Bloch collection, 1888-1981

http://hdl.loc.gov/loc.music/eadmus.mu003009 Ernest Bloch Collection Processed by the Music Division of the Library of Congress Music Division, Library of Congress

Washington, D.C.

2005 Guides to Special Collections in the Music Division of the Library of Congress

Catalog Record: http://lccn.loc.gov/2003561022

Finding Aid encoded by Library of Congress Music Division, 2005 Finding aid written inEnglish 2012 December Corrections to the container list made to this finding aid by Nancy Seeger in December 2012. 2010 March Editorial revisions made to this finding aid by Nancy Seeger in March 2010. Collection Summary Ernest Bloch Collection1888-1981 (bulk 1912-1959) ML31.B56 Bloch, Ernest, 1880-1959 around 9,840 items 64 boxes 30 linear feet Collection material in English Music Division Library of Congress

Washington, D.C.

Ernest Bloch was a Swiss-born composer, violinist, conductor and photographer. The collection, which documents his life and work, includes manuscripts (music and lecture material), correspondence, business and financial papers, photographs, programs, promotional material, clippings, writings about Ernest Bloch, personal papers, and printed matter. Selected Search Terms

The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein.

People Bacon, Ernst, 1898-1990--Correspondence. Bauer, Harold, 1873-1951--Correspondence. Bloch, Ernest, 1880-1959--Autographs. Bloch, Ernest, 1880-1959--Correspondence. Bloch, Ernest, 1880-1959. Bloch, Ernest, 1880-1959. Carré, Albert, 1852-1938--Correspondence. Coolidge, Elizabeth Sprague, 1864-1953--Correspondence. Downes, Olin, 1886-1955--Correspondence. Engel, Carl, 1883-1944--Correspondence. Fortas, Abe--Correspondence. Griller, Sidney--Correspondence. Mengelberg, Willem, 1871-1951--Correspondence. Menuhin, Yehudi, 1916-1999--Correspondence. Messager, André, 1853-1929--Correspondence. Monteux, Pierre, 1875-1964--Correspondence. Mörike, Eduard Friedrich, 1804-1875--Correspondence. Pierné, Gabriel, 1863-1937--Correspondence. Salzedo, Carlos, 1885-1961--Correspondence. Schillings, Max von, 1868-1933--Correspondence. Stokowski, Leopold, 1882-1977--Correspondence. Zweig, Stefan, 1881-1942--Correspondence. Organizations Flonzaley Quartet. Titles Bloch collection, 1888-1981 Administrative Information Provenance

Deposit; Ernest Bloch; 1925

Gift; Carolyn L. Epes; 1988

Gift; Suzanne Bloch; 1989

Accruals

No further accruals are expected.

Processing History

The Ernest Bloch Collection was processed in 1998 by by Lloyd A. Pinchback, Timothy Bullard and Michael Ferrando. This Finding Aid was prepared with Corel WordPerfect 8. In 2003, Michael A. Ferrando coded and edited the finding aid for EAD format.

The Ernest Bloch Collection is governed by the Copyright Law of the United States (Title 17, U.S.C.) and other applicable international copyright laws.

Access and Restrictions

The Ernest Bloch Collection is open to research. Researchers are advised to contact the Music Division prior to visiting in order to determine whether the desired materials will be available at that time.

Certain restrictions to use or copying of materials may apply.

Preferred Citation

Researchers wishing to cite this collection should include the following information: [item, date, container number], Ernest Bloch Collection, Music Division, Library of Congress, Washington, D.C.

