves; 53.5 cm.

Note: Deshan (thermofax) copy of holograph. Alternate title: Monk, Bunk, and visa versa.

Reference no.: 278.

38/9 <emph render="italic">Our last kiss</emph>. Full score (incomplete); 5 leaves; 30.5 x 40.5 cm.

Note: Holograph in pencil.

Reference no.: 137.

19/11 <emph render="italic">Pansies</emph>. Condensed score; 2 p.; 32 cm.

Note: Holograph in pencil.

19/12 <emph render="italic">Paris in blue</emph>. Piano part (incomplete); 1 p.; 32 cm.

Note: Holograph in ink.

Reference no.: 183.

19/13 <emph render="italic">Parkeriana</emph>. Lead sheet; 1 p.; 28 cm.

Note: Photocopy of holograph.

19/14 <emph render="italic">Part II - of what?</emph> Condensed score; 9 p.; 32 cm.

Note: Copyist's manuscript in ink with pencil markings.

19/15 <emph render="italic">Passions of a women loved</emph>. Lead sheet; 3 leaves; 31.5 cm.

Note: Copyist's manuscript in ink.

Reference no.: 180.

19/16 <emph render="italic">Passions of a women loved</emph>. Chord chart; 8 p.; various sizes.

Note:L Holograph in pencil.

Reference no.: 180.

19/17 <emph render="italic">Peddal point blues</emph>. Lead sheet; 1 p.; 28 cm.

Note: Photocopy of holograph. Marked at head: 160. In typescript: Di Charles Mingus - Edizioni Blue Team Music.

19/18 <emph render="italic">Peggy's blue skylight</emph>. Lead sheet; 2 leaves; 32 cm.

Note: Photocopy of holograph and photocopy of copyist's manuscript. At bottom of copyist's manuscript: © October 1960, Jazz Workshop, Inc.

Reference no.: 061.

19/19 <emph render="italic">Peggy's blue skylight</emph>. Condenzed score; 1 p.; 35.5 cm.

Note: Photocopy of holograph.

Reference no.: 061.

19/20 <emph render="italic">Peggy's blue skylight</emph>. Instrumental parts; pagination varies; various sizes.

Note: Holographs in ink and pencil, copyist's manuscripts in ink and pencil, and photocopies.

Reference no.: 061.

19/21 <emph render="italic">Percussion discussion</emph>. Lead sheet; 1 p.; 28 cm.

Note: Photocopy of holograph. At bottom: © Jazz Workshop, Inc., December 7, 1976.

Reference no.: 107.

44/1 <emph render="italic">Percussion discussion (Percussion day)</emph>. Full score; 22 leaves; various sizes.

Note: Copyist's manuscript in pencil and ink.

Reference no.: 107.

19/22 <emph render="italic">Percussion discussion</emph>. Instrumental parts; pagination varies; various sizes.

Note: Copyist's manuscript in ink; includes photocopies.

Reference no.: 107.

39/1 <emph render="italic">Pilobolus</emph>. Full score; 11 p.; 28.5 x 43.5 cm.

Note: Copyist's manuscript in pencil with some markings in ink.

Reference no.: 064.

19/23 <emph render="italic">Pilobolus</emph>. Instrumental parts; pagination varies; various sizes.

Note: Holographs and copyist's manuscripts in ink and pencil.

Reference no.: 064.

39/2-3 <emph render="italic">Please don't come back from the moon</emph>. Full score; 22 leaves, in 2 folders; 34 x 46 cm.

Note: Deshan (thermofax) copy of copyist's manuscript. This item is seriously damaged and requires conservation treatment.

Reference no.: 287.

19/24 <emph render="italic">Please don't come back from the moon</emph>. Piano part; 4 p.; 31.5 cm.

Note: Copyist's manuscript and holograph in ink and pencil.

Reference no.: 023.

39/4 <emph render="italic">Please don't come back from the moon (section II)</emph>. Full score; 15 leaves; 53 cm.

Note: Deshan (thermofax) copy of copyist's manuscript.

Reference no.: 276.

19/25 <emph render="italic">Please - play</emph>. Tenor part; 1 p.; 27 cm.

Note: Holograph in pencil.

20/1 <emph render="italic">Portrait</emph>. Lead sheets (2 versions); 2 leaves; various sizes.

Note: Copyist's manuscripts in pencil; one version in the hand of Sabu Adeyola, the other in the hand of Jimmy Knepper.

Reference no.: 065, 066, 067, 140.

20/2 <emph render="italic">Portrait</emph>. Lead sheet (fragment); 2 p.; 32.5 cm.

Note: Holograph in pencil.

Reference no.: 067.

20/3 <emph render="italic">Portrait</emph>. Chord chart; 1 p.; 30.5 cm.

Note: Holograph in ink. On verso: chord chart for the tune Orange.

Reference nos.: 065, 066, 067, 140.

20/4 <emph render="italic">Portrait</emph>. Condensed score; 2 p.; 28 cm.

Note: Copyist's manuscript in ink and colored pencil in the hand of Bill Furioso.

Reference nos.: 065, 066, 067, 140.

20/5 <emph render="italic">Portrait</emph>. Full score; 7 leaves; 26.5 x 56 cm.

Note: Holograph in regular and colored pencil and ink.

Reference no.: 208.

20/6 <emph render="italic">Portrait</emph>. Full score; 13 p.; 34 cm.

Note: Holograph in pencil with holograph markings in pencil.

Reference no.: 065.

39/5 <emph render="italic">Portrait</emph> / Sy Johnson, arr. Full score; 8 leaves; 35.5 x 43 cm.

Note: Manuscript in pencil by Sy Johnson.

Access points:

Johnson, Sy 20/7 <emph render="italic">Portrait</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Copyist's manuscript in ink; one cello part on transparent paper.

Reference no.: 067.

20/8 <emph render="italic">Portrait (#9)</emph>. Full score; [6] leaves; 28.5 x 35.5 cm. (in mylar).

Note: Holograph in pencil with holograph markings in colored pencil.

Reference no.: 140.

20/9 <emph render="italic">Portrait (#9)</emph>. Instrumental parts; pagination varies; various sizes.

Note: Holographs and copyist's manuscripts in ink and pencil.

Reference no.: 066.

20/10 <emph render="italic">Portrait (insert)</emph>. Instrumental parts; pagination varies; various sizes.

Note: Holographs in ink with holograph pencil markings.

20/11 <emph render="italic">Portrait (Make believe)</emph>. Lead sheet; 1 p.; 32 cm.

Note: Photocopy of holograph.

20/12 [<emph render="italic">Portrait (variation)</emph>]. Trumpet part; 1 p.; 31.5 cm.

Note: Holograph in pencil.

20/13 <emph render="italic">Prayer for passive resistance</emph>. Lead sheet; 1 p.; 35.5 cm.

Note: Photocopy of holograph. At bottom: © Jazz Workshop, Inc., November 1976, NYC, NY.

39/6 <emph render="italic">Prisoner of love</emph>. Full score; 6 leaves; 35.5 x 40.5 cm.

Note: Copyist's manuscript in pencil.

Reference no.: 069.

20/14 <emph render="italic">Profile of Jackie</emph>. Lead sheet; 1 p.; 27 cm.

Note: Photocopy of holograph. Marked at head: 116. Stamped: Blue Team Music Ed. Mus.

20/15 <emph render="italic">Profile of Jackie McLean</emph>. Lead sheet (alto sax part); 2 p.; 27.5 cm.

Note: Holograph in ink with holograph pencil markings. On verso: Chord progressions to unknown composition, possibly Profile of Jackie McLean.

20/16 <emph render="italic">Purple heart</emph>. Lead sheet; 2 leaves; 27.5 cm.

Note: Photocopy of holograph. At bottom of second p.: © February 1976, Jazz Workshop, Inc.

Reference no.: 070.

20/17-18 <emph render="italic">Purple heart (#24)</emph>. Instrumental parts; pagination varies; 32 cm. (2 folders).

Note: Copyist's manuscript in ink and colored pencil.

Reference no.: 070.

20/19 <emph render="italic">Pussy cat dues</emph>. Lead sheet; 1 p.; 27.5 cm.

Note: Photocopy of copyist's manuscript. At bottom: © September 1975, Jazz Workshop, Inc.

20/20 <emph render="italic">Reincarnation</emph> [<emph render="italic">of a lovebird</emph>]. Piano score and lead sheet; 3 p.; 32 cm.

Note: Photocopy of copyist's manuscript in unknown hand.

Reference no.: 072.

20/21 <emph render="italic">Reincarnation of a lovebird</emph>. Lead sheets "A" and "B"; 1 + 1 p.; 28 cm.

Note: Photocopy of two manuscripts in unknown hand. Lead sheet "A" marked at bottom in pencil: Woman's key. Lead sheet "B" unmarked.

Reference no.: 072.

20/22 [<emph render="italic">Reincarnation of a lovebird</emph>]. Lead sheet, with chord indications; 1 p.; 27.5 cm.

Note: Manuscript in ink by Bill Furioso. Title at head: "Changes to Lovebird".

Reference no.: 072.

20/23 <emph render="italic">Reincarnation of a lovebird</emph>. Instrumental parts; pagination varies; various sizes.

Note: Holographs in ink and pencil with holograph markings in pencil and ink, photocopies of holographs, copyist's manuscripts in ink and pencil, and photocopies of copyist's manuscripts.

Reference no.: 072.

21/1 <emph render="italic">Reincarnation of a lovebird (#22)</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Copyist's manuscripts in ink with red pencil markings.

Reference no.: 071.

21/2 <emph render="italic">Remember Rockefeller at Attica</emph>. Trumpet part; 1 p.; 31 cm.

Note: Holograph in ink.

Reference no.: 223.

21/3 [<emph render="italic">Remember Rockefeller at Attica (Just for laughs saps)</emph>]. Condensed score; 2 leaves; 31.5 cm.

Note: Photocopy of holograph. At head: Alternate title Just for laughs scatched out.

Reference no.: 293.

21/4 [<emph render="italic">Remember Rockefeller at Attica (Just for laughs saps)</emph>]. Chord chart; 2 leaves 32 cm.

Note: Photocopy of holograph.

Reference no.: 293.

21/5 [<emph render="italic">Remember Rockefeller at Attica</emph>] <emph render="italic">(Just for laughs saps)</emph>. Instrumental parts; 2 leaves; various sizes.

Note: Photocopies of copyist's manuscipts; notation and markings in unknown hand. At head: Just for laughs.

Reference no.: 293.

21/6 <emph render="italic">Revelations</emph>. Lead sheet; 7 leaves; 35.5 cm.

Note: Photocopy of holograph. At bottom of first leaf: © Nov. 1976, Jazz Workshop, Inc., NYC, NY.

Reference no.: 073.

21/7 <emph render="italic">Rhapsody ever after</emph>. Drum part; 2 p.; 32 cm.

Note: Copyist's manuscript with holograph markings in ink and colored pencil.

21/8 <emph render="italic">Roland Kirk's message</emph>. Lead sheet; 1 p.; 35.5 cm.

Note: Photocopy of holograph. At bottom: © Jazz Workshop, Inc., November 1976, NYC, NY.

21/9 <emph render="italic">Rotatin'</emph>. Condensed score; 2 p.; 31 cm.

Note: Holograph in pencil.

21/10 <emph render="italic">Saint and sinner join in merriment on battle front</emph> : from <emph render="italic">The black saint</emph>. Lead sheet; 1 p.; 28 cm.

Note: Photocopy of copyist's manuscript in unknown hand. At bottom: © Dec. 1975, Jazz Workshop., Inc., New York, NY.

21/11 <emph render="italic">Sally wanna doodle all day</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Holograph in pencil.

Reference no.: 237.

21/12 <emph render="italic">Scenes in the city</emph>. Lead sheet; 1 p.; 27.5 cm.

Note: Photocopy of holograph. Marked at head: 163. In typescript: Di Charles Mingus - Edizioni Blue Team Music. Stamped: Blue Team Music Ed. Mus.

39/7 <emph render="italic">School boy</emph>. Condensed score; 3 leaves; 39.5 cm.

Note: Holograph in pencil with ink markings.

Reference no.: 118.

21/13 <emph render="italic">School boy</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Copyist's manuscript in ink and pencil.

Reference no.: 165.

21/14 [<emph render="italic">Search the beyond</emph>] : written "<emph render="italic">Search the beond</emph>". Condensed score; 1 p; 27.5 x 34.5 cm.

Note: Holograph in pencil. Item includes additional notation on attached pages.

21/15 <emph render="italic">Self-portrait in three colors</emph>. Lead sheet; 1 p.; 28 cm.

Note: Photocopy of holograph.

Reference no.: 074.

21/16 <emph render="italic">Self-portrait in three colors</emph>. Full score; 5 leaves; 22.5 x 34.5 cm.

Note: Photocopy of copyist's manuscript.

Reference no.: 074.

21/17 <emph render="italic">Self-portrait in three colors</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Copyist's manuscripts in ink.

Reference no.: 074.

21/18 <emph render="italic">Self-portrait in three colors</emph>. Instrumental parts; pagination varies; various sizes.

Note: Holographs and copyist's manuscripts in ink.

Reference no.: 074.

21/19 <emph render="italic">Septemberly</emph>. Lead sheet; 1 p.; 28 cm.

Note: Photocopy of holograph. At bottom: © Jazz Workshop, Inc., December 7, 1976, New York, N.Y.

21/20 [<emph render="italic">Shadows - themes</emph>]. Trombone part; 5 p.; 32 cm.

Note: Holograph in ink and red pencil.

Reference no.: 219.

21/21 <emph render="italic">She's just Miss Popular hybrid</emph>. Lead sheet; 1 p.; 35.5 cm.

Note: Photocopy of holograph. At bottom: © Jazz Workshop, Inc., November 1976, New York, N.Y.

21/22 <emph render="italic">Shoes of the fisherman's wife : a.k.a. Once upon a time there was a holding corporation called Old America</emph>. Lead sheet; 2 leaves; 27.5 cm.

Note: Photocopy of copyist's manuscript. At bottom: © Dec. 1975, Jazz Workshop, Inc. NYC, NY.

Reference no.: 080, 081.

44/2 <emph render="italic">Shoes of the fisherman's wife</emph> / Sy Johnson, arr. Full score; 47 p.; 48.5 cm.

Note: Manuscript in pencil by Sy Johnson; includes photocopied pages.

Reference no.: 081.

Access points:

Johnson, Sy 39/8-9 <emph render="italic">Shoes of the fisherman's wife</emph> / Sy Johnson, arr. Full score; 46 leaves, in 2 folders; 35.5 x 43.5 cm.

Note: Photocopy of manuscript by Sy Johnson with markings in blue ink.

Reference no.: 081.

Access points:

Johnson, Sy 21/23-26 <emph render="italic">Shoes of the fisherman's wife</emph>. Instrumental parts; pagination varies; 32 cm. (4 folders).

Note: Copyist's manuscript in ink with color pencil markings.

Reference no.: 080.

22/1 <emph render="italic">Shuffle bass boogie</emph>. Lead sheet; 1 p.; 30.5 cm.

Note: Copyist's manuscript in ink. At bottom: © Sept. 1981, Jazz Workshop, Inc., New York, NY.

22/2 <emph render="italic">Sketch #1</emph> / music by Charles Mingus ; words by Susan Graham. Piano-vocal score; 6 p.; 32 cm.

Note: Copyist's manuscripts in ink and pencil; words in typescript. At bottom: © Jazz workshop, Inc., New York, 1978.

Reference no.: 075.

Access points:

Graham, Susan Mingus, Charles 22/3 <emph render="italic">Sketch #1</emph> / music by Charles Mingus ; words by Susan Graham. Piano-vocal score; 3 p.; 32 cm.

Note: Copyist's manuscript in ink; words in pencil.

Reference no.: 075.

Access points:

Graham, Susan Mingus, Charles 22/4 <emph render="italic">Sketch #1 (Sweet sucker dance)</emph>. Piano score; 3 p.; 32 cm.