Biographical Sketch Date Event 1880, July 24 Born, Geneva, Switzerland 1889 Began playing violin with Albert Gos, his first instructor 1894 Began music theory and composition studies with Émile Jacques-Dalcroze, Geneva Conservatory of Music Jacques-Dalcroze advised Bloch to continue violin instruction under Louis Etienne-Reyer at the same institution 1896 Composed first orchestral piece Symphonie Orientale of 1896 Began further violin study under Franz Schörg, Royal Conservatory of Music 1899 Left Belgium to study in Germany Studied composition in Frankfurt under Ivan Knorr 1900 Met future wife Marguerite Auguste Schneider at Hoch Conservatory 1901 Began composition studies in Munich under Ludwig Thuille Premiere of Vivre-Aimer at the second Festival of Contemporary Swiss Music, a work inspired by the meeting of Marguerite Schneider and dedicated to teacher Jacques-Dalcroze Met Edmond Fleg in Geneva 1903 Left Munich for Paris, France Met Claude Debussy 1904, Aug. 13 Married Marguerite Schneider 1904 Returned to Geneva 1907, Aug. 7 Daughter Suzanne Bloch born 1907 Began teaching and lecturing in Geneva and Lausanne 1910, Nov. 30 Premiere of the opera Macbeth, on which Bloch and Fleg collaborated since 1904 1912-1916 Composed Israel Symphony 1913 Father died Composed first mature symphonic work, Three Jewish Poems, dedicated to the memory of his father 1916 Arrived in America upon securing position of touring conductor for dancer Maud Allan (persuaded to pursue this post by friend Alfred Pochon) Moved by his pessimistic view of the future brought on by World War I, Bloch composed Schelomo 1917, May 3 Society of the Friends of Music in New York presented all-Bloch concert at Carnegie Hall 1917 June Returned to Europe 1917 Aug. Returned to New York with his family Head of theory department, David Mannes School of Music, New York 1919 Viola Suite awarded Coolidge Prize Became affiliated with the Julius Hartt School of Music, Hartford, Conn. Became affiliated with the Joanne Bird School, Peterboro, N.H. 1920 First musical director and instructor, Cleveland Institute of Music 1925 Left Cleveland for San Francisco Director, San Francisco Conservatory of Music 1927 Composed America: An Epic Rhapsody Awarded Carolyn Beebe Prize for 1926 work Four Episodes 1928 Musical America awarded Bloch $3,000 prize for America 1929 Received honorary membership, Accademia di Santa Cecilia, Rome 1930 Resigned from San Francisco Conservatory Returned to Europe to compose Sacred Service, commissioned by San Francisco's Temple Emanuel 1933 Completed Sacred Service 1938, Mar. 5 Macbeth revived at Teatro San Carlo in Naples 1939, Mar. 17-18 Conducted Boston Symphony in an all-Bloch program that included the premiere of Two Symphonic Interludes, extracted from Acts I and II of Macbeth 1939 Left Europe and moved to Lake Grove, Oregon 1940 Professor, University of California, Berkeley 1941 Purchased home at Agate Beach, Oregon 1947 Honored by the Juilliard School of Music, in conjunction with the League of Composers, for thirty years of service to American music Received Gold Medal in Music from the American Academy of Arts and Letters, the first award of its kind 1950 Honored at a six-day festival of his music given by Samuel Laderman (founder of the Ernest Bloch Society) and the Chicago Federation of American Hebrew Congregations in celebration of seventieth birthday 1952 Retired from University of California, Berkeley 1953 Received double award from the Music Critics Circle of New York City for String Quartet No. 3 and Concerto Grosso No. 2 Invited by Italian government to attend series of concert and radio performances of his works, climaxed by the production of his opera Macbeth 1955 Received doctoral degrees from Brandeis University and Reed College Completed the one-movement Proclamation for Trumpet and Orchestra 1957 Composed his last work Two Last Poems 1959, July 15 Died, Portland, Oregon Scope and Content Note

The Bloch Collection covers the life and careers of the Jewish Swiss-born violinist, composer, conductor and photographer, beginning with his grade school report cards, dated 1888 through 1894, and continuing beyond his death in 1959 with the publication of some musical works, and exhibitions of his photography. Music having been the primary focus of his life, Bloch's photographic skills are lesser known. Oregonians are more familiar with this aspect of his life owing to several exhibitions of his output by the Center for Creative Photography in Portland. The Collection includes manuscripts (music and lecture material), correspondence, business papers, photographs, programs, promotional material, writings about Ernest Bloch, personal papers, printed matter, and the material donated by Carolyn Epes.

Totaling nearly 200 items, the collection of Bloch music manuscripts is comprehensive in scope of his output. One of his more popular works, Schelomo, is not represented in this collection, but there is a score of the piece in the Moldenhauer Archive at the Library of Congress. The intense pride Bloch held in his Jewish heritage is demonstrated in his Israel Symphony (1912-1916), the Three Jewish Poems (1913, mentioned earlier), and the Avodath Hakodesh (Sacred Service) (1933); these and several other works on Jewish themes are represented in the collection. There are only two scores represented in the Manuscript Transcriptions of Works by Others sub-series.

The Correspondence series is divided into two sub-series: Personal Correspondence, and General Correspondence. The Personal Correspondence includes letters and similar material (i.e. post cards, invitations, and telegrams) from family members and close friends. Other letters and related material are filed in the General Correspondence sub-series. At the end of the correspondence file are two smaller sub-series of material; Special Category (i.e. Bloch letter drafts, Bloch letter to anonymous singer, and unidentifiable items), and Miscellaneous, which contains the envelopes of the letters herein. Correspondents include Ernst Bacon, Harold Bauer, Albert Carré, Elizabeth S. Coolidge, Olin Downes, Carl Engel, the Flonzaley Quartet, Abe Fortas, Sidney Griller, Willem Mengelberg, Yehudi Menuhin, André Messager, Eduard Mörike, Pierre Monteux, Gabriel Pierné, Carlos Salzedo, Max Schillings, Leopold Stokowski, and Stefan Zweig.

The Business Papers series covers the business affiliations of Ernest Bloch and his son, Ivan, and is divided accordingly. Generally, the series includes contracts, business correspondence, royalty statements, and miscellaneous; however, some organizations' files contain a greater variety of materials thus requiring additional subject headings. The arrangement is alphabetical by name of organization, then alphabetical by subject heading, and then chronological when date is known. This arrangement scheme is used in both Ernest Bloch and Ivan Bloch business papers.

Divided by subject and arranged chronologically, the Photographs series is fairly small, considering the fact that Bloch was also a skillful photographer. The photos depict Bloch alone (usually portraits), or Bloch family members. Of special note, there is a photograph of Ernest Bloch with Roger Sessions.

Beginning in 1908 and continuing through 1980, the Programs series is arranged chronologically. Each citation includes date, concert venue, performing artist(s) when given, and Bloch work(s) performed unless the entire concert was a Bloch tribute.

The Writings series is divided into four sub-series: Biographical Writings, Clippings, Articles in Serials, and Articles and Clippings in Scrapbooks.

The Ernest Bloch Legal, Financial, and Miscellaneous Documents series in the Collection houses some personal documents of Ernest Bloch and two other members of the Bloch family: wife Marguerite Elizabeth Auguste Bloch and daughter Suzanne Bloch. Sub-divided into two groups, Ernest Bloch Papers and Papers of Other Family Members, this series includes Bloch's grade school report cards, his passports, marriage certificate, and birth certificate of Marguerite Elizabeth Auguste Bloch.

The Printed Matter file is the final series in the Collection proper. It consists of one volume of printed music containing Bloch selections, promotional material (a small group of brochures, announcements, and flyers that promote Ernest Bloch and his work), one literary volume Darwin, Marx, Wagner by Jacques Barzun, and a folder of miscellaneous loose items.

The material in the Carolyn Epes / Ernest Bloch Collection follows the same arrangement scheme as the larger collection. The Music Manuscripts series includes only one item: a copy of the piano-vocal score to Bloch's anthem, America. There are no business papers or personal documents included with this material; however, all other series are represented.

Contributors to the processing of this collection include Lloyd A. Pinchback, Music Specialist, and Tim Bullard and Mike Ferrando, Library Technicians, all Music Division staff members.

Lloyd A. Pinchback, June 1995.

Organization of the Ernest Bloch Collection

The Ernest Bloch Collection is organized in ten series:

Music Manuscripts, 1895-1958 Manuscript Lectures and Lecture Notes, 1912-1940 Correspondence, 1894-1968 Business Papers, 1909-1981 Photographs, 1916-1925 Programs, 1908-1980 Writings about Ernest Bloch, 1910-1976 Personal Papers, 1888-1975 Printed Matter, 1941-1980 Carolyn Epes / Ernest Bloch Material, 1916-1980 http://lccn.loc.gov/2003561022 Container List Box Contents 1-21, 25 Music Manuscripts, 1895-1958

The Music Manuscripts series is divided into two subseries: Original Music Manuscripts by Bloch and Manuscript Transcriptions of Works by Others. Totaling nearly 200 items, the collection of Bloch's manuscripts is comprehensive in scope of his output. There are only two scores represented in the Manuscript Transcriptions of Works by Others subseries.