Note: Copyist's manuscript in ink with holograph markings in pencil. At bottom: © Jazz Workshop, Inc.

Reference no.: 079.

22/5 <emph render="italic">Sketch #2</emph>. Piano score; 3 p.; 32 cm.

Note: Copyist's manuscripts in ink and pencil. At bottom: © Jazz Workshop, Inc., April 1978.

Reference no.: 206.

22/6 <emph render="italic">Sketch #2 (Fly away with me)</emph>. Piano-vocal score; 3 p.; 32 cm.

Note: Copyist's manuscripts in ink; words in typescript. At bottom: © Jazz Workshop, Inc., April 1978.

Reference no.: 289.

22/7 <emph render="italic">Sketch #3</emph>. Piano score; 6 p.; 32 cm.

Note: Copyist's manuscript in ink. At bottom: © Jazz Workshop, Inc., April 1978.

Reference no.: 076.

22/8 <emph render="italic">Sketch #4</emph>. Piano score; 6 leaves; 35.5 cm.

Note: Photocopy of copyist's manuscript. At bottom: © Jazz Workshop, Inc., April 1978.

Reference no.: 207.

22/9 <emph render="italic">Sketch #4 : 42nd street</emph>. See also: Some are Sioux Piano-vocal score; 6 p.; 32 cm.

Note: Copyist's manuscript in ink and typescript with markings in pencil. At bottom of page 1: © Jazz Workshop, Inc., April 1978.

Reference no.: 207.

22/10 <emph render="italic">Sketch #4 (Some are Sioux)</emph>. See also: Sketch #4 : 42nd street Trumpet part; 4 p.; 32 cm.

Note: Copyist's manuscript in ink with pencil markings.

Reference no.: 077.

22/11 <emph render="italic">Sketch #5</emph>. Piano score; 3 leaves; 35.5 cm.

Note: Photocopy of copyist's manuscript. At bottom: © Jazz Workshop, Inc., April 1978.

Reference no.: 217.

22/12 <emph render="italic">Sketches (1-6)</emph>. Lead sheet sketches; pagination varies; 17.5 x 19.5 cm. (in spiral bound notebook).

Note: Holographs in pencil.

Reference no.: 294.

22/13 <emph render="italic">Slop</emph>. Lead sheet; 1 p.; 28 cm.

Note: Photocopy of holograph.

Reference no.: 082.

22/14 <emph render="italic">Slop</emph>. Condensed score; 4 p.; 32 cm.

Note: Copyist's manuscript in pencil.

Reference no.: 082.

22/15 <emph render="italic">So long Eric (aka "Praying with Eric")</emph>. Lead sheet; 1 p.; 27.5 cm.

Note: Photocopy of copyist's manuscript. At bottom: © Jan. 1975, Jazz Workshop, Inc., NYC, NY.

40/1 <emph render="italic">Some are Sioux (Sketch #4)</emph> / Sy Johnson, arr. See also: Sketch #4 : 42nd street Full score; 16 leaves; 27.5 x 43 cm.

Note: Manuscript in pencil by Sy Johnson.

Reference no.: 077.

Access points:

Johnson, Sy 43/8 <emph render="italic">Something like a bird</emph>. Full score; 27 leaves; 39.5 x 43.5 cm.

Note: Copyist's manuscript in pencil with markings in ink.

Reference no.: 126.

40/2 <emph render="italic">Something like a bird</emph>. Full score; 27 p.; 35.5 x 44.5 cm. (spiral bound).

Note: Photocopy of copyist's manuscript score.

Reference no.: 078.

22/16 <emph render="italic">Something like a bird</emph>. Instrumental parts; pagination varies; 32.5 cm.

Note: Holographs in ink and pencil.

Reference no.: 078.

22/17 <emph render="italic">Song with orange</emph>. Lead sheet; 1 p.; 28 cm. (2 copies).

Note: Photocopy of holograph.

Reference no.: 225.

22/18 <emph render="italic">Song with orange</emph>. Trombone part; 2 p.; 31.5 cm.

Note: Copyist's manuscript in pencil.

Reference no.: 225.

40/3 <emph render="italic">The soul</emph>. Full score; 11 leaves; 54 cm.

Note: Deshan (thermofax) copy of copyist's manuscript.

Reference no.: 275.

22/19 <emph render="italic">(Soul fusion) freewoman and oh' this freedom's slave cries : from "Black saint...."</emph> Lead sheet; 1 p.; 28 cm.

Reference no.: 131.

22/20 <emph render="italic">Spiral bound manuscript</emph>. Miscellaneous sketches, scores, and lead sheets; 80 p.; 32 cm.

Note: Holograph in pencil.

Reference no.: 292.

22/21 <emph render="italic">Spur of the moment</emph>. Lead sheet; 1 p.; 35 cm.

22/22 <emph render="italic">Ssi-cla-cal</emph>. Full score; 3 leaves; 30.5 cm.

Note: Holograph in pencil.

Reference no.: 186.

22/23 <emph render="italic">Ssi-cla-cal</emph>. Instrumental parts; pagination varies; 30.5 cm.

Note: Holographs in pencil.

Reference no.: 186.

23/1 <emph render="italic">String quartet no. 1</emph> / words by Frank O'Hara. Lead sheet; 4 p.; 33 cm. (4 copies).

Note: Photocopy of holograph.

Reference no.: 088.

Access points:

Mingus, Charles O'Hara, Frank 23/2 <emph render="italic">String quartet no. 1</emph>. Condensed score; 14 p.; 32 cm.

Note: Holograph in pencil.

Reference no.: 088.

23/3 <emph render="italic">String quartet no. 1</emph>. Condensed score; 16 p.; 27.5 cm.

Note: Photocopy of copyist's manuscript. At head: To accompany Frank O'Hara poem.

Reference no.: 088.

23/4 <emph render="italic">String quartet no. 1</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Holographs in ink with holograph pencil markings throughout.

Reference no.: 088.

23/5 <emph render="italic">String quartet no. 1</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Photocopies of holographs ... see preceding Item 23/3.

Reference no.: 088.

23/6 <emph render="italic">Strollin' (also called Strollin' home)</emph>. Lead sheet; 1 p.; 27.5 cm.

Reference no.: 148, 149.

40/4 <emph render="italic">Subdued passion</emph>. Full score; 8 leaves; 35.5 x 43.5 cm.

Note: Deshan (thermofax) copy of manuscript in unknown hand.

Reference no.: 282.

23/7 <emph render="italic">Subdued passion - epitaph 1938-1940</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Holographs in ink and pencil with holograph pencil markings.

Reference no.: 087.

23/8 <emph render="italic">Sue's changes</emph>. Instrumental parts; pagination varies; various sizes.

Note: Holographs in ink with holograph pencil markings; includes photocopies of tenor [sax] and piano psrts. At bottom of each page of holograph piano part: © December 1974, Jazz Workshop, Inc.

Reference no.: 226.

40/5 <emph render="italic">Sue's changes</emph> / Sy Johnson, arr. Full score; 17 leaves; 28 x 43.5 cm.

Note: Manuscript in pencil by Sy Johnson.

Reference no.: 084.

Access points:

Johnson, Sy 23/9 <emph render="italic">Sue's changes</emph> / Sy Johnson, arr. Lead sheet; 2 p.; 32 cm.

Note: Manuscript in ink by Sy Johnson.

Reference no.: 084.

Access points:

Johnson, Sy 23/10 <emph render="italic">Sue's changes</emph> / Sy Johnson, arr. Instrumental parts; pagination varies; various sizes.

Note: Photocopies of copyist's manuscripts. Arranged for Mingus Dynasty by Sy Johnson.

Reference no.: 084.

Access points:

Johnson, Sy 23/11 <emph render="italic">Sweet sucker dance</emph> / words by Joni Mitchell. Piano-vocal score; 12 p.; 32 cm.

Note: Copyist's manuscript in pencil with markings in red ink; hand unknown.

Reference no.: 079.

Access points:

Mitchell, Joni 23/12 <emph render="italic">Sweet sucker dance</emph>. Piano-vocal score (incomplete); 6 leaves; 32 cm.

Note: Photocopy of holograph. In upper left-hand corner: Words by Susan.

Reference no.: 079.

40/6 <emph render="italic">Swinging an echo</emph>. Full score; 5 leaves; 30.5 x 41 cm.

Note: Copyist's manuscript in pencil.

Reference no.: 127.

23/13 <emph render="italic">Swinging an echo</emph>. Instrumental parts; 4 leaves; 31.5 cm.

Note: Holographs in pencil and ink.

Reference no.: 127.

23/14 <emph render="italic">Take a chance</emph>. Full score (incomplete); 1 p.; 32 cm.

Note: Holograph in pencil. On verso: Lead line for the tune I'm lost.

23/15 <emph render="italic">Taming of the Sioux</emph> Condensed score; 2 p.; 31.5 cm.

Note: Holograph in pencil. The word "Tameing" is spelled incorrectly in the title.

Reference no.: 162.

Note: title written "Tameing of the Sioux".

23/16 <emph render="italic">Tameing of the Sioux</emph> : written "<emph render="italic">Tameing of the Sioux</emph>". Instrumental parts; pagination varies; 32.5 cm.

Note: Holograph trombone part in ink; remaining parts are copyist's manuscripts in ink and pencil with holograph markings in ink and pencil. The word "Tameing" is spelled incorrectly in the title.

Reference no.: 162.

40/7 <emph render="italic">Taurus at the arena of life - part 1</emph>. Full score; 18 leaves; 39 cm.

Note: Holograph in pencil.

Reference no.: 085.

24/1-2 <emph render="italic">Taurus at the arena of life - part 1</emph>. Instrumental parts; pagination varies; 32 cm. (2 folders).

Note: Holographs in ink with holograph and other markings in ink and pencil.

Reference no.: 085.

24/3 <emph render="italic">Taurus at the arena of life - part 2</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Holographs in ink with holograph and other markings in ink and pencil.

Reference no.: 086.

24/4 <emph render="italic">Theme from a movie</emph>. Lead sheet; 1 p.; 29.5 cm.

Note: Photocopy of holograph. Marked at head: 169. In typescript: Di Charles Mingus - Edizioni Blue Team Music.

24/5 <emph render="italic">Three of four shades of blue</emph>. Condensed score; 7 p.; 36 cm.

Note: Photocopy of holograph.

Reference no.: 089.

40/8 <emph render="italic">Three of four shades of blue</emph>. Full score; 10 p.; 28 x 43.5 cm.

Note: Copyist's manuscript in pencil with additional holograph marking in pencil.

Reference no.: 089.

24/6 <emph render="italic">Three of four shades of blue</emph>. Instrumental parts; pagination varies; various sizes.

Note: Holographs in ink and pencil; includes photocopies.

Reference no.: 089.

25/1 <emph render="italic">Three worlds of drums</emph>. Condensed score; 5 leaves (pp. 69-73); 32 cm.

Note: Photocopy of holograph.

Reference no.: 090.

25/2-3 <emph render="italic">Three worlds of drums</emph>. Instrumental parts; pagination varies; 32 cm. (2 folders).

Note: Holographs in ink and pencil with holograph pencil markings.

Reference no.: 090.

25/4 <emph render="italic">Thrice upon a theme</emph>. Condensed score; 4 leaves; 35.5 cm.

Note: Photocopy of holograph.

Reference no.: 091.

25/5 <emph render="italic">Thrice upon a theme</emph>. Baritone sax part; 3 p.; 31.5 cm.

Note: Holograph in ink and regular and red pencil.

Reference no.: 091.

25/6 <emph render="italic">Tiujuana gift shop</emph>. Lead sheet; 1 p.; 29.5 cm.

Note: Photocopy of holograph. Marked at head: 171. In typescript: Di Charles Mingus - Edizioni Blue Team Music.

25/7 <emph render="italic">Todeskalte (The chill of death)</emph>. Full score; 11 leaves; 21.5 x 28 cm.

Note: Photocopy of holograph.

Reference no.: 024.

25/8 <emph render="italic">Todeskalte (The chill of death)</emph>. Condensed score; 6 p.; 32 cm.

Note: Copyist's manuscript in ink on transparent paper.

Reference no.: 024.

25/9 <emph render="italic">Todeskalte (The chill of death)</emph>. Condensed score; 6 p.; 31.5 cm.

Note: Ozalid of copyist's manuscript with holograph markings in regular and color pencil.

Reference no.: 024.

25/10-11 <emph render="italic">Todeskalte (The chill of death)</emph>. Instrumental parts; pagination varies; 32 cm. (2 folders).

Note: Holographs and copyist's manuscript in ink with markings in pencil and red ink.

Reference no.: 024.

26/1 <emph render="italic">Todo modo</emph>. Condensed score; 5 + 1 p.; 32 cm.

Note: Photocopy of holograph; includes original holograph in pencil of page 5.

Reference no.: 093.

40/9 <emph render="italic">Todo modo</emph>. Full score; 12 p.; 28.5 x 44 cm.

Note: Copyist's manuscript in pencil.

Reference no.: 093.

26/2-3 <emph render="italic">Todo modo</emph>. Instrumental parts; pagination varies; 32 cm. (2 folders).

Note: Holographs in ink and pencil.

Reference no.: 093.

40/10 <emph render="italic">Tom's take over</emph>. Full score; [14] leaves; 35.5 x 41 cm.

Note: Holograph in pencil.

Reference no.: 167.

26/4 <emph render="italic">Tom's take over</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Holographs in ink.

Reference no.: 167.

26/5 <emph render="italic">Tonight at noon</emph>. Lead sheet; 1 p.; 27.5 cm.

26/6-7 <emph render="italic">Touch</emph>. Instrumental parts; pagination varies; 32 cm. (2 folders).

Note: Copyist's manuscript in ink.

Reference no.: 106.

26/8 <emph render="italic">Touch my beloved's thought</emph>. Full score (incomplete); 1 p.; 39 cm.

Note: Holograph in pencil.

Reference no.: 092.

26/9 <emph render="italic">Touch my beloved's thought</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Copyist's manuscript in ink and pencil with holograph markings in ink and pencil.

Reference no.: 092.

40/11 [<emph render="italic">Two worlds of drums</emph>] : written "<emph render="italic">II worlds of drums</emph>". Full score; 73 p.; 32 cm.

Note: Holograph in pencil.

Reference no.: 139.

40/12 [Unidentified]. Full score; 4 leaves; 35.5 x 43 cm.

Note: Deshan (thermofax) copy of holograph. At head: Epitaph.

Reference no.: 281.

27/1 [Unidentified chord progressions]. Miscellaneous pages of chord progressions; pagination varies; various sizes.

Note: Mostly holographs in pencil and ink; includes copyist's manuscripts.

Reference no.: 228.

27/2 [Unidentified instrumental parts]. Miscellaneous instrumental parts; pagination varies; various sizes.

Note: Holographs and copyist't manuscripts in pencil and ink; includes photocopies.

Reference no.: 229.

27/3 [Unidentified melodies]. Miscellaneous lead sheets and melody lines; pagination varies; various sizes.

Note: Holographs in pencil and ink; includes some copyist's manuscripts.

Reference no.: 230.

27/4-5 [Unidentified score fragments]. Miscellaneous full and condensed score fragments; pagination varies; various sizes (in 2 forders).

Note: Holographs in pencil and ink.

Reference no.: 231.

40/13 [Unidentified score fragments]. Miscellaneous full and condensed score fragments; 8 leaves; various sizes.

Note: Holographs in pencil.

Reference no.: 231.

27/6 [Unknown] [I]. Condensed score and instrumental part; 4 p.; 31.5 cm.

Note: Holographs in pencil with holograph markings in red ink.

Reference no.: 232.

27/7 [Unknown] [2]. Condensed score; 3 leaves; 28 cm.

Note: Holograph in pencil.

Reference no.: 214.

27/8 [Unknown] [3]. Lead sheet; 3 p.; 31.5 cm.

Note: Holograph in pencil.