Bloch's manuscripts arranged alphabetically by title.

1-21, 25 Part 1: Original Music Manuscripts by Bloch 1/1 2 Pieces pour quatour. Drafts; 24 p.

Note: Holograph in pencil and ink.

On page 4: Chatel, Nov. 7, 1938.

On page 23: Oct. 4, 1950.

1/2 2 Pieces pour quatour. Sketches; 20 p.

Note: Holograph in pencil.

1/3 3 Jewish poems. Score; 95 p. (bound).

Note: Holograph in ink and pencil.

1/4 3 Jewish poems. Drafts and sketches; 95 p.

Note: Holograph in pencil and ink.

Contents:

1. Danses; 2. Rites. 1/5 3 Jewish poems. Sketches; 17 p.

Note: Holograph in pencil.

Contents: 2. Rites.

1/6 3 Jewish poems. Sketches; 19 p.

Note: Holograph in pencil.

1/7 3 Noctures [for] piano, violin, cello (1924). Draft; 18 p.

Note: Holograph in pencil and ink.

On page 3 of Group I: Jan. 22, 1924.

1/8 [4 Circus pieces] : July 13-July 17, 1922. Piano solo; 15 p. (4 pieces paged separately).

Note: Holographs in ink and pencil.

Contents:

1) The Two "Burlingham" Brothers 2) The Clown 3) The Homeliest Woman 4) Dialogue and Dance of the Heavy-weight and the Dwarf 1/9 4 Wedding marches. Sketches; 48 p.

Note: Holograph in pencil and ink.

2/1 6 Preludes for organ. Sketches; 31 p.

Note: Holograph in pencil.

2/2 America : anthem from the symphony "America", by Ernest Bloch (n.d.). See also: Epes/Bloch Collection, Box 63 Piano-vocal score; [2] p.; 36 cm.

Note: Photocopy of holograph score

2/3-4 2/7 Avodat hakodesh (Sacred service) (1933). Piano draft; 128 p. (in 2 folders).

Note: Holograph in pencil.

Literal [English] translation of the Hebrew text of Avodath Hakodesh. Holograph in ink; 29 p.: typescript; 15 p. BOX: 2/7

Laid in: program of performance by Cheltenham High School Concert Choir, Mrs. Kay Stretton, conductor, February 25, 1977.

2/5 Avodat hakodesh (Sacred service) (1933). Piano-vocal score; 91 p.

Note: Holograph in ink.

For baritone (cantor) mixed chorus and orchestra.

On title page: To Gerald Warburg.

At end: Roveredo-Tiano Lel Juier.

2/6 Avodat hakodesh (Sacred service) (1933). Piano-vocal score; 29 p.

Note: Holograph with Hebrew and English text in ink and notes in pencil.

2/8 Baal shem (three pictures of chassidic life) : for violin and piano accompaniment (1923). Score for violin and piano; 21 p.

Note: Holograph in ink and pencil.

On title page: To the memory of my mother.

2/9 Baal shem (three pictures of chassidic life) : for Violin Solo and Orchestra (1939). Orchestral score; 52 p.

Note: Holograph in ink.

Published by Carl Fischer.

At end: Aug. 1939 (Instrumental).

2/10 Berceuse in re flat pour piano. Piano solo; 2 p.

Note: Holograph in ink with notes in pencil on verso.

On title page: A ma soeur; 1er janvier 1897 Genève.

2/11 Berceuse pour piano. Piano solo; 2 p.

Note: Holograph in ink with notes in pencil on page 1.

2/12 Concertino for flute solo - viola solo - and string orchestra (1950). Score; 26 p.

Note: Holograph in ink.

On title page: Commissioned by the Juilliard Musical Foundation; (the last 14 measures, if possible, for full orchestra).

On page 24: Agate Beach, Oregon - Sept. 1st 1950.

3/1 Concertino for flute solo - viola solo - and string orchestra (1950). Flute and viola solo with piano reduction, 36 p.; piano reduction, 13.

Note: Holograph draft in pencil and ink.

3/1 Concertino for flute solo - viola solo - and string orchestra (1950). Sketches for fugato final, 8 p.; miscellaneous sketches, 18 p.