Reference no.: 235.

27/9 [Unknown composition] [A]. Instrumental parts; pagination varies; 31.5 cm.

Note: Holographs in pencil.

Reference no.: 171.

27/10 [Unknown composition] [B]. Instrumental parts; pagination varies; 30.5 cm.

Note: Holographs in ink and pencil.

27/11 <emph render="italic">Us is too</emph>. Lead sheet; 1 p.; 31 cm.

Note: Holograph in pencil.

Reference no.: 135.

41/1 <emph render="italic">Us is too</emph> / Sy Johnson, arr. Full score; 19 leaves; 35.5 x 43.5 cm.

Note: Manuscript in pencil by Sy Johnson.

Reference no.: 135.

Access points:

Johnson, Sy 27/12 <emph render="italic">Us is two</emph>. Condensed score; 3 p.; 31.5 cm.

Note: Holograph in pencil.

Reference no.: 216.

27/13 <emph render="italic">Us is two</emph>. Condensed score; 2 leaves; 31.5 cm.

Note: Holograph in ink and pencil. On verso: Chord chart for the tunes Peggy's blue skylight and Portrait.

Reference no.: 216.

27/14 <emph render="italic">Waiting for you</emph>. Lead sheet, with lyrics; 2 p.; 31.5 cm.

Note: Holograph in pencil and ink.

41/2 <emph render="italic">Way donw blues</emph>. Full score; 7 p.; 28 x 43.5 cm.

Note: Holograph in pencil.

Reference no.: 095.

27/15 <emph render="italic">Way down blues</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Copyist's manuscript in ink.

Reference no.: 095.

27/16 <emph render="italic">Way down blues</emph> / Sy Johnson, arr. Lead sheet, with lyrics (2 versions); 2 + 2 p.; 32 cm.

Note: Manuscripts in pencil by Sy Johnson.

Reference no.: 094.

Access points:

Johnson, Sy 41/3 <emph render="italic">Way down blues</emph> / Sy Johnson, arr. Full score; 7 leaves; 27.5 x 43.5 cm.

Note: Manuscripts in pencil by Sy Johnson.

Reference no.: 094.

Access points:

Johnson, Sy 27/17 <emph render="italic">Way down blues</emph> / Sy Johnson, arr. Instrumental parts; pagination varies; 32 cm.

Note: Manuscript in ink and pencil by Sy Johnson.

Reference no.: 094.

Access points:

Johnson, Sy 27/18 <emph render="italic">Wednesday night prayer meeting</emph> / lyrics by J. Knepper. Lead sheet; 3 leaves; 27.5 cm.

Note: Photocopy of copyist's manuscript.

Reference no.: 133.

Access points:

Knepper, J. 27/19 <emph render="italic">Wednesday night prayer meeting</emph>. Full score; 12 p.; 35 cm.

Note: Copyist's manuscript in pencil.

Reference no.: 133.

27/20 <emph render="italic">Wednesday night prayer meeting</emph>. Instrumental parts; pagination varies; 32 cm.

Note: Copyist's manuscript in ink and pencil.

Reference no.: 166.

27/21 <emph render="italic">Wee</emph>. Instrumental parts; pagination varies; various sizes.

Note: Copyist's manuscripts in ink and pencil; includes photocopy of tenor sax part.

Reference no.: 096.

28/1 <emph render="italic">Weird nightmare</emph>. Lead sheet; 1 p.; 35.5 cm.

Note: Photocopy of copyist's manuscript. Three alternate titles at head: Smooch; Pipe dreams; and Vassarlean.

Reference no.: 098, 169, 181, 205.

28/2 [<emph render="italic">Weird nightmare</emph>]. Condensed score; 2 p.; 31.5 cm.

Note: Holograph in pencil. This arrangement is in the key of concert F.

Reference no.: 181.

28/3 <emph render="italic">Weird nightmare</emph>. Full score; 2 p.; 34 cm.

Note: Copyist's manuscript in pencil. In right-hand margin of p. 1: "Byard score? of Weird Nightmare". This arrangement is in the key of concert A-flat.

Reference no.: 181.

41/4 [<emph render="italic">Weird nightmare</emph>]. Full score; 6 leaves; 30.5 x 40.5 cm.

Note: Holograph in pencil.

Reference no.: 169.

28/4 [<emph render="italic">Weird nightmare</emph>] / Sy Johnson, arr. Condensed score; 4 leaves; 27.5 x 36.5 cm.

Note: Photocopy of manuscript by Sy Johnson.

Reference no.: 098.

Note: title written "Wierd nightmare"

Access points:

Johnson, Sy 41/5 [<emph render="italic">Weird nightmare</emph>] / Sy Johnson, arr. Full score; 7 leaves; 36 x 43.5 cm.

Note: Manuscript in pencil by Sy Johnson.

Reference no.: 205.

Note: title written "Wierd nightmare"

Access points:

Johnson, Sy 41/6 [<emph render="italic">Weird nightmare</emph>]. Full score (incomplete); 4 leaves; 30.5 x 40.5 cm.

Note: Copyist's manuscript in pencil.

Note: title written "Wierd nightmare"

28/5 [<emph render="italic">Weird nightmare</emph>]. Instrumental parts; pagination varies; 32 cm.

Note: Holographs in ink and pencil. This arrangement is in the key of concert "A-flat", although supplied flute part is written in "C".

Reference no.: 181.

Note: title written "Wierd nightmare"

28/6 [<emph render="italic">Weird nightmare</emph>]. Instrumental parts; pagination varies; 32 + 28 cm.

Note: Copyist's manuscript in ink with pencil markings throughout; includes photocopies. This arrangement is in the key of concert C.

Reference no.: 098.

Note: title written "Wierd nightmare"

28/7 [<emph render="italic">Weird nightmare</emph>]. Instrumental parts; pagination varies; 31.5 cm.

Note: Holographs in ink with holograph pencil markings. This arrangement is in the key of concert F.

Reference no.: 169.

Note: title written "Wierd nightmare"

28/8 [<emph render="italic">Weird nightmare</emph>]. Full score (incomplete); 1 p.; 28 x 35.5 cm.

Note: Copyist's manuscript in pencil. On verso: Song lyrics for Weird nightmare.

Note: title written "Wierd nightmare"

28/9 [<emph render="italic">Weird nightmare</emph>]. Instrumental parts; pagination varies; 32 cm.

Note: Holographs in ink with holograph pencil markings. Instrumentation includes flute, clarinet, trumpets 1-3, trombone, bass, and drums. Note: This arrangement is in the key of concert A-flat.

Note: title written "Wierd nightmare"

28/10 [<emph render="italic">Weird nightmare</emph>]. Instrumental parts; pagination varies; 31.5 cm.

Note: Manuscript in ink by Buddy Harper. Instrumentation includes clarinet, alto sax, trumpets 1-2, trombone, piano, guitar, bass, and drums. This arrangement is in the key of concert F.

Reference no.: 098.

Note: title written "Wierd nightmare"

28/11 [<emph render="italic">Weird nightmare</emph>]. Miscellaneous instrumental parts; pagination varies; 31.5 cm.

Note: Holograph in pencil and copyist's manuscripts in ink with pencil markings. Includes parts for flute, tenor saxes 1-2, and trumpet 1.

Note: title written "Wierd nightmare"

28/12 <emph render="italic">What love</emph>. Lead sheet; 1 p.; 33 cm.

Reference no.: 184.

28/13 <emph render="italic">What love</emph>. Instrumental parts; 1 + 1 p.; 32 cm.

Note: Holographs in ink.

Reference no.: 184.

41/7 <emph render="italic">Where does a man go to find peace</emph>. See also: N.B.C. documentary Condensed score; 5 leaves; 39.5 cm.

Note: Holograph in pencil.

Reference no.: 160.

28/14 <emph render="italic">Winds</emph>. Instrumental parts; pagination varies; various sizes.

Note: Holographs in pencil and ink.

Reference no.: 173.

28/15 <emph render="italic">Winds</emph>. Instrumental parts; pagination varies; 31.5 cm.

Note: Holographs in ink and pencil. On verso of alto and tenor parts: Tenor 1-2 for the tune Cabin. On verso of bass part: Piano sketch for the tune Juice (incomplete).

Reference no.: 173.

41/8-9 <emph render="italic">Wolverine blues (part I)</emph>. Full score; 22 leaves in 2 folders; 53.5 cm.

Note: Deshan (thermofax) copy of manuscript.

Reference no.: 279.

28/16 <emph render="italic">Work song</emph>. Lead sheet; 1 p.; 28 cm.

28/17 <emph render="italic">Ysabel's table dance</emph>. Lead sheet; 3 leaves; 35.5 cm.

Note: Photocopy of copyist's manuscript.

Reference no.: 097.

28/18 Miscellaneous works. A compilation of miscellaneous lead sheets, scores, chord charts, and instrumental parts; pagination varies; various sizes.

Note: Holographs and copyist's manuscripts in pencil and ink; includes photocopies. Most of these works are incomplete fragments; some are known compositions where others are not.

28/19 Miscellaneous song lyrics. Pages of song lyrics; pagination varies; varios sizes.

Note: Holographs in pencil and ink; typescript included. Most of the these items are sketches for lyrics to works by Mingus; some were used where others were not.

30 42 Manuscript Music by Others 30/1 <emph render="italic">All the things you are</emph> [1940] / music by Oscar Hammerstein ; lyrics by Jerome Kern. Full score (sketch); 2 p.; 31.5 cm.

Note: Manuscript in pencil by Charles Mingus. On verso: Five bass exercises, titled 1) "Tune exercist for bow arm"; 2)" Finger trainer no. 1"; 3) "Finger and eye trainer"; 4) "Speed builder".

Reference no.: 192.

Access points:

Hammerstein, Oscar Kern, Jerome 30/2 <emph render="italic">Apology</emph> / by George Joyner. Lead sheet (music and words); 1 + 1 p.; various sizes.

Note: Holograph in pencil and negative photostat copy of same.

Access points:

Joyner, George 30/3 <emph render="italic">Aries</emph> [and] <emph render="italic">Blue at 2 a.m.</emph>] / by Fernando Sandoval L. (Jarocho). See also: Blue at 2 a.m. Piano lead; 1 p.; 25 cm.

Note: Holograph in ink. Inscribed on title page: To great Charlie Mingus and his Quintet - Sincerely, Fernando Sandoval L. (Jarocho), San Francisco, Calif., 26 - May, 1964.

30/4 <emph render="italic">As time goes by</emph> [1931] / by Herman Hupfeld. Condensed score; 2 leaves; 28 cm.

Note: Manuscript in pencil, hand unknown.

Reference no.: 203.

Access points:

Hupfeld, Herman 42/1 <emph render="italic">Beautiful</emph> / by Elliott Cola. Piano-vocal score; 1 p.; 45.5 cm.

Note: Holograph in ink. Laid in: A list titled "Songs Composed by Elliott Cola".

Access points:

Cola, Elliott 30/3 <emph render="italic">Blue at 2 A.M.</emph> [included with Aries] / by Fernando Sandoval L. (Jarocho). Lead sheet (for bass) with chord notation for piano; 1 p.; 25 cm.

Note: Holograph in ink. Inscribed on title page: To great Charlie Mingus and his Quintet - Sincerely, Fernando Sandoval L. (Jarocho), San Francisco, Calif., 26 - May, 1964.

30/5 <emph render="italic">Blue tide</emph> / author unknown. Lead sheet (music and words); 1 p.; 27.5 cm.

Note: Negative photostat of manuscript in unknown hand.

30/6 <emph render="italic">Body and soul</emph> [1930] / music by John Green ; words by Edward Heyman and Robert Sour. Instrumental parts, tenor sax and trombone only; 2 leaves; 31.5 cm.

Note: Copyist's manuscripts in ink.

Reference no.: 200.

Access points:

Green, John Heyman, Edward Sour, Robert 30/7 <emph render="italic">Can you blame me?</emph> / by George Joyner. Lead sheet; 2 p.; 32 cm.

Note: Holograph in pencil. Includes lyrics in ink on verso.

Access points:

Joyner, George 30/8 <emph render="italic">Candy</emph> [1945] / by Mack David, Joan Whitney and Alex Kramer. Lead sheet fragment; 1 p.; 31.5 cm.

Note: Holograph in ink.

Reference no.: 103.

Access points:

David, Mack Kramer, Alex Whitney, Joan 42/2 <emph render="italic">Candy</emph> [1945] / by Mack David, Joan Whitney and Alex Kramer. Full score; 11 leaves; 35.5 x 40.5 cm.

Note: Manuscript in pencil by Gene Porter.

Reference no.: 103.

Access points:

David, Mack Kramer, Alex Whitney, Joan 30/9 <emph render="italic">Clarisse</emph> / by George Joyner. Lead sheet (music and words); 1 p.; 27.5 cm.

Note: Negative photostat of holograph.

Access points:

Joyner, George Confirmation / by Charlie Parker See: Hot house 30/10 <emph render="italic">Cupid</emph> / by George Joyner. Lead sheet; 3 p.; 32 cm.

Note: Holograph in pencil. Includes lyrics in ink on verso.

Access points:

Joyner, George 30/11 <emph render="italic">Empathy</emph> / by Sam Most. Instrumental parts; 4 leaves; various sizes.

Note: Holographs in pencil.

Access points:

Most, Sam 30/12 <emph render="italic">Ensenada</emph> / by John Dennis. Lead sheet; 1 p.; 32 cm.

Note: Holograph in ink.

Access points:

Dennis, John 30/13 <emph render="italic">Everything I have is yours</emph> / by Burton Lane and Harold Adamson. Lead sheet; 1 p.; 28 cm.

Note: Manuscript in pencil by Charles Mingus. On verso: The man I love.

Access points:

Adamson, Harold Lane, Burton 42/3 <emph render="italic">Evil</emph> / by Elliott Cola. Instrumental part; 1 p.; 45.5 cm.

Note: Holograph in ink.

Access points:

Cola, Elliott 30/14 <emph render="italic">Hommage à Mingus</emph> / by Antoine Duliamel. Full score; 21 p.; 27 x 35 cm.

Note: Holograph in ink. Inscribed on title page: In this day of November in Paris with all my wishes - A. Duliamel.

Access points:

Duliamel, Antoine 30/15 <emph render="italic">Hot house</emph> / by Charlie Parker. Chord chart. 1 p.; 31.5 cm.

Note: Manuscript in pencil in unknown hand. This leaf also includes chord charts for another Parker tune Confirmation, the bass part for Thelonius Monk's 'Round midnight, and bass part for the Dizzy Gillespie/Charlie Parker tune Shaw' nuff.

Access points:

Parker, Charlie (Yardbird) 30/16 [<emph render="italic">I</emph>] <emph render="italic">can't get started</emph> / by Vernon Duke and Ira Gershwin. Chord chart; 1 leaf; 31.5 cm.

Note: Manuscript in pencil by Charles Mingus. This leaf also includes chord charts for Thad's tune, More of the same, and a fragment of No greater love.

Reference no.: 199.

Access points:

Duke, Vernon Gershwin, Ira 30/17 <emph render="italic">I can't get started</emph> / by Vernon Duke and Ira Gershwin. Chord chart; 1 p.; 31.5 cm.

Note: Manuscript in pencil by Charles Mingus. This item includes additional unidentified music notation.

Reference no.: 199.

Access points:

Duke, Vernon Gershwin, Ira 30/18 <emph render="italic">I can't get started</emph> / by Vernon Duke and Ira Gershwin. Bass part; 2 p.; 31.5 cm.

Note: Manuscript in pencil by Charles Mingus.

Reference no.: 199.

Access points:

Duke, Vernon Gershwin, Ira 30/19 <emph render="italic">I left my heart in San Francisco</emph> / by Cross Douglass and George Cory. Instrumental parts; pagination varies; 32 cm.

Note: Copyist's manuscript in ink, piano part in pencil.

Reference no.: 193.

Access points:

Cory, George Douglass, Cross 30/20 <emph render="italic">I'll go on loving you</emph> / by Frances Lampert. Piano-vocal score; 3 p.; 31.5 cm.

Note: Copyist's manuscript in ink.

Access points:

Lampert, Frances 30/21 <emph render="italic">I'll never smile again</emph> / by Ruth Lowe. Condensed score; 3 p.; 30.5 cm.

Note: Manuscript in pencil by Charles Mingus.

Reference no.: 191.

Access points:

Lowe, Ruth 30/22 <emph render="italic">I'm not afraid of the world anymore</emph> / by Elliott Cola. Trumpet part; 1 p.; 28 cm.

Note: Holograph in ink.

Access points:

Cola, Elliott 42/4 <emph render="italic">It's so groovy</emph> / by Elliott Cola. Instrumental parts; 1 p.; 45.5 cm.

Note: Holograph in ink.

Access points:

Cola, Elliott 30/23 <emph render="italic">Just short of way out</emph> / by Bill Tennyson. Lead sheet; 1 p.; 31.5 cm.

Note: Holograph in pencil.

Access points:

Tennyson, Bill 30/24 <emph render="italic">The love I left behind</emph> / by John True. Lead sheet; 1 p.; 31.5 cm.

Note: Holograph in ink; lyrics included.

Access points:

True, John 30/25 <emph render="italic">Lush life</emph> / by Billy Strayhorn. Condensed score; 2 p.; 32 cm.

Note: Holograph in pencil with holograph ink markings.

Access points:

Strayhorn, Billy 30/26 <emph render="italic">Lush life</emph> / by Billy Strayhorn. Instrumental parts; pagination varies; 32 cm.

Note: Copyist's manuscripts in ink with holograph ink markings.

Access points:

Strayhorn, Billy 30/27 <emph render="italic">The man I love</emph> / by George and Ira Gershwin. Lead sheet (instrumental); 1 p.; 28 cm.

Note: Manuscript in pencil by Charles Mingus. On verso of: Everything I have is yours. See September song verso for bass part for The man I love.

Reference no.: 194.

Access points:

Gershwin, George Gershwin, Ira 30/28 [<emph render="italic">The</emph>] <emph render="italic">man I love</emph> / by George and Ira Gershwin. Full score; 2 p.; 34 cm.

Note: Manuscript in pencil by Charles Mingus.

Reference no.: 194.

Access points:

Gershwin, George Gershwin, Ira 42/5 [<emph render="italic">The</emph>] <emph render="italic">man I love</emph> / by George and Ira Gershwin. Full score (incomplete); 30.5 x 40.5 cm.

Note: Manuscript in pencil by Charles Mingus.

Reference no.: 194.

Access points:

Gershwin, George Gershwin, Ira 30/29 <emph render="italic">Memories of you</emph> / by Eubie Blake and Andy Razaf. Condensed score; 1 p.; 31.5 cm.

Note: Manuscript in pencil by Charles Mingus. On verso: Simple.

Reference no.: 196.

Access points:

Blake, Eubie Razaf, Andy 30/30 <emph render="italic">Miles of time</emph> / by J. Lowe. Piano score; 1 p.; 33.5 cm.

Note: Holograph in pencil.

Access points:

Lowe, Ruth 30/31 <emph render="italic">Night and day</emph> / by Cole Porter. Full score; 2 + 1 p.; 31.5 cm.

Note: Manuscript in pencil by Charles Mingus.

Reference no.: 190.

Access points:

Porter, Cole 30/32 <emph render="italic">Mo sky</emph> / by Elliott Cola. Song lyrics and full score (incomplete); 2 p.; 31.5 cm.

Note: Manuscript song lyrics in pencil in hand of Elliott Cola; manuscript full score in pencil on verso by Charles Mingus.

Access points:

Cola, Elliott 30/33 <emph render="italic">Not another Gershwin</emph> / by J. Lowe. Piano score; 1 p.; 28 cm.

Note: Holograph in ink.

Access points:

Lowe, Ruth 30/34 <emph render="italic">Odyssey</emph> / by John Dennis. Lead sheet; 2 leaves.; 32 cm.

Note: Holograph in ink.

Access points:

Dennis, John 30/35 <emph render="italic">Prophet of love</emph> / by John True. Lead sheet;. 1 p.; 31.5 cm.

Note: Holograph in ink; includes lyrics.

Access points:

True, John 30/36 <emph render="italic">Red dog blues</emph> / by Frank Davenport. Full score; 4 p.; 31.5 cm.

Note: Manuscript in pencil by Charles Mingus. Dated at head: Sept. 29, 1944.

Access points:

Davenport, Frank 30/37 <emph render="italic">Saxidental</emph> / by Richard Carter. Piano score; 1 p.; 33 cm. (3 copies).

Note: Photocopy of holograph.

Access points:

Carter, Richard 30/38 <emph render="italic">Scherzo : for quartet and strings</emph> / by Phil Moore. Bass part; 4 p.; 31.5 cm.

Note: Manuscript in ink with pencil markings throughout.

Access points:

Moore, Phil 30/39 <emph render="italic">Screen cut 3</emph> / by Ralph Burns. Condensed score; 2 p.; 31.5 cm.

Note: Manuscript in pencil by Charles Mingus.

Access points:

Burns, Ralph 30/40 <emph render="italic">September song</emph> / by Maxwell Anderson and Kurt Weill. Bass part; 1 p.; 30.5 cm.

Note: Manuscript in ink and pencil by Charles Mingus. Includes bass parts to The man I love (channel only), Tenderly, and It takes an earth quaker.

Access points:

Anderson, Maxwell Weill, Kurt 30/41 <emph render="italic">Seven moons</emph> / by John Dennis. Lead sheet; 1 p.; 31.5 cm.

Note: Holograph in ink.

Access points:

Dennis, John 30/42 <emph render="italic">Simple variations on Chopin</emph> / adaptation by Sam Most. Instrumental parts; pagination varies; various sizes. Holographs in ink and pencil.

Access points:

Most, Sam 30/43 <emph render="italic">Sophisticated lady</emph> / music by Duke Ellington ; words by Irving Mills and Mitchell Parish. Chord chart; 1 p.; 28 x 35.5 cm.

Note: Manuscript in ink.

Access points:

Ellington, Duke Mills, Irving Parish, Mitchell 30/44 <emph render="italic">Steam wheel</emph> / by J. Lowe. Condensed score; 4 leaves.; 33 cm.

Note: Holograph in pencil.

Access points:

Lowe, Ruth 30/45 <emph render="italic">Stormy weather</emph> / by Ted Koehler and Harold Arlen. Instrumental parts (piano and drums only); 2 leaves.; 32 cm.

Note: Manuscript in ink with markings in pencil by Charles Mingus.

Reference no.: 197.

Access points:

Arlen, Harold Koehler, Ted 30/46 <emph render="italic">Synchobop</emph> / by Sam Most. Instrumental parts; pagination varies; various sizes.

Note: Holographs in pencil.

Access points:

Most, Sam 42/6 <emph render="italic">Tea for two</emph> / by Irving Caesar and Vincent Youmans. Full score; 10 leaves., 30.5 x 40.5 cm.

Note: Copyist's manuscript in pencil.

Reference no.: 195.

Access points:

Caesar, Irving Youmans, Vincent 30/47 <emph render="italic">Tea for two : study in lines</emph> / by Irving Caesar and Vincent Youmans. Instrumental parts; pagination varies; 31.5 cm.

Note: Manuscripts in ink and pencil by C. Mingus. Item includes references to the tunes Perdido and Prisoner of love.

Reference no.: 195.

Access points:

Caesar, Irving Youmans, Vincent 42/7 <emph render="italic">This is me</emph> / by Elliott Cola. Instrumental parts; 1 p.; 45.5 cm.

Note: Holograph in ink.

Access points:

Cola, Elliott 30/48 <emph render="italic">Timboro</emph> / by Fernando Sandoval (Jarocho). Lead sheet; 2 p.; 25 cm.

Note: Holograph in ink. Inscribed on cover: To Great Charles Mingus and his group - Sincerely, Fernando Sandoval (Jarocho), San Francisco, Calif., 26 - May - 1964.

30/49 <emph render="italic">Two pairs twins</emph> / by Fernando Sandoval (Jarocho). Lead sheet; 1 p.; 32 cm.

Note: Holograph in ink. Inscribed at bottom: To Great Charles Mingus and his Quintet - Sincerely, Fernando Sandoval (Jarocho), San Francisco, Calif., 26 - May - 1964.

30/50 [Unknown] / by Edward Snead. Piano-vocal score; 1 p.; 30 cm.

Note: Holograph in ink on transparent paper.

Access points:

Snead, Edward 30/51 [Untitled] / by J. Lowe. Full score; 2 leaves.; 33.5 cm.

Note: Holograph in pencil.

Access points:

Lowe, Ruth 30/52 <emph render="italic">Walkin' on air</emph> / by Frances Lampert. Lead sheet; 1 p.; 31.5 cm.

Note: Ozalid copy of holograph. At head: Copyright by Frances Lampert, 1968.

Access points:

Lampert, Frances 30/53 <emph render="italic">What's this I hear you say?</emph> / by Frances Lampert. Lead sheet; 1 p.; 31.5 cm.

Note: Ozalid copy of holograph. At head: Copyright by Frances Lampert.

Access points:

Lampert, Frances 30/54 <emph render="italic">You and me</emph> / by George Joyner. Lead sheet (music and words); 2 p.; 32 cm.

Note: Holograph music notation in pencil; words on verso in ink.

Access points:

Joyner, George 30/55 <emph render="italic">You go to my head</emph> / by Haven Gillespie and J. Fred Coots. Condensed score; 3 p.; 27.5 cm.

Note: Manuscript in pencil, hand unknown.

Reference no.: 202.

Access points:

Coots, J. Fred Gillespie, Haven 30/56 [<emph render="italic">You go to my</emph>] <emph render="italic">head</emph> / by Haven Gillespie and J. Fred Coots. Full score; 3 p.; 28 cm.

Note: Manuscript in pencil by Charles Mingus.

Reference no.: 202.

Access points:

Coots, J. Fred Gillespie, Haven 30/57 <emph render="italic">You're my everything</emph> / by Mort Dixon, Joe Young and Harry Warren. Condensed score; 1 p.; 27.5 cm.

Note: Manuscript in pencil in unknown hand.

Reference no.: 215.

Access points:

Dixon, Mort Warren, Harry Young, Joe 29 31 Printed Music 29 Printed Music by Mingus 29/1 <emph render="italic">Goodbye pork pie hat</emph> / Sy Johnson, arr. Delevan, NY: Kendor Music, Inc., 1980. Full score and instrumental parts; 4 + 12 leaves

Note: Photocopy of copyist's manuscript.

Reference no.: 033.

Access points:

Johnson, Sy 29/2 <emph render="italic">More than a fake book</emph>. New York: Jazz Workshop, Inc., 1991. A compilation of lead sheets to Mingus compositions; 160 p.

Date: c1991

Note: Distributed by Hal Leonard Publishing Corp.

Note: Includes photocopies of original holograph manuscripts.

29/3 <emph render="italic">The musical styles of Charles Mingus</emph> / Sy Johnson, arr. New York: Warner Bros. Publications, Inc., n.d. A compilation of condensed scores to Mingus compositions; 70 p.

Reference no.: 291.

Access points:

Johnson, Sy 29/4 <emph render="italic">Revelations</emph>. Newton, Mass.: Margun Music, Inc., 1976. Full score; 40 p.

Note: copyright by Jazz Workshop, Inc., 1976.

Note: Composed by Charles Mingus in 1957. Laid in: Two handwritten notes to Mingus and 1 page typescript "Errata" sheet.

Reference no.: 073.

31 Printed Music by Others 31/1 <emph render="italic">Acerca de ti (about you)</emph> / by Victor Ruiz Pazos. Mexico, D.F.: Promotora Hispano Americana de Música, 1964. Instrumental parts; pagination varies.

Date: c1964

Note: Inscribed on title page: To great Charlie Mingus and his Quintet, Sincerely Fernando Sandoval (Jarocho), friend of Composer Victor Ruiz Pazos (Vitillo), San Francisco, Calif., 26-May-1964.

Access points:

Pazos, Victor Ruiz 31/2 <emph render="italic">Alone together</emph> / words by Howard Dietz ; music by Arthur Schwartz. New York: Harms, Inc., 1932. Piano-vocal score; 5 p.

Date: c1932

Note: From the musical revue "Flying Colors". Chord indications and other markings in pencil by Charles Mingus.

Access points:

Dietz, Howard Schwartz, Arthur 31/3 [<emph render="italic">Hanon, the virtuoso pianist in 60 exercises</emph>] : <emph render="italic">no. 8 and no. 9</emph> / by Charles-Louis Hanon. Chicago: Paradiso Publishers, n.d. Piano solo (incomplete); 2 p.

Note: Chord indications and other pencil markings by Charles Mingus.

Access points:

Hanon, Charles-Louis 31/4 <emph render="italic">I've got a crush on you</emph> / music by George Gershwin; words by Ira Gershwin. New York: New World Music Corporation; Harms, Inc., 1930. Piano-vocal score; 5 p.

Date: c1930

Note: From the musical comedy "Strike Up the Band".

Access points:

Gershwin, George Gershwin, Ira 31/5 <emph render="italic">La marcha de Sanson (Samson's march)</emph> / by Victor Ruiz Pazos. Mexico, D.F.: Promotora Hispano Americana de Música, 1964. Instrumental parts; pagination varies.

Date: c1964

Note: Inscribed on title page: To great Charlie Mingus and his Quintet, Sincerely Fernando Sandoval (Jarocho), friend of Composer Victor Ruiz Pazos (Vitillo), San Francisco, Calif., 26-May-1964.

Access points:

Pazos, Victor Ruiz 31/6 <emph render="italic">Slippin' for a pippin</emph> / music by Frances Lampert ; arranged by Walter L. Rosemont. Theatre Arts Corporation: Middleton, Conn., [1964]. Piano-vocal score; 3 p.

Note: Copyright by Frances Lampert

Access points:

Lampert, Frances Rosemont, Walter L. 31/7 <emph render="italic">Vals de Norma (Norma's waltz)</emph> / by Victor Ruiz Pazos. Mexico, D.F.: Promotora Hispano Americana de Música, 1964. Instrumental parts; pagination varies.

Date: c1964

Note: Inscribed on title page: To great Charlie Mingus and his Quintet, Sincerely Fernando Sandoval (Jarocho), friend of Composer Victor Ruiz Pazos (Vitillo), San Francisco, Calif., 26-May-1964.

Access points:

Pazos, Victor Ruiz 49-53 Writings

The Writings series is represented by 3 subseries. The Writings By Mingus subseries consists of Mingus' controversial autobiographical work, Beneath the Underdog; Mingus' manuscript liner notes (written for record album jackets); and articles published in serials. The Writings About Mingus subseries consists of articles on Mingus' biography; articles and reviews relating to his literary work Beneath the Underdog; articles on Mingus Dynasty (the New York- based jazz orchestra established after his death as a tribute to him and his contributions in music); and articles about his widow, Susan Graham Mingus. The Miscellaneous Writings subseries consists of written works on a variety of subjects not necessarily relating to Mingus.