Note: Holograph sketches in pencil.

On final page: First draft of the "Andante" (probably in San Francisco (1928-29?).

3/2 Concerto grosso no. 1 : for string orchestra and piano obbligato. Orchestral draft; 55 p.

Note: Holograph draft in pencil with note in ink at beginning.

On final page: Santa Fe, Dec. 26, 1924.

Contents: Movements no. II; III; IV (Fugue).

3/3 Concerto grosso no. 1 : for string orchestra and piano obbligato. Sketches; 11 p.

Note: Holograph in pencil.

3/4 Concerto grosso no. 2 : string quartet and string orchestra. Sketches; 44 p.

Note: Holograph in pencil.

3/5 Concerto grosso no. 2 : string quartet and string orchestra. Sketches; 37 p.

Note: Holograph in pencil.

3/6 Concerto symphonique, piano and orchestra. Piano and orchestra score; 36 p., numbered 2-37.

Note: Holograph in ink and pencil.

3/7 Concerto symphonique, piano and orchestra. Draft; [19] p. (numbered 35-52).

Note: Holograph in pencil.

Contents: 3rd movement.

3/8 Concerto symphonique, piano and orchestra. Sketches and schematic diagram; 116 p.

Note: Holograph in pencil and in ink.

Contents:

Sketches of 2nd and 3rd movements schematic diagram of entire work. 4/1 Concerto symphonique, piano and orchestra. Sketches; 42 p.

Note: Holograph in pencil.

4/2 Concerto pour violon et orchestre (1899). Score and notes; 38 p.

Note: Holograph in ink and pencil.

On title and end pages: Acheve a Bruxelles en mars 1899.

4/3 Concerto pour violon et orchestre (1938). Score; 94 p.

Note: Holograph in ink.

On last page: Chatel Haute Savoie janvier 1938.

Contents:

Violin solo version for violin and piano 4/4 Danses orientales (pour Jezabel) pour piano, danse sacrée (1923). Score for piano solo; 3 p.

Note: Holograph in ink.

At end: New York, July 23, 1923.

4/5 Danses populaires pour orchestra (1899). Score; 26 p.

Note: Holograph in pencil.

On cover and final page: Genève juillet 1899.

4/6 Danses populaires pour orchestra (1899). Drafts and sketches; 19 p.

Note: Holograph in pencil.

On cover: Genève, juillet 1899.

4/7 [Enfantines]. Sketches; 26 p.

Note: Holograph in pencil.

22/1 [Evocations]. Draft; 89 p.

Note: Holograph in pencil.

4/8 Fantaisie pour violon et piano (1897). Score; 12 p.

Note: Holograph in ink and pencil.

On cover of violin and piano score: V. À Eugène Ysaÿe; achèvé le 13 mars 1897.

4/9 Fantaisie-lied : pour violon et piano (1898). Score; 18 p.

Note: Holograph in ink and pencil.

On cover: joué avec Jacques Dalecroze le 8 sept. 1898. À Geneve au théâtre du Parc de E. Vives. Geneve, juillet 1898.

4/10 Four episodes for chamber orchestra (1926). Score; 85 p.

Note: Holograph in ink and pencil.

On final page: May 1926.

4/11 [From] Jewish Life (1924). Sketches; 10 p.

Note: Holograph in pencil.

On final page: Santa Fe, Dec. 1924.

5/1 Hiver-printemps, poème pour orchestre (op. 5), (1904-1905). Score (reduction); 17 p.

Note: Holograph in ink.

On cover of Hiver: Composition de l'orchestre & Abreviation de la Reduction.

On last page of Hiver: Paris, fevrier 1904-Geneve, fevrier 1905.

On cover of Printemps: Même orchestre que pour Hiver, mais en plus:....

On last page of Printemps: Paris, mais 1904-Geneve, mais 1905.

5/2 In memoriam (1952). Orchestral score; 8 p.

Note: Holograph in ink.

On first page: (on a Cantus firmus and a melody that Ada loved).

On last page: Agate Beach, Oregon, Dec. 24, 1952.

5/3 In memoriam (1952). Sketches; 10 p.

Note: Holograph in pencil.

5/4 In the mountains (1925). Draft; 12 p.

Note: Holograph in pencil.

On last page: Sante Fe, No. 26, 1925.

5/5 In the night : a love-poem for piano (1922). Piano solo score; 5 p.

Note: Holograph in ink and pencil.

On last page: July 20-22, 1922. Cleveland, Ohio.

5/6 In the night : a love-poem for piano (1922). Piano solo score; 4 p.

Note: Holograph in ink.

On last page: July 20-22, 1922.

5/7 In the night : a love-poem for piano (1922). Orchestral sketch; 13 p.

Note: Holograph in pencil.

On first page: Orch. sketch of In the Night, Poems of the Sea.

5/8 In the night : a love-poem for piano (1922). Piano solo sketch; 3 p.

Note: Holograph in pencil.

On last page: Cleveland, July 20-21, 1922.

5/9 In the night : a love-poem for piano (1922). Orchestra score; 15 p.

Note: Holograph in ink.

On last page: Instrumental in December 1922 (Cleveland-New York).

5/10 Inventions à 2.3.4 voix (1896-97). Score for solo piano or organ; 8 p.

Note: Holograph in ink and pencil.

On cover page: III. Genève 1896-97; Pour Piano ou Orgue.

5/11 Invention à 4 voix : pour orgue ou piano (1897). Score for solo piano or organ; 2 p.

Note: Holograph in ink.

On cover in pencil: Genève, avril 97.

5/12 Israel symphony. Sketches; 14 p.

Note: Holograph in pencil.

5/13 Israel symphony. Sketches; 10 p.

Note: Holograph in pencil.

5/14 Jeremiah. Sketches; 30 p.

Note: Holograph in pencil.

Note: Jeremiah is the title of a work projected to make use of material originally sketched for Jezabel. Though probably originally intended for piano, it reached the stage of a few pages of ink ochestral score. It still figured in the listing of Bloch's works (for piano) for the 1950 Bloch festival in Chicago.

5/15 Jeremiah. Drafts and sketches; 13 p.

Note: Holograph in ink and pencil.

5/16 Jeremiah. Sketches; 2 p.

Note: Holograph in ink and pencil.

On title page: Thematic material.

6/1 Jezabel (1911). Sketches; 67 p.

Note: Holograph in pencil.

6/2 Jezabel (1911). Sketches; 54 p.

Note: Holograph in pencil.

Contents: Act I.

6/3 Jezabel (1911). Sketches; 60 p.

Note: Holograph in pencil and ink.

Contents: Act II.

6/4 Jezabel (1911). Sketches; 15 p.

Note: Holograph in pencil.

Note on second page from Suzanne Bloch.

Partial sketch of Macbeth Act II on recto of ninth leaf.

6/5 Jezabel (1911). Sketches; 8 p.

Note: Holograph in pencil.

Contents: Act IV.

6/6 Jezabel (1911). Sketches; 21 p.

Note: Holograph in ink and pencil.

Thematic material of major characters of opera.

6/7 Jezabel (1911). Sketches; 25 p.

Note: Holograph in pencil and ink.

6/8 Jezabel (1911). Libretto; [44] p. (in 4 small booklets divided by acts).

Note: Holograph in ink.

6/9 Là-bas : melodie pour piano and chant (mezzo soprano) (1898). Score; 6 p.

Note: Holograph in ink.

On cover: Poesie de Jacques Madeleine. Genève, juin 1898.

6/10 Larmes d'autumne : pour piano et chant (1897). Score; 4 p.

Note: Holograph in ink.

On cover: VII. A Mademoiselle L. Wisard. Poesie de Franz Foulon. Le 8 avril 1897, Genève.

6/11 Lied pour piano (1898). Piano solo score; 8 p.

Note: Holograph in ink.

On cover and at end: Genève, juillet 1898.

6/12 Lied [B-flat minor] (1900). Piano-vocal score; 6 p.

Note: Holograph in pencil.

On cover: Genève, juin 1900. Poesie de Louis Duchoral.

6/13 Lied [F major] (1900). Piano-vocal score; 4 p.

Note: Holograph in pencil.

On cover: poesie de Louis Duchoral. Genève, juin 1900.

7/1 Macbeth. Piano-vocal score (publisher's proof); 303 p.

Note: Holograph corrections and notes in ink and pencil.