Writings series is arranged as follows:

Writings by Mingus, arranged alphabetically by title. Writings about Mingus: Articles bound in serials, arranged alphabetically by article title. Loose articles & clippings, arranged chronologically by article date. Miscellaneous writings [film work, poetry, short stroies], arranged alphabetically by subject then by title. 45-46 52 Writings by CM Manuscripts 45/1 "A living benefit for Mingus" : typescript; 1 p. 45/2 Beneath the underdog, #1 : typescript with holograph ink and pencil markings; pagination varies 45/3 Beneath the underdog, #2 : holograph in ink and pencil and typescript; pagination varies 45/4 Beneath the underdog, #3 : typescript with holograph ink and pencil markings; 86 p.; soft bound 45/5 Beneath the underdog, #4 : typescript with holograph ink and pencil markings; pp. 181-274 45/6 Beneath the underdog, #5 : typescript with holograph ink and pencil markings; pp. 275-374 45/7 Beneath the underdog, #6 : typescript with holograph ink and pencil markings; pp. 375-459; soft bound 45/8 Beneath the underdog, #7 : typescript with holograph ink and pencil markings; pp. 460-596 45/9 Beneath the underdog, #8 : typescript with holograph ink and pencil markings; pp. 597-739 45/10 Beneath the underdog, #9 : typescript with holograph ink and pencil markings; pp. 740-875 46/1 Beneath the underdog, King's 2nd Draft : typescript; pp. 1-99 46/2 Beneath the underdog, King's 2nd Draft : typescript; pp. 100-199 46/3 Beneath the underdog, King's 2nd Draft : typescript; pp. 200-299 46/4 Beneath the underdog, King's 2nd Draft : typescript; pp. 300-381 46/5 Beneath the underdog, Miscellaneous 46/6 Liner Notes "Let my childeren hear music" : tyoescripts with holograph markings in pencil and ink; original photocopied Miscellaneous 46/7 Miscellaneous notes Published [in serials, stored in oversized container] 52/1 "An open letter to the avante garde" [article] : Changes, Issue No. 82, June 1973, p. 26 (2 copies) 52/2 "Charles Mingus answers John S. Wilson of the N.Y. Tribune" [article] : Changes, Issue 71, March 15, 1972, p. 1 47 50-53 Writings About CM Articles & Clippings: Bound in Serials 49 Domestic Serials [stored without folders, arranged alphabetically by article title] "A reporter at large: Mingus at peace", by Whitney Balliet [article] : The New Yorker, May 29, 1971, p. 42 (2 copies) "About Charlie Mingus", by Donald heckman [article] : The American Record Guide, Aug. 1962, p. 916 (2 copies) "Blindfold test: Charles Mingus", by Leonard Feather [article] : Down Beat, April 28, 1960, p. 49 "Blindfold test: Charles Mingus #2", by Leonard Feather [article] : Down Beat, May 12, 1960, p. 39 (2 copies) "Charles Mingus: April 22, 1922 - January 5, 1979", by Rafi Zabor [article] : Musician, Player, & Listener, No. 17, April 1979, p. 22 "Charles Mingus: better git it in your soul", by Joe B. Klee [article] : Jazz Interactions, Jan./Feb. 1972, p. 5 "Charles Mingus: moves", by Neil Tesser [review] : Down Beat, Aug. 15, 1974, p. 31 52/3 "Charles Mingus: the underdog meets Joni Mitchell", by Ben Sidran [article] : Rolling Stone, Issue No. 282, Jan. 11, 1979, p. 33 52/4 "Charles Mingus presents: the Charles Mingus Quartet" [review] : Changes, Vol. 3, No. 2, June 15, 1971, p. 13 (2 copies) 49 "Dance" [article] : New York, Sept. 13, 1971, p. 54 (2 copies) "Down Beat 36th Annual Readers' Poll" : Down Beat, Dec. 23, 1971; Mingus elected into Down Beat Hall of Fame "Down Beat 44th Annual Readers' Poll" : Down Beat, Dec. 1979; Mingus elected Jazz Musician of the Year, and ranked first in the DB "Composer" category "Gallery", by Sy Johnson [article] : Jazz Magazine, Spring 1978, Vol. 2, No. 3, p. 46 "The gospel according to Mingus: disciples carry the tune", by Bret Primack [article] : Down Beat, Dec. 7, 1978, p. 12 (2 copies). Note: Issue also includes review of Mingus' recording of Cumbia & Jazz Fusion. "Jazz at the White House" [article] : BMI: The Many Worlds of Music, Issue 3 1978, p. 16 "Mingus, Charles" [biography] : Current Biography, Vol. 32, No. 2, Feb. 1971, p. 26 52/4 "My man Mingus" [article] : Changes, Vol. 3, No. 2, June 15, 1971, p. 15 (2 copies) 49 "Salt peanuts at 1600", by Bill Brower [article] : Musician, Player & Listener, Issue No. 14, Oct. 1978, p. 43 Foreign Serials [stored loosely, arranged according to size] 50 "Beknopte discografie van Charlie Mingus", [by] H. De Wild [article] : Rhythme, No. 71, 15 Aug. 1955, p. 8 "Breve viaggio a New York", [by] Giancarlo Testoni [article] : Musica Jazz, N. 7-8 (187), Luglio-Agosto 1962, p. 12 "Charles Mingus" [article] : Jazz Wereld, Nummer 30, juli 1970, p. 27. Note: Issue also includes reviews of two Mingus recordings "Charlie Mingus sur la sellette", [blindfold test by Leonard Feather] : Jazz Magazine, No. 61, juillet-aout 1960, p. 16 "Chazz Minkus", [by] Joāo Marcos Coelho [article] : Abre Alas, Nov. 1979, p. 130 "Debut-records" [article] : Musikrevue, April 1957, p. 105. Note: Mingus is also mentioned in a review of two Thad Jones recordings, p. 126 "Ed ora anche Mingus...",[by] Arrigo Polillio [article] : Jazz Musica, Febbraio 1979, p. 2 (2 copies) "Jazz en Nueva York (y en Montevideo)" [article] : Sábados Show, 28 de Mayo, 1977, p. 11. Note: Mingus is also featured in an article titled Vista de un famoso "jazzman" on back cover of same "Mingus fra Brande: de nye plader på Debut", [by] Knud H. Ditlevsen [article] : Musikrevue, Oktober 1957, p. 250 "The White House all stars", by Lee Jeske [article] : Jazz Journal International, Vol. 31, No. 9, Sept. 1978, p. 26 Articles & Clippings: Loose [photocopies] 47/1 Beneath the underdog 47/2 Charles Mingus Biography 47/3 Charles Mingus Tributes Domestic Clips 47/4 1950s 47/5 1960s 47/6 1970-75 47/7 1976-81 (except 1977) 47/8 1977 47/9 Unknown source and/or date Foreign Clips 47/10 1956-80 Unknown source and/or date 47/11 Mingus Dynasty 47/12 Susan (Sue) Graham Mingus 47/13 Miscellaneous Oversized Clips 51/1 53/1 Domestic 51/2 53/2 Foreign 47/14 Newsletters, Press Releases, & Bulletins Atlantic/Atco Committee for Artistic Freedom Corriere Della Sera Jazz Workshop The Merlin Group New Audiences Philharmonic Hall Truno e Della 48 Miscellaneous Writings Film Work 48/1 Correspondence Scripts and Related Material 48/2 A song with orange in it, by S. Lee Pogostin; Robert Herridge, producer [script; 2 copies, 1 copy incomplete] Frankie and Johnnie, adapted for television by Lee Sherman; Robert Herridge, producer [annotated script] 48/3 Sierra Nevada, by Elio Petri; Daniele Senatore, producer [production summary; 2 copies, Copy 1 bound] Zoo, by Elio Petri; Daniele Senatore, producer [story synopsis, production summary, and miscellaneous] 48/4 [Untitled screenplay], by John Byron, Edward Pressman, producer [script] 48/5 Poetry "Blues for Eric Dolphy", by John Sinclair "Dreams, things, and offsprings", by Eric V. Tait, Jr. Four poems for Charles Mingus, by Lyon Phelps "Audience" "Box office" "Lament for Saturday night" "On the stand" 48/6 Short stories Angel baby, by Jack Micheline Waiting for Sam, by Marian Ungerer 48/7 Miscellany 54-64 Business Papers

The Business Papers Series consists of Charles Mingus headed three music business ventures Charles Mingus Enterprises, Inc.; Debut Records; and the Jazz Workshop, Inc.

Business Papers series is arranged as follows:

Contracts, arranged chronologically by date. Correspondence, arranged alphabetically by name then chronologically by date. Invoices, receipts and statements, arranged alphabetically by vender name then chronologically by date. Royalty statements, arranged alphabetically by company name, then alphabetically by artist name, then chronologically by date. 54/1 Brande Boghandel: Debut Records, Brande, Denmark Contract Correspondence Invoices Royalty statements Miscellaneous Charles Mingus Enterprises / Chaz-Mar Music 54/2 Contracts Correspondence Received: Corporate 54/3 Albert Shultz, Inc. Atsidis, Stanley American Dance Festival Reinhart, Charles American Federation of Musicians Ballard, Stanley Clancy, George V. Crothers, Robert Davis, Hal C. Ritacco, Tina Ampex Corporation Brusso, Irv Argus South African Newspapers Ltd. Wentzel, A. Associated Booking Corp. Archer, Jack Glaser, Joe Green, Jack L. Silber, Marcia Associated Musicians of New York Arons, Max L. Critelli, Louis Jaffe, Hy Atlantic Recording Corporation Donovan, Norah Auto Baby Sitters of New York Schiffman, N. 54/4 BMI (Broadcast Music, Inc.) Fabbio, Patrick J. Feilich, Al Marlo, George M. Paesler, Peter C. Bakers Keyboard Lounge [no individual specified] Berkley High Jazz Club Sacks, Andy Bernard Geis Associates Pogrebin, Letty Cottin Bethlehem Music Corporation Knockelman, Gladys Better Business Bureau of Metropolitan New York, Inc. Godreau, P.J. 54/4 Civic Publications, Inc. Stokes, Sylvia Columbia Records Macero, Teo Corblavan, Inc. Leon, L. Cornell University: College of Arts and Sciences Austin, William W. Decca Record Company Limited Norris, E.A. Eltron Export Company Glover, W.T. 54/5 Fairmont Hotel and Tower Thompson, J. Fantasy Records, Inc. Welbourn, Betty Zaentz, Celia Festival Productions Inc. Wein, George T. Fleet Services Incorporated Estrow, Julius Grand Parade du Jazz Wein, George T. H.M. Inspector of Taxes Cropper, E. Stanton, D.H. White, G.W. Harold Davison, Ltd. Tobutt, D. Harry Fox Agency, Inc. [no individual specified] 54/6 Inland Revenue Evans, G. Inquisition Coffee House Bateman, Howie International Jazz Festival Doruzka, Lubomir Japabooking [no individual specified] Jazz Journal International Jeske, Lee JazzYatra 78 Jhaveri, Niranjan John Simon Guggenheim Memorial Foundation Ray, Gordon M. Schlesinger, Stephen L. Joseph S. Carlitz Chemists Carlitz, Kay Karpatkin & Karpatkin Karpatkin, Marvin M. Kaybank Recording Corporation Becky, J. 54/6 Ken Mayer Associates Mayer, Ken Lone Star Publishing Co., Inc. Islar, Albert H. MacPherson Travel Bureau, Inc. "Jeanne" Madison Press Club Burke, Jack McGraw-Hill, Inc. Saunders, Paul Monterey Jazz Festival Lyons, James L. Musical Union of Baltimore City McElfresh, Charles W. Musicians' Protective Union Gwynn, Charles E. Musidisc-Europe Berjot, Pierre 54/7 Nason & Cohen Nason, Herbert Newport Jazz Festival "Margot" Wein, George Office de Radiodiffusion-Télévision Française Malson, Lucien Philadelphia Civic Center Newborn, Edward Playboy Solomon, Dave Snyder, Carl Polo Warehouse & Storage Corp. Cucinella, Joseph The Quiet Knight [night club] [name not distinguishable] Rank Organization of Canada Limited Lawson, Frank Schott Frères Junne, J.J. Shaw Artists Corporation Whittemore, Jack Smith College Coffey, Ana Société Française de Concerts Tronchot, Jean Swedish Broadcasting Corp. Geis, Bernard Tom Copi Photos Copi, Tom Town Hall Leeds, Candace United States Information Agency Anderson, Constance M. 54/7 Walker Art Center Geffen, Don Wells Fargo Bank Flood, James Western Union Telegraph Company Connelly, F.J. Willard Alexander, Inc. Dinkin, Irv 54/8 Miscellaneous Correspondence Received: Individuals 54/9 Atkinson, Richard H. Beckwith, Steve & Leslie Bekins, Jack Gray Beltley, Christain, Jr. Bendich, Albert M. Bishop, Robert O. Boriskin, Kim A. Braley, Jean B. Burrrows, Carmen Davis, Clive Caviola, Gaetan Cawley, Margaret Chaplin, John M., Jr. Comuccini, Jody Cosgrove, Raymond Cronin, George Richard Cross, David E. Davis, Clive J. De Maro, Andrew Delinski, Harold Easton, Robert Easton, Sharon Evalt, George J., Jr. Evans, Irvin 54/10 Farrow, N.H. Fischer, Howard E. Frances, Helene Gavioli, Giordano Gerke, Sherman Gerstein, Marvin Giusti, Calvin V. Glaser, Joe Grabo, Frederick H. Grauer, Ben Green, Jack L. Halford, Steve Harrison, Denis M. Hawkins, G.T. Hazell, C. Vaughn Heinz, L. Hiken, Sidney U. Homes, Mike 54/10 Humphreys, Graham 54/11 Ingham, Hepburn Jackson, Gwendolyn Johnson, William W. Jucker, Franco Judd, Robert D. Junne, J.J. Kemsey, Joseph Kobler, U. Kostial, Walter Kraner, Dietrich H. Kyrou, Ado Lamb, Curtis Lee, Calvin M., Jr. Levy, Robert B. Loewenthal, M. Lott, Alan Lowe, T. Mangus, Jackson P. Marcus, Maxine H. "Mason" Matthews, D.R. McCoy, Donald McDonnell, Pat McIntyre, V.E. McKinney, William S. McNally, Paul C. Mietzel, Michael J. Moulton, James C. 54/12 O'Connor, C.J. Palma, Don Patterson, Kathleen Pendzich, Edward Petersen, Charles E. Pierpaoli, Mike Piersol, William A. Quersin, Benoit Raff, Robin C. Rattners, Lewis Richmond, Dannie Riddell, Ronald C. Roth, Carl R. Sabin, Ruth B. Sales, Grover, Jr. Sanford, Alpheus Schenker, Heinz Schütte, Franz Scott, Bettie Sue Setterberg, Fred S. Smith, J.O. Stateler, Lloyd Stolaski, M.J. 54/12 Struggles, Kirk Sutherland, Frances E. Taylor, Howard Tiller, F.M. Tonsberg, Finn Tucker, Tom R. Walton, Ruth Ward, David J. Warner, Ross Warren, Alan Weete, Carol E. Wehr, C.H. Weitermann, Bruce R. Werner, Uehlinger Westmoreland, Barbara Williams, Denis J. Wood, Thomas P. 54/13 Miscellaneous 54/14 Correspondence Sent: Corporate ABC Records Graham, Susan American Federation of Musicians Mabry, Frank Associated Musicians of Greater New York Mabry, Frank Columbia Records Mingus, Charles Coral Studios Ungaro, Sasan Graham Cornell University Francis, Muriel Department of Relocation, New York City Mingus, Charles Guggenheim Memorial Foundation Graham, Susan Mingus, Charles H.N. Inspector of Taxes Mingus, Charles King Records, Inc. Morea, Dominick 54/14 Lee King & Partner, Inc. [no individual specified] Savoy Record Co., inc. Ferris, M. S.P.P. Mingus, Charles United Artists Mingus, Charles 54/15 Correspondence Sent: Individuals Chachere, Marvin Geis, Bernard Guy, Warner 54/15 Jones, Morty Jones, Robert Kunst, Johan Kyrou, Ado Mabry, Frank Pogrebin, Bertrand B. Roach, Max Roo, Joop de Preston, Eddie Shemel, Sidney 54/16 Miscellaneous General Services: Vender Sales and Services Banking 54/17 Chemical Corn Exchange Bank Cancelled checks Statements Miscellaneous 54/18 First National City Bank Cancelled checks Statements Miscellaneous 54/19 Wells Fargo Bank Cancelled checks Statements Miscellaneous 54/20 Miscellaneous 54/21 Miscellaneous invoices 54/22 Miscellaneous receipts 54/23 Miscellany Inter-Office Business 55/1 Employee payments [receipts] 55/2 Inter-office billing Office supplies Miscellaneous 55/3 Legal file [affidavit and summons] 55/4 Mailing/shipping Mail order requests Miscellaneous ... see also Box 66 55/5 Receipt and release of lien forms 55/6 Taxes 55/7 Miscellaneous Mechanical Licenses & Royalties 55/8 Correspondence 55/9 Licenses Royalty statements 55/10 ABC-Paramount ABC Records 55/10 American Federation of Musicians 55/11 Atlantic Records [(only] 55/12 BMI (Broadcast Music, Inc.) [only] 55/10 Bethlehem 55/13 Cadence Records Columbia Records (CBS) Decca Records Keel Mfg. Corp. McGraw-Hill Books Mercury Records Nordisk Copyright Bureau Prestige Records RCA Records Savoy Music Co. United Artists 55/14 Miscellaneous 55/15 Music Supplies [miscellaneous] 55/16 Promotional Material Charles Mingus Record Club ... see also Box 66 Concert announcements Record catalogs Tours and Concerts [on folders, Business Tours] 55/17 Iteneraries 55/18 Laundry service 55/19 Lodging [hotel receipts and statements] 56/1 Meals 56/2 Miscellaneous lists 56/3-5 Musicians' payments [receipts and balance sheets] 56/6 Technical riders 56/7 Telephone [long distance] Travel expenses [receipts] 56/8 Airlines 56/9 Private auto, limousine, and taxi Rail 56/10 Work permits Domestic Foreign 57/1 Miscellaneous 57/2 Miscellany Debut Records, Inc. 57/3 Company History 57/4 Contracts Correspondence Received: Corporate 57/5 A/B Nordiska Musikförlaget [no individuals specified] A & I Record Distributors [no individuals specified] Al Smith's Record Bar Smith, Al All Star Theatrical Agency Friedman, Syd American Press, Inc. Klinefelter, H.E. American Recordist Society Kaplan, Max 57/5 Argyle Publishing Co. DeNotte, Warren Billboard Publishing Co. Ackerman, Paul Birdland Record Shop [name not distinguishable] Bureau of Motor Vehicles Goodman, Helen Carl Cordover & Co. Cordover, Carl Catholic Preview of Entertainment, Inc. Freehan, Eugene Chemical Bank New York Trust Gaffney, Clarence J. Chemical Corn Exchange Bank Taylor, Arthur P. Cherokee Coal and Coke Co. Stegall, Sydney H. College Music Distributing Co. "Audrey" Columbia Music Company Heller, Charles Columbia Records Avakian, George Commercial Music Company Strawhorn, Alice Continental Assurance Company Meyers, Ronald 57/6 D & D Distributing Maw, Dick Dale Record Service Dale, Harry Decca Record Co., Ltd. Hannicks, Raymond Department Store Guide Cushing, E. Mack The Disc Shop Bleicher, Fred Dun & Bradstreet Brockett, F.H. Costa, E. Mielbrecht, R.E. East Coast Distributors [no individual specified] Elitco [no individual specified] Emperor Records [name not distinquishable] Florida Record and Appliance Company (Florida Record and Music Co.) Ganong, Overton Fortesque Jazz Club Brown, John W. 57/6 Frumkin Sales Co., Inc. "H.F." 57/7 Gauls Book and Record Shop Bristol, Suzanne Gillens Department Store Westphal, Fred Gray Manufacturing Co. Freeman, Maury Guy Ward Associates Ward, Guy Hal Faktor Faktor, Hal Hal-Mar Distributors Kossoff, Hal Har-Bock Music Co. Bock, Richard House of Music Risner, Randolph Jawood L. Anderson, Inc. Evans, Jack W. Jazz Diskothek Braukmann, I.A. Jazz Disques Delaunay, Charles Jazz Encyclopedia Feather, Leonard Jazzmania Thiers, Walter Jazz Monthly McCarthy, Albert J. Jazz Promotion, Inc. Walker, Joseph M. Jerry Marcus Showroom Marcus, Jerry J.R. Reed Music Co. Fruth, Doris F. Ken Paulsen Associates Paulsen, Ken KFMB Radio Garland, Howard KFRE - California Inland Broadcasting Co. Hansen, Flo KGES Radio MacLeod, Dennis KLAC Radio Norman, Gene KLUF Radio - "Music with Maggie" Banks, Leon M. ("Maggie") Knight Education, Inc. Piraino, Mario J. KUTA Radio Zogg, Hal 57/7 Limelight Publications, Inc. Whitehorn, Chester London Audio Centre Aselstyne, John G. 57/8 Mademoiselle Magazine Sachs, Dorothy Maher Publications, Inc. Shilling, Peter Mangold Distributing Co. Goldberg, Mannie Meade Music House Anderson, N. Roaland Melody Sales Co. Davidson, R.H. Melody Shop Majors, Elsie Microfusion, Inc. Ketcham, Randy Midwestern Music [no individual specified] The Modern Jazz Club Rachilo, Solomon C. Music Barn Barber, Stephanie Frey Music Craft Distributors of Hawaii Kurokawa, Walter Music Director Chiaramonte, Al Music International, Inc. Reyes, B. The Music Mart [no individual specified] Music-Please Co. Hughes, Edward T. The Music Shop Frost, Harry Music Suppliers of New England, Inc. Carter, Harry Trager, Eva Musicians Mutual Protective Association Morris, Don 57/9 Nelson Music House Tharalson, Bob New Jazz Society of Toronto Hoare, William S. New Musical Express Wright, Rachel New York State Department of Labor Green, Alfred L. Wiener, Irving Nichibei Center, Inc. [name not distinguishable] 57/9 Norfolk Virginian-Pilot Foster, John O Itaborahyense Costa, Heitor Odhams Press Ltd. [name not distinguishable] Opus Jazz Antonissens, Rudolph Pan Africa Company Russell, E Joseph Paprikás Weiss Importer [no individual specified] The Paterson Evening News Greene, Abe J. Persuasive Packaging Corp. Lerner, Frank Premeier Record Distributing Co. [name not distinguishable] 57/10 Queen City Album Conpany Bosken, Edward R. Radio 437 Store Levin, Norman Railway Express Agency Cresson, E.W. Rave Recording and Distributing Co. Timmer, Joe Record City Schneider, S.B. Record Hop, Inc. Vartanian, Haik Records, Inc. Steen, C.H. The Reporter Tripp, Alice Sam Goody at Snellenburgs Langill, Warren A. Savoy Record Company, Inc. Gottesmann, H. Schwann, Inc. Strong, Carlton M. Shaker Music Shop Prendergast, James Southern Music Makela, Betty Star Novelty Company Karter, Phillip State University of New York College for Teachers Tallmadge, William H. Tempo Kaylin, Walter Transition [Wilson], Tom 57/10 Tri-State Record Distributors, Inc. Donohue, Mike 57/11 U.S. Department of Commerce: Bureau of the Census Burgess, Robert W. United State Information Agency Eisenstadt, Evelyn Vancouver Boys' Club Association Smith, Bob Vogue Productions Internationales Phonographiques Delaunay, Charles WCAM Bureau of Broadcasting Roberts, Tom WCKY Radio Dale, Rex WDGO-FM Radio Ferguson, Thomas M. Web Distributing Co., Inc. Bathgate, Walter E. Weiss Rhythm and Rhyme Shop [no individual specified] WERE Radio McLean, Phil WFAH Radio Williamson, Don WIIT Radio Joseph, Harry Willis Music Co. of Cleveland Trumbles, Bruce Z. WJQS Radio Garrett, Jack WOOO Radio Gilbert, Jim WOR Radio Koss, Ernest E. WPEO Radio Scott, Ken WQBC Delta Broadcasting Co. Garrett, Jack WSME York Broadcasting Co. Carlson, John WSSO Radio Garrett, Jack WWDC Radio Conover, Willie 57/12 Correspondence Received: Individuals Anderson, Eric Arseneault, Jack Berendt, Joachim E. Bergman, Cadet G.T. Bernard, Allan Boucher, Brian G. Brautigam, Anders 57/12 Broadneaux, Ulysses B., Jr. Carr, Ray Carroll, Harold F. Casteels, Raymond Cholinski, Henryk Z. Clark, Arnold B. Colmer, Bob Coluzzi, Nelson Conover, Willis Conyers, Carl Cory, Raymond L. Crawford, Edward Dale, Brian Darby, Sherman Dennis, John Díaz, Frank, Jr. DiVenuto, Henry Divok, Joe Dorsey, Dean J. DuBois, Stephen C. Feilich, Al Fiorito, Edward Fleiss, Marcel Fogel, Max 57/13 Gannon, Rob Gary, Louis W. Gauguin, Jam Gleason, Ralph J. Gregory, Jack Harlund, T. Henninger, Fred A. Kantor, Frederick I. Kingland, James, Jr. Kirkwood, J. Krügel, Karl Heinz Larmay, Lou Lawson, Kathy Lengsfelder, H.F. 57/14 Manning, Don Mingo, Leonard Morgan, Alun Moss, Bennie Nelson, Beatrice O'Brien, Neil C. O'Connor, Father Norman J. Oglesby, Rufic C. Parker, Chan Parker, Doris Parrish, J.G. Patton, William Y. Purlongo, Bob 57/15 Raeburn, Boyd 57/15 Roach, Max Rubins, Helen Sandridge, Billie Seilagy, Bob Sewell, John W. Shaffer, Dr. J.R. Slocum, Beverly Smith, F.T. Soucie, Gary A. Stith, June D. Summarrisse, Bob Thorstad, Nils 57/16 Uriesess, C. Waldorf, O.D. Walker, R.A. Watton, Dick Zalasnick, Charles 57/17 Correspondence Sent: Corporate A & I Record Distributors Lovette, Harol E. Al Smith's Record Bar Mingus, Charles All Star Theatrical Agency Lovette, Harold E. Allied Record Sales Mingus, Charles American Jazz Annual Mingus, Celia American Mercantile Company Mingus, Celia Ann's Record Mart Eagle, Kiriki Associated Booking Corp. Mingus, Charles Atlantic Records Corporation Mingus, Celia Billboard Publishing Co. Mingus, Celia Book Clearing House, Inc. Eagle, Kiriki Bureau of Motor Vehicles Mingus, Lucille [Celia] Chemical Corn Exchange Bank Debut Records Columbia Music Company Mingus, Charles Coastal Recording Co., Inc. Mingus, Celia College Music Distributing Co. Brandt, William J. Columbia Music Co. Mingus, Charles 57/17 Commercial Controls Corp. Hall, LeRoy P. D & D Distributing Lovette, Harold E. Daniel Wright Record Shop Brandt, William Mingus, Charles Decca Records Mingus, Celia Edward R. White, Inc. Mingus, Celia F & F Enrterprises Mingus, Celia Florida Record and Appliance Company (Florida Record and Music Co.) Lovette, Harold E. Fortesque Jazz Club Mingus, Celia Galveston Negro Chamber of Commerce Mingus, Celia Gray Manufacturing Co. Mingus, Celia Har-Bock Music Co. Bock, Richard Harper's Magazine Mingus, Charles Henry C. Knoblauch & Son Ferris, M. Interstate Phonograph Corp. Lovette, Harold E. Jan and Mike Record Shop Ferris, M. Jawood L. Anderson, Inc. Lovette, Harold E. Mingus, Celia Jazz Hot Mingus, Charles Jazz Monthly Mingus, Celia Mingus, Charles Jazz Promotion, Inc. Ferris, M. Ken Paulsen Associates Dorr-Dorynek, Diane KFMB Radio Mingus, Charles KFRE - California Inland Broadcasting Co. Mingus, Celia KLAC Radio Mingus, Charles KLUF Radio - "Music with Maggie" Ferris, M 57/17 KNBC Radio Mingus, Charles KUTA Radio Mingus, Charles Lighthouse Cafe Brandt, William Lowenstein's Eagle, Kiriki Mingus, Celia 57/18 Mademoiselle Magazine Mingus, Celia Mangold Distributing Co. Brandt, William Marnell Distributing Co. Mingus, Charles Meade Music House Lovette, Harold E. Melody Sales Co. Brandt, William Microfusion, Inc. Mingus, Celia Microphone Music Brandt, William The Modern Jazz Club Mingus, Celia Monroe Music Co. Ferris, M. Morris Distributing Co. Brandt, William Motor Freight Director Lovette, Harold E. Music Barn Mingus, Celia Music-Please Co. Ferris, M. Lovette, Harold E. Music Suppliers of New England, Inc. Lovette, Harold E. Nelson Music House Ferris, M New York State Department of Labor Lovette, Harold E. Norfolk Virginian-Pilot Lovette, Harold E. Pan American Record Supply Co. Lovette, Harold E. Portem Distributing Debut Records [no individual specified] Railway Express Agency Mingus, Celia Rave Recording and Distributing Co. Mingus, Celia 57/18 The Record Shop Mingus, Charles Seven Arts Book Society Mingus, Celia State University of New York College for Teachers Mingus, Celia Tempo Mingus, Celia Trans-Disc Corporation Lovette, harold E. Transition Mingus, Celia Tri-State Record Distributors, Inc. Lovette, Harold E. Tru-Tone Distributing Eagle, Kiriki Mingus, Celia Voice of America Mingus, Charles WAAF Radio Mingus, Celia WCAM Bureau of Broadcasting Lovette, Harold E. WERE Radio Mingus, Charles WFAH Radio Mingus, Charles WJQS Radio Mingus, Charles WNEW Radio Mingus, Charles WNJR Radio Mingus, Charles WOR Radio Ferris, M. WPEO Radio Ferris, M. WQBC Delta Broadcasting Co. Mingus, Charles 57/19 Correspondence Sent: Individuals Anderson, Eric Arseneault, Jack Bailey, Franklin Berendt, Joachim E. Bergman, Cadet G.T. Bernard, Naomi Brautigam, Anders Carroll, Harold F. Cholinski, Henryk Z. Coluzzi, Nelson Conover, Willis Dale, Brian 57/19 Dennis, John Díaz, Frank, Jr. Divok, Joe Fleiss, Marcel Fiorito, Edward Gannon, Bob Gauguin, Jam Givens, Spaulding Gleason, Ralph J. Groff, James Henderson, Robert P. Henninger, Fred A. Hughes, Langston Kantor, Frederick I. Kirkwood, J. Larmay, Lou Lawson, Kathy Lengsfelder, H.F. Lerman, N.D. Levister, Alonzo Lomoe, Wallace Lovette, Harold E. Manning, Don McCoy, Sid Mingo, Leonard Morgan, Alun Nelson, Beatrice Norvo, Red and Eve O'Brien, Neil C. O'Connor, Father Norman J. Parker, Chan Purlongo, Bob Raeburn, Boyd Rappoport, Jon Roach, Max Rubins, Helen Seilagy, Bob Sewell, John W. Shaffer, Dr. J.R. Simon, George Slocum, Beverly Smith, F.T. Soucie, Gary A. Stoopack, Irving Summarrisse, Bob Ulanov, Barry Waldorf, O.D. Watton, Dick Westberg, Nils 57/20 Miscellaneous General Services: Vender Sales and Services Banking: Chemical Corn Exchange Bank 58/1-2 Cancelled checks 58/3 Charges to account 58/4 Deposit receipts 58/5 Statements 58/6 Miscellaneous Publicity [publications] 58/7 Down Beat Magazine 58/8 Long Player Publications Ltd. 58/9 Metronome Magazine Record Sales and Related Services 58/10 ABC Distributing Corporation 58/11 A.M. Zimmermann & Co. 58/12 Aetna Photoengraving Co., Inc. 58/13 Albert Schultz, inc. 58/14 Amsa Arts Ménagers 58/15 Artype Press, Inc. 58/16 Audio-Video Recording Co. 58/17 Bill Spilka 58/18 Cardinal Export Corp. 58/19 Center Records 58/20 Chatton Distributing Co. 58/21 Commercial Music Co., Inc. 58/22 Contemporary Distributing Co. 58/23 Departmaent of the Army and the Air Force 58/24 Dexter Distributing 58/25 Elite Record Company of Canada 58/26 EMCO Distributors 59/1-2 Empire Record Corporation 59/3 Equitable Stationery Company 59/4 Erpol Music Ltd. 59/5 Esoteric Recording Services 59/6 Gem Albums 59/7 Gimbel Brothers, Inc. 59/8 Japan Sales Co. Ltd. 59/9 Jazz Box 59/10 Kaltman Press, Inc. 59/11 Lone Star Records 59/12 Milton Phono Records Co. 59/13 Morris Distributing Co. 59/14 Peerless Album Co. 59/15 RCA Victor Division: Radio Corporation of America 59/16 Record Sales Co. 59/17 S. Posner Sons Paper and Packaging Products 59/18 Samuel R. Rosenbaum 59/19 Shelley Products Ltd. 59/20 Tri-Boro Envelope Company 59/21 Miscellaneous: Invoices 59/22 Miscellaneous: Receipts 59/23 Miscellaneous: Purchase orders Shipping orders Statements 59/24 Miscellany Inter-Office Business 60/1 Balance sheets Board of Directors and Stockholders 60/2 Correspondence 60/3 Miscellaneous Employment 60/4 Correspondence Employer Contribution Reports 60/5 Payment receipts [employees and services] 60/6 Miscellaneous 60/7 Mailing/shipping C.O.D. senders's receipts: See Box 65 Customs Declaration forms Insured mail receipts: see Box 65 Mail receipts: see Box 65 Post Office box payment receipts Miscellaneous 60/8 Memos 60/9 Petty cash vouchers: see Box 65 60/10 Telephone Monthly statements Toll calls and telegrams statements Miscellaneous 60/11 Travel Automotive services receipts Toll receipts: see Box 65 Traffic violations 60/12-13 Miscellaneous Mechanical Licenses & Royalties Mechanical licenses 61/1 Contracts 61/2 Correspondence (B-W) 61/3 Miscellaneous Royalties 61/4 Contracts 61/5 Correspondence (B-W) 61/6 Royalty statements: Corporate BMI (Broadcast Music, Inc.) Beechwood Music Burke & Van Heusen Music Publishers Edward B. Marks Music Corp. Harry Fox Agency Jazz at Massey Hall Leeds Music Corp. Melotone Music Music Publishers' Holding Corp. Orpheus Music 61/6 Patricia Music Co. Rockaway Music Publishers Vogue Productions Internationales Phonographiques Walter Bishop Music Publishers 61/7 Royalty statements: Individuals Dennis, John Dorough, Bob Givens, Spaulding Johnson, J.J. La Porta, John Levister, Alonzo Macero, Teo Mitchell, Bruce Mobley, Hank Most, Sam Pettiford, Oscar Scott, Hazel 61/8 Miscellaneous Professional Associations 61/9 American Federation of Musicians (AFM) Contracts Correspondence Miscellaneous [recording reports] 61/10 American Federation of Television and Radio Artists (AFTRA) Contracts Correspondence Miscellaneous [recording reports] 61/11 American Society of Composer, Authors, and Publishers (ASCAP) Correspondence Miscellaneous 61/12 BMI (Broadcast Music, Inc.) Correspondence Miscellaneous 61/13 National Academy of Arts and Sciences (NARAS) Correspondence 61/14 Promotional Material Debut Records Catalogs Miscellaneous advertisements Recording Projects 61/15 KENNY DORHAM: Kenny Dorham Quintet Contract Miscellaneous 61/16 BABS GONZALES: Five Rocks and a Roll Correspondence Invoices Miscellaneous 61/17 THE GORDONS: The Gordons, M-110 and M-111 Contract Miscellaneous 61/18-19 JAZZ AT MASSEY HALL: Jazz At Massey Hall, Vols. I and III -- Quintet, DLP-2 and DLP-4 Contracts Correspondence Expense statements Invoices Miscellaneous 61/20 JAZZ WORKSHOP: Jazz Workshop, Vol. I, DLP-5 Contract Miscellaneous 61/21 JOHN LA PORTA: John La Porta Quintet Contracts Promotional material Miscellaneous 61/22 ALONZO LEVISTER: Manhattan Monodrama, DEB-125 Articles & clippings Biographical sketch Contracts Correspondence Invoices, receipts, etc. Miscellaneous 62/1 TEO MACERO: Explorations, DLP-6 Contracts Correspondence Record production services [invoices, receipts, statements, etc.] Record sales statements Miscellaneous 62/2 CHARLES MINGUS: Charles Mingus Ninetette, Charles Mingus Quintet Contracts Copyrights Correspondence Miscellaneous 62/3 HAL MITCHELL: Hal Mitchell Four, M-104 Contract Miscellaneous 62/4 ADA MOORE: Jazz Workshop, Vol. III : Ada Moore, DLP-12 and DLP-15 Biographical sketch Correspondence Miscellaneous 62/5 SAM MOST: Sam Most Quartet Plus Two, DLP-11 Biographical sketch Contracts Correspondence Record production services [invoices, receipts, statements, etc.] Record sales statements Miscellaneous 62/6 CHARLIE "BIRD" PARKER: Bird On 52nd Street, JSW-501 Contract Correspondence Parker estate matters Parker Memorial Fund Miscellaneous 62/7 OSCAR PETTIFORD: The Oscar Pettiford Sextet Contract Miscellaneous 62/8 BUD POWELL: Bud Powell Trio - Jazz At Massey Hall, Vol. II, DLP-3 Miscellaneous 62/9 MAX ROACH: Max Roach and His Sextette, M-105 and M-106; Max Roach Quartet, M-107 -M-109 and DLP-13 Contracts Miscellaneous 62/10 HAZEL SCOTT: Hazel Scott, DLP-16 Biographical sketch Contracts Correspondence Promotional material Miscellaneous 62/11 STRINGS & KEYS: Strings & Keys, DLP-1 Contracts Correspondence Record production services Miscellaneous 62/12 Discography: Lists of recording porjects 62/13 Miscellaneous 62/14 Unfulfilled Mail Orders Requests: Corporate 62/15 Unfulfilled Mail Orders Requests: Individuals 62/16 Miscellany Jazz Workshop, Inc. 63/1 Contracts 63/2 Correspondence Received: Corporate A. Schroeder Music Corporation Ames, Pearl American Federation of Musicians Ballard, Stanley Bowling Green State University Libraries Schurk, William L. Bruhnke & Silver Arons, Saul Campbell, Connelly & Co. Berry, Roy City of New York Dept. of Real Estate Levine, Morton Cornell University: Willard Straight Hall Atwell, Jeanne Huggler, John Moore, Edward J.: of Musicians' Local 132, Ithica, NY The Evelyn Music Co., Ltd. Sherriff, David 63/2 GEMA Urban, Heinz H.M. Inspector of Taxes Cropper, E. White, G.W. I.S. Dansk Grammofonpladeforlag Knudsen, Karl Emil Karpatkin & Karpatkin Karpatkin, Marvin Moses 63/2 Mechanical-Copyright Protection Society Limited Skinner, H.N. Orenstein, Arrow & Lourie Silverman, Noel L. Rank Productions Ltd. Holland, D.F. 63/2 Sonoma State College Larolyi, A.F. Warner Bros. Records, Inc. Harman, Leo D. 63/3 Correspondence Received: Individuals Cohen, Elias I. Crisp, John C. Goldfield, Brian Hurley, Catherine Jackson, Gwendolyn S. Keep, Linda Mayo, Barry Monea, Dominick A. Tilemann, Barbl Ungaro, Sue Graham 63/2 Correspondence Sent: Corporate Cornell University: Willard Straight Hall Mingus, Judith A. 63/3 Correspondence Sent: Individuals Chance, William C. Dumoulin, R. January, Allan G. Milner, L. [receipt for bass] Soffer, Sheldon General Services: Vender Sales and Services Banking Chase Manhattan Bank 63/4-5 Cancelled checks 63/6 Correspondence Statements Miscellaneous 63/7 Chemical Corn Exchange Bank Cancelled checks Charges to account Deposit slips Statements Miscellaneous 63/8 Miscellaneous 63/9 Vender Sales and Related Services [miscellaneous] Inter-Office Business 63/10 Balance sheets 63/11 Employee insurance Correspondence Insurance policies Miscellaneous 63/12 Employee payments [signed check stubs and voided blank checks] 63/13 Receipt and release of lien forms 63/14 Taxes: New York State and federal 63/15 Miscellaneous Mechanical Licenses & Royalties 64/1 ABC-Paramount Contracts Royalty statements Miscellaneous 64/2 Ampex Corporation Royalty statements Miscellaneous 64/3 Atlantic Recording Corporation Contracts Correspondence 64/3 Royalty statements Miscellaneous 64/4 BMI (Broadcast Music, Inc.) Correspondence Royalty statements Miscellaneous 64/5 Bethleham Royalty statements 64/6 Cadence Records, Inc. (Candid Records, Inc.) Contract Correspondence Royalty statements Miscellaneous 64/7 Capitol Records, Inc. Royalty statement 64/8 Columbia Records Correspondence Royalty statements Miscellaneous 64/9 Columbia Records of Canada Ltd. Royalty statements Miscellaneous 64/10 Compo Records Contracts Royalty statements 64/11 Decca Records Ltd. Correspondence Royalty statements Miscellaneous 64/12 E.M.I. Records Correspondence Miscellaneous 64/13 Electrical & Musical Industries Ltd. Correspondence Royalty statements Miscellaneous 64/14 Fantasy Records Correspondence 64/14 Royalty statements Miscellaneous 64/15 J. Herbert Orr Enterprises Inc. Contract 64/16 Liberty Records, Inc. Royalty statement 64/17 Mercury Record Corp. Contracts Royalty statements Miscellaneous 64/18 Motown Record Corp. Contracts 64/19 Nordisk Copyright Bureau Contract [unsigned] Correspondence Royalty statements Miscellaneous 64/20 Philips' Phonographic Industries Contracts Correspondence 64/21 Prestige Records, Inc. Correspondence Royalty statements 64/22 Quality Records Ltd. Royalty statements Miscellaneous 64/23 Radio Corporation of America, Record Division (RCA) Correspondence Royalty statements Miscellaneous 64/24 Sparton of Canada Ltd. Contracts Correspondence Royalty statements Miscellaneous 64/25 United Artists Royalty statements Miscellaneous 64/26 Miscellaneous royalty statements 64/27 Promotional Material Charles Mingus brochures Concert announcements 64/28 Miscellany 67 81 83/4-7 Iconography