Laid in: Note from G. Astruc & Co.

7/2 Macbeth. Piano-vocal score (publisher's proof); 372 p. (bound).

Note: Holograph corrections and notes in pencil.

On cover: First proof?

7/3 Macbeth. Piano-vocal score (publisher's proof; 27 p.

Note: Holograph corrections and notes in pencil.

8/1 Macbeth. Vocal score with piano accompaniment; 365 p.

Note: Holograph in ink and pencil.

8/2 Macbeth. Draft; 39 p.

Note: Holograph in pencil and ink.

Contents: Acte II.

8/3 Macbeth. Orchestral sketches; 100 p.

Note: Holograph in pencil.

9/1 Macbeth. Sketches; 24 p.

Note: Holograph in pencil.

Contents: Prologue.

9/2 Macbeth. Sketches; 30 p.

Note: Holograph in pencil.

Contents: Act I; Scenes 2 and 3.

9/3 Macbeth. Sketches; 54 p.

Note: Holograph in pencil.

Contents: Act I; Scene 3.

9/4 Macbeth. Sketches; 43 p.

Note: Holograph in pencil.

Contents: Act II; Scene 4.

10/1 Macbeth. Sketches; 58 p.

Note: Holograph in pencil and ink.

Contents: Act II; Scene 5.

10/2 Macbeth. Sketches; 29 p.

Note: Holograph in pencil.

Contents: Act III.

10/3 Macbeth. Sketches; 71 p.

Note: Holograph in pencil and ink.

Contents: Act III; Scene 2.

10/4 Macbeth. Sketches and notes; 56 p.

Note: Holograph in ink and pencil.

10/5 Macbeth. Sketches and notes; 15 p.

Note: Holograph in ink.

Laid in: Note from Suzanne Bloch explaining need for adaptations from original French libretto to English for performance.

Contents: Modifications for English version.

10/6 Macbeth. Notes; 9 p.

Note: Holograph in ink and pencil

includes photocopies.

Contents: Partition d'orchestre.

10/7 Macbeth. Sketches; 18 p.

Note: Holograph in pencil and ink.

10/8 Macbeth. Notes pour l'interpretation de Macbeth; 12 p.

Note: Holograph in ink.

10/9 Macbeth. See also: "MACBETH" in Business Papers: Ivan Bloch Papers. Miscellaneous items from the opera.

Note: Holographs in ink and pencil, typescripts, and photocopies.

Contents:

Vocal range chart (in music notation) list of characters hand-written notes rehearsal passes (various dates) typescript of Two Symphonic Interludes from the Lyric Drama MACBETH typescript detailing the chronology of the construction and performances of "Macbeth" 11/1 Méditation pour violon et orgue (1897). Score; 9 p.

Note: Holograph in ink.

On title page: X.; Genève, le 2 mai, 1897.

11/2 Méditation Hebraïque. Draft; 11 p.

Note: Holograph in pencil.

11/3 Mélodie. Draft; 6 p.

Note: Holograph in pencil.

11/4 Menuet : pour piano. Score; 12 p.

Note: Holograph in pencil.

On cover: Genève, le 27. V. 99.

11/5 Moods : [sketches in sepia]. Sketches; 3 p.

Note: Holograph in pencil.

11/6 The mountains and their people : a symphonic fresco for orchestra. Score and sketches; 57 p.

Note: Holograph in pencil.

On cover: To all the Lovers of Mountains and Freedom.

11/7 Musette : pour piano et chant. Score; 4 p.

Note: Holograph in ink.

On cover: VI. À Madame Eugène Ysaÿe. Poesie de Louis Avennier. Genève, le 29 mars 1892.

11/8 Nirvana : poem for piano. Score; 7 p.

Note: Holograph in ink and pencil.

On cover: To Povla Frijsh. On last page: Cleveland, April 14, 1923.

11/9 [Notes on J.S Bach fugues] Notes; 22 p.

Note: Holograph in ink and pencil.

11/10 Nuit exotique. Sketches; 17 p.

Note: Holograph in pencil.

Note on page 13: Santa Fe; sketch-Nov. 30, 1924. Resketched Dec. 3.

11/11 Orientale : pour grande orchestre (1898). Score; 59 p. (bound).

Note: Holograph in pencil.