The Iconography series consists of photographs, artwork, and three dimensional items.

Iconography series is arranged as follows:

Photography, arranged alphabetically by subject. Awards and award nominations, arranged chronologically by date. Artwork, arranged alphabetically by medium type (painting, record jacket layouts). Postcards, arranged alphabetically by subject or name. Photographs 67/1 Charles Mingus alone Snapshots: various sizes (6) 67/3 Mrs. Charles Mingus, Susan Graham Mingus, portrait: 8 x 10 (2) 67/4 Photo Negatives ... see also Box 77 Photos of other musicians 67/5 Miles Davis (5) 67/6 Eric Dolphy (1) 67/7 Duke Ellington [and ...?] (1) 67/8 Maynard Ferguson (1) 67/9 Oscar Pettiford (5) 67/10 Dannie Richmond (1) 67/11 Max Roach (8) 67/12 Artie Shaw (1) 67/13 Horace Silver (2) 67/14 Kai Winding (3) 67/15 Unknown (3) Portraits: Mingus family & friends 67/16 8 x 10 (4) 67/17 Wallet size (8) 67/18 Slides (76) 67/19 Snapshots: Mingus family & friends (52) 67/20 Miscellaneous photos (7) Awards and Award Nominations 81/1 National Academy of Recording Arts & Sciences (NARAS): Grammy Award nomination, Jan. 1973 81/2 Newport Jazz Festival, New York: Hall of Fame Award, July 1976 81/3 University of California, Berkeley: Hall of Fame Award, 1978 81/4 District of Columbia, Washington, D.C.: Declaration of Charles Mingus Day, Oct. 22, 1979 81/5 ASCAP: ASCAP-Deems Taylor Award, 1990 Artwork 83/4 Painting titled "Space Soul", by Elliott Cola 83/5-6 Record album cover art 83/7 Miscellaneous [drawings] 67/21 Picture Postcards [blank] Eight Portrait postcards of famous jazz musicians Japanese Cuisine Lake Lungern, Switzerland Pennsylvania: scenes from the state Santa Fe, New Mexico Frank Sinatra South America 75-76 80 82 53/3-4 Printed Matter

The Printed Matter series consists of his personal collection of articles, magazines, newsletters, and press releases, etc. relating to himself as composer and mucisian.

Printed Matter series is arranged as follows:

Articles & clippings, arranged chronologically by date. Books and pamphlets, arranged alphabetically by title. Organiztions and affiliations, arranged alphabetically by organization name. Programs: With and without Mingus, arranged chronologically by date. Special tributes, arranged alphabetically by name or subject. Promotional material, arranged alphabetically by format type (brochures, discographies, flyers, etc.) then chronologically by date. Miscellaneous publications, arranged alphabetically by title. 53/3 75/1 Articles & Clippings [miscellaneous], 1957-1975 75/1 1957-1975 [includes undated] 53/3 Oversized 75/2-10 Books and Pamphlets 75/2 Building upon Raga'Shree, [by] Antonio Claudio Carvalho. London: The Man Ray Dog Rocket Society, 1972 75/3 Dancing, poems by Al Young. New York: Corinth Books, 1969 75/4 The Empire finals at Verona, poems by Jonathan Williams. Highlands, N. Carolina: Jargon 30, 1959 75/5 The ghetto sparkles, by Jeanne Paris. New York: The Long Island Sunday Press, 1972 75/6 The greatest thing in the world, [by] Henry Drummond. Mount Vernon, NY: Peter Pauper Press, [ca. 1964] 75/7 Guide to good dining. New York: The New York Times, 1962. 75/8 Hommage a Billie Holiday, [by] Walter Coleman. Paris: Karin Moutet, 1961 75/9 O' Harlem, [by] Jack Micheline. N.l.: Jack Micheline, 1961 75/10 The people of the all, by Lonnie Foy and Shirley Powers. N.l.: Shirley Powers, 1973 75/11-19 Organizations and Affiliations 75/11 British Actors' Equity Association: the Thirtieth Annual Report of the Council (1960-61) 75/12 Broadcast Music, Inc.: News About Music & Writers, Feb. 1962 75/13 The Duke Ellington Society 75/14 Fellowship of Reconciliation 75/15 The Ford Foundation 75/16 International Platform Association 75/17 John Simon Guggenheim Memorial Foundation Brochures Correspondence Miscellaneous 75/18 The Strata Corporation 75/19 Timothy Leary Defense Fund 75/20-23 76/1-4 Programs [concerts, festivals, lectures, workshops] With Mingus 75/20 1957, Nov. 15: The Cooper Union for the Advancement of Science and Art presents "Music in the Making" 1962, July 6-8: Newport Jazz Festival, Newport '62 1964, July-Aug.: Jazz at the Fair Jazz Festival 75/21 1970, Nov. 5: Berliner Jazz Tage (Berlin Jazz Days) 1971, Oct.: City Center Joffrey Ballet 1971: Newport Jazz Festival 1971 75/22 1972, Luglio (July) 28-30: 4 Festival Internazionale del Jazz 1973, Nov. 23: Welcome to an Evening with Charles Mingus 1974, 17-18 Agosto (Aug.): Teatro Municipal do Rio de Janeiro (3 copies) 1975, 17-19 Juli: Jazz Festivalen Ahus 1975, Nov.: X Festival Internacional de Jazz de Barcelona (2 copies) 1975: Beogradski Jazz Festival (2 copies) 75/23 1976, April 9-18: New Orleans 1976 Jazz & Heritage Festival 1977, 2 de junio: Teatro Coliseo, Amigos de la Musica 1977, 3 de junio: Ciclo Musical 1977 1977, June 24-July 4: Newport Jazz Festival New York [schedule] 1977, 12-17 July: 11th Montreux International Festival 1978, April 29: The Great Hall, Cooper Union Without Mingus 76/1 1957-71 76/2 1972-79 76/3 Special Tributes Ornette Coleman John Coltrane Duke Ellington Max Gordon Dick Gregory Frank O'Hara 76/4 Miscellaneous 53/4 76/5-16 Promotional Material 76/5 Brochures 76/6 Discographies 76/7 Flyers 53/4 Oversized flyers & posters 76/8 Posters Publicity 76/9 Ted Curson 76/10 Eric Dolphy 76/11 Charlie Haden 76/12 Jimmy Knepper 76/13 Don Pullen 76/14 Artie Shaw 76/15 Tap Happening 76/16 Miscellaneous 53/3 76/17-18 80 82 Miscellaneous Publications 76/17 Bulletins and Press Releases Magazines and Newspapers 80 Black Sports : Jan. 1976 80 Changes in the Arts : March 1980 (3 copies) 80 Continental Film Review : July 1961 82 Daily News : April 8, 1968 [Martin Luther King, Jr. assassination] 80 Down Beat : Nov. 14, Nov. 28, 1957; Feb. 20, March 6, 1958; June 23, Sept. 1, 1960; March 28, 1963; Aug. 27, 1964; June 2, 1966 82 Ebony : March 1978 82 Esquire : Nov. 1960; Jan. 1964 82 Hi Fi/Stereo Review : May 1961 82 International Musician : Nov. 1960; March 1966 80 Jazz : July-Aug. 1963 80 Jazz Monthly : Sept., Dec. 1957; July 1958 80 The Jazz Review : June 1960 80 Jet : Sept. 6, 1962 82 Look : March 1978 80 Metronome : June 1960; Aug. 1961 82 Muhammad Speaks : Aug. 2, 1963 80 Music Vendor : June 2, 1958 53/3 New York Times : Aug. 9, 1982 [President Nixon resignation] 82 New York Times Magazine : July 1, 1980 80 Orkester Journalen : Mars, April 1966 82 Show : Feb. 1964 82 Tan : Jan. 1962 82 Vogue : Nov. 15, 1965 76/18 Monograph Publications The Benvenuto : Oct.-Nov. 1960 Discovery : [1975?] Panarama : Feb. 1968 (2 copies) Three Mothers : Their Life Stories: 1968 68-74 84 Personal

The Personal series consists of Mingus' private archives and an unusual collection of physical effects associated with him.

Personal Papers series is arranged alphabetically by subject or name (i.e.correspondence, financial papres, legal file, etc.) then chronologically by date.

68/1 Correspondence Family Grreeting cards Personal notes Other Financial Papers Assets of Charles Mingus and Sue (Ungaro) Mingus 68/2 Financial breakdown 68/3 Real estate Applications Contracts Correspondence Miscellaneous notes Miscellany Banking 68/4 Bank of America [checking account] Cancelled checks ... see Box 79 Miscellaneous 68/5 Bankers Trust Company [checking account] Cancelled checks ... see Box 79 Miscellaneous 68/6 Chase Manhattan Bank (Chase National Bank) [savings and checking accounts] Cancelled checks ... see Box 79 Correspondence Records of deposits Statements Miscellaneous 68/7 Chemical Corn Exchange Bank [checking account] Cancelled checks ... see Box 79 Miscellaneous 68/8 Edison Savings and Loan Association [savings account] Miscellaneous 68/9 First National City Bank [safe deposit box] Miscellaneous 68/10 Miscellany Bills & Creditors 68/11 Utilities 68/12 Miscellaneous Household Manintenance 68/13 Automobiles Contracts Correspondence Insurance policies Maintenance Miscellaneous Receipts 68/14 Amusements 68/15 Child care 68/16 Clothing Dry cleaning Purchases 68/17 Credit card: American Express 68/18 Food and beverages 68/19 Home repair and home furnishings 68/20 Mailing/shipping Utilities 69/1 Electric 69/2 Telephone 69/3 Miscellaneous 69/4 Miscellany Taxes 69/5 Correspondence 69/6 Income tax returns 69/7 Miscellaneous Legal File 69/8 Divorce papers 69/9 Legal correspondence 69/10 Traffic Court Affidavit Auto registration documents Correspondence Traffic citations 69/11 Miscellaneous Medical File 69/12 Correspondence 69/13 Prescriptions Printed matter 69/14 Brochures [health clinics] 69/15 Dietary General health concerns 69/16 Receipts Statements 69/17 Miscellaneous notes Miscellany Travel Expenses [lodging, meals, transportation] 70/1 Domestic 70/2 Foreign 70/3 Miscellaneous Printed Matter 70/4 Maps 70/5 News Clips [foreign] Travel Brochures 70/6 Asia 70/7 Europe 70/8 South America 70/9 Miscellaneous 70/10 Miscellany Miscellaneous 70/11 Jazz musicians' birthday calendars (1973 znd 1979) 70/12 Miscellany [i.e. handwritten notes, tarot cards, lock of hair from Eric Mingus' first haircut] 71 Cultivation of personal magnetism in seven progressive steps , by Edmund Shaftesbury. Meriden, Conn.: Ralston University Press, 1925. Pages were carved out the center of this book and it served as a housing for Mingus' firearm. 72-73 Addresses and telephone numbers [unsorted] 74 Business cards 84 Leather valise Appendix A: Mingus Tune List by Reference Number Reference No. Title 001 Alive and Living in Dukeland (#29) 002 Arts of Tatum and Freddie Webster 003 Better Get Hit In Your Soul 004 Bemoanable Lady 005 Boogie Stop Shuffle 006 Boogie Stop Shuffle 007 Carolyn "Keki" Mingus 2 008 Celia (#28) (missing) 009 Celia 010 Chair in the Sky 011 Dry Cleaner From Des Moines 012 Cumbia and Jazz Fusion 013 Diane (Alice's Wonderland) 014 Depressions 015 Dizzy Profile 016 Don't Be Afraid, the Clown's Afraid Too (#13) 017 Duke's Choice (#17) 018 Ecclusiastics (#3) 019 Eclipse (#10) 020 Eclipse 021 Da Oo-Ah Oo-Um Blues (missing) 022 Duke Ellington's Sound of Love 023 Please Don't Come Back from the Moon 024 Todeskalte 025 Epitaph (missing) 026 Extrasensory Perception (E.S.P.) 027 Fables of Faubus 028 Farwell Farewell 029 Farwell Fairwell 030 Frank Maybry, Jr. 031 Freedom (#27) 032 Good-bye Pork Pie Hat (#18) 033 Good-bye Pork Pie Hat 034 Good-bye Pork Pie Hat 035 Hobo-Ho 036 Hot Dogs for Lunch 037 I of Hurricane Sue 038 It's Nice of You to Come to My Funeral 039 Jelly Roll 040 Jive Five Floor Four 041 Jump Monk (#2) 042 Just for Laughs Saps 043 Little Royal Suite (#26) 044 Love's Fury 045 No. 1 Grandson (#16) 046 No. 2 (Rebop & Bebop) 047 Nouroog (#14) 048 The Man Who Never Sleeps 049 Meditation 050 Mingus' Lo Slo Bluze 051 Mingus Fingers (#7) 052 Harris + Mingus Fingers 053 Myself When I Am Real 054 New Foundland 055 Nobody Knows 056 Noddin' Ya Head Blues 057 Noddin' Ya Head Blues 058 No. 1 059 No. 3 (Opus 3) 060 Orange Was the Color of Her Dress 061 Peggy's Blue Skylight 062 Make Believe 063 Make Believe 064 Pilobolus 065 Portrait (#9) 066 Portrait (#9) 067 Portrait 068 Pithecanthropus Erectus 069 Prisoner of Love 070 Purple Heart 071 Reincarnation of a Lovebird (#22) 072 Reincarnation of a Lovebird 073 Revelations 074 Self-Portrait in Three Colors 075 Sketch #1 076 Sketch #3 077 Some are Sioux 078 Something Like A Bird 079 Sweet Sucker Dance 080 Shoes of the Fisherman's Wife 081 Shoes of the Fisherman's Wife 082 Slop 083 Good-bye Eric 084 Sue's Changes 085 Taurus At the Arena of Life - Pt. 1 086 Taurus At the Arena of Life - Pt. 2 087 Subdued Passion Epitaph 088 String Quartet 089 Three of Four Shades of Blue 090 Three Worlds of Drums 091 Thrice Upon a Theme 092 Touch My Beloved's Thought 093 Todo Modo 094 Way Down Blues 095 Way Down Blues 096 Wee 097 Ysabel's Table Dance 098 Weird Nightmare 099 Arts of Tatum and Freddie Webster 100 Better Get Hit In Your Soul 101 Good-bye Pork Pie Hat 102 Sweet Blues 103 Candy 104 Make Me Know It 105 Frankie and Johnnie 106 Touch 107 Percussion Discussion 108 B.F.T. 109 Miss Bliss 110 Miss Bliss 111 Fess Williams Soul 112 Hot Town 113 Enchantment 114 Diane 115 Mind-Readers Convention 116 Little Royal Suite 117 The Clown's Afraid Too 118 School Boy 119 Carolyn "Keki" Mingus 1 120 Half Mast Inhibition 121 Bus Voice 122 Nobody Knows 123 Devil Woman 124 Better Get Hit In Your Soul 125 Celia 126 Something Like A Bird 127 Swinging an Echo 128 Diane (incomplete) 129 Taurus At the Arena of Life 130 Big Jim Whitey's Mule 131 Black Saint and the Sinner Lady 132 Tea for Two 133 Wednesday Night Prayer Meeting 134 Freedom 135 Us Is Too 136 Jelly Roll 137 Our Last Kiss 138 But You 139 II Worlds of Drums 140 Portrait 141 Eclipse 142 I of Hurricane Sue 143 Don't Be Afraid, the Clown's Afraid Too 144 Dianeland - Adagio Ma Non Troppo 145 Dianeland (Myself When I Am Real) 146 Something Like A Bird 147 Herricane Sue [sic] 148 Nostalgia in Times Square (Strollin') 149 Nostalgia in Times Square (Strollin') 150 Cumbia and Jazz Fusion 151 Ecclusiastics 152 Better Get Hit In Your Soul 153 Better Get Hit In Your Soul (#6) 154 Haitian Fight Song (#23) 155 O.P. 156 E's Flat, Ah's Flat Too (#21) 157 Minor Intrusion 158 Arts of Art Tatum and Freddie Webster 159 Lush Life 160 Where Does A Man Go? 161 The Clown's Afraid Too 162 Taming of the Sioux 163 Once Upon A Time There Was A Holding Corp. 164 Don't Let It Happen Here 165 School Boy 166 Wednesday Night Prayer Meeting 167 Tom's Take Over 168 John Doe 169 Weird Nightmare 170 Eulogy for Rudy Williams 171 Unknown 172 Dark Lightings 173 Winds 174 12 Alder Place 175 Devil/Fascination 176 Haitian Fight Song 177 Half Mast Inhibition 178 Half Mast Inhibition 179 Half Mast Inhibition 180 Passions of A Woman Loved 181 Weird Nightmare 182 East Coasting 183 Paris In Blue 184 What Love 185 Atomic Bomb 186 Ssi-Cla-Cal 187 Critic String Quartet 188 No Where No 189 Baby Take A Chance With Me 190 Night and Day 191 I'll Never Smile Again 192 All the Things You Are 193 I Left My Heart In San Francisco 194 The Man I Love 195 Study in Lines 196 Memories of You 197 Stormy Weather 198 Laura 199 I Can't Get Started 200 Body and Soul 201 Gone With the Wind [?] 202 You Go to My Head 203 As Time Goes By 204 The Man Who Never Sleeps 205 Weird Nightmare 206 Sketch #2 207 Sketch #4 - 42nd St. 208 Portrait 209 Arts of Tatum and Freddie Webster 210 Alive and Living in Dukeland (#29) 211 Montage 212 Isabel's Table Dance 213 Isabel's Table Dance (Tijuana Table Dance) 214 Unknown 215 You're My Everything 216 Us Is Two (Too) 217 Sketch #5 218 Jelly Roll 219 Shadows - Themes 220 Boogie Stop Shuffle 221 Diane (Alice's Wonderland) 222 Hurricane Sue 223 Remember Rockefellar at Attica 224 Noddin' Ya Head Blues 225 Song with Orange 226 Sue's Changes 227 Blue Cee 228 Chord Progressions 229 Instrumental parts and melody lines 230 Melodies with chords - lead sheets 231 Score fragments 232 Unknown 233 Modern Jazz Writer 234 Intermit 235 Unknown 236 Nacirema 237 Sally Wanna Doodle All Day 238 Back A Few Years (Tijuana Table Dance) 239 Haitian Fight Song 240 Open Letter to Duke 241 Gunslinging Bird 242 Love Is A Dangerous Necessity 243 Blue Tide 244 Jack the Bear 245 Far Wells, Mill Valley 246 Pithecanthropus Erectus - Mingus Dance #1 247 O.P. - Mingus Dance #2 248 Myself When I Am Real - Mingus Dance #3 249 Dianeland - Adagio Ma Non Troppo 250 Freedom - Mingus Dance #4 251 Half Mast Inhibition - Mingus Damce #5 252 Dizzy Moods - Mingus Dance #6 253 Diane - Mingus Dance #7 254 Ysabel's Table Dance - Mingus Dance #8 255 Haitian Fight Song - Mingus Dance #9 256 Epitaph (Main score) 257 Epitaph (#2) 258 Epitaph (#3) 259 Epitaph (#4) 260 Epitaph (#5) 261 Epitaph (#6) 262 Epitaph (#7) 263 Epitaph (#8) 264 Epitaph (#9) 265 Epitaph (#10) 266 Epitaph (#11) 267 Epitaph (#12) 268 Epitaph (#13) 269 Epitaph (#14) 270 Epitaph (#15) 271 Epitaph (#16) 272 Epitaph (#17) 273 O.P. 274 The Chill of Death 275 Soul 276 Please Don't Come Back from the Moon 277 Freedom 278 Monk, Bunk and Vice Versa 279 Wolverine Blues 280 Hot Town 281 Unidentified 282 Subdued Passion 283 Nouroog 284 Make Me Know It 285 Fess Williams Soul 286 Epitaph 287 Please Don't Come Back from the Moon 288 Eclipse 289 Sketch #2 (Fly Away With Me) 290 Better Get Hit In Your Soul 291 Musical Style of Charles Mingus 292 Spiral Bound Manuscript 293 Remember Rockefellar at Attica (Just for Laughs Saps) 294 Sketches (1-6) 295 Lead Sheets - Blue Team Version 296 Lead Sheets - A,B,C 297 Lead Sheets - D,E,F 298 Lead Sheets - G,H,I 299 Lead Sheets - J,K,L 300 Lead Sheets - M,N,O 301 Lead Sheets - P,Q,R 302 Lead Sheets - S 303 Lead Sheets - T 304 Lead Sheets - U,V,W,X,Y,Z

Appendix B: Andrew Homzy Guide to the Music of Charles Mingus

The Andrew Homzy Guide to the Music of Charles Mingus is a descriptive catalog of Charles Mingus music manuscript compositions and arrangements compiled by Andrew Homzy and Francine Dupuis circa May 1984. Existing as a separate volume, the catalog outlines in detail each numbered manuscript on a one-page form, which includes composer, arranger, copyist, publisher, manuscript format (i.e. full score, condensed score, instrumental part, etc.), instrumentation, and other information available about the piece. These fact sheets, arranged chronologically by reference number, are bound separately and can be examined upon request. There are 304 number assignments.