On cover: Genève-Bruxelles, juillet- Octobre 1898.

11/12 Pastorale pour piano (1896). Score; 11 p.

Note: Holograph in ink.

On cover: Achèvé en mars 1896.

12/1 [Piano quintet sketches, automne sketches, and sketches for various unidentified pieces] Sketches; 10 p.

Note: Holograph in pencil.

12/2 Poème concertant : pour violon et orchestre (1898). Score; 37 p.

Note: Holograph in ink and pencil.

Note on cover: Bruxelles, 22 nov.- 4 decembre 1898.

Note on cover of reduction for violin and piano: revu et corrige en fevrier 1899.

12/3 Poèmes d'automne. Score; 25 p.

Note: Holograph in ink and pencil.

On page 4: Genève 18. IV 1906 - 26. VI 1906.

On page 14: Genève: 28 juin 1906.

On page 19: Genève 1906 18. IV - 25. VI.

On page 25: Genève 27 juin 1906.

Credited on each title page: Beatrix Rodes.

Contents:

I. La Vagabonde II. L'Abri III. Le Declin IV. Evocation. 12/4 [Poems of the sea] : chants de la mer pour piano (1922). Score; 2 p.

Note: Holograph in ink.

At end: July 2, 1922.

12/5 [Poems of the sea] : chants de la mer pour piano (1922). Drafts; 42 p.

Note: Holograph in pencil.

Contents: Parts II and III.

12/6 Poems of the sea for orchestra (1922-23). Score; 61 p.

Note: Holograph in ink and pencil.

On cover: poem "In cabin/d ships at sea..." by Walt Whitman.

On page 19: Instrumental, November 1922 (Cleveland).

On page 26: Instrumental, Sept. 24, 1922.

On page 61: January 19, 1923, Cleveland.

Contents:

1) Waves 2) Charity 3) At Sea. 12/7 Poems of the sea for orchestra (1922-23). Sketches; 11 p.

Note: Holograph in pencil.

On page 11: July 4-6, 1922.

12/8 Prelude for string quartet (1925). Sketches; 5 p.

Note: Holograph in pencil.

At end: Cleveland, May 13, 1925.

Laid in: Note from Suzanne Bloch.

12/9 Près de la mer : mélodie pour mezzo-soprano (1898). Score; 4 p.

Note: Holograph in ink.

On cover: Poesie de Jean Lahos.

On cover and at end: Genève, juin 1898.

12/10 Proclamation for trumpet solo and orchestra (1955). Sketches; 12 p.

Note: Holograph in pencil and thematic material in ink.

Includes note with title and date.

12/11 Proclamation for trumpet solo and orchestra (1955). Sketches; 13 p.

Note: Holograph in pencil.

Includes 2 notes with title and dates.

13/1 Psaume 114 : for soprano and orchestra. Sketch; 8 leaves.

Note: Holograph in pencil.

13/2 Quartet no. 1 = quatuor a cordes I (1895). Score; 11 p.

Note: Holograph in ink and pencil.

On cover: Achèvé en mai 1895 a Genève; names of string quartet members.

Contents: Andante.

13/3 Quartet no. 1 = quatuor a cordes I (1895). Score; 39 p.

Note: Holograph in ink and pencil.

On cover: termine le 1 fevrier 1896.

Contents:

Allegro con brio Scherzo Romance Allegro Vivace 13/4 Quartet II. Draft; 102 p.

Note: Holograph in pencil and ink.

At end: Apres mille veines! et changements! (ces 3 dern. pages!!!) Achèvé le simanche oct. 28, 1945, Agate Beach, Oregon.

13/5 Quartet II. Sketches; 55 p.

Note: Holograph in pencil and ink.

13/6 [Quartet no. 4] = Quatuor no. 4 (1953). Drafts; 77 p.

Note: Holograph in pencil and ink.

Note before each movement with title, dates, etc.

13/7 [Quartet no. 4] = Quatuor no. 4 (1953). Drafts and sketches; 65 p.

Note: Holograph in pencil.

Laid in: Note before each movement with title, date, etc.

13/8 [Quartet no. 4] = Quatuor no. 4 (1953). Sketches; 6 p.

Note: Holograph in ink and pencil of thematic material.

14/1 Quartet no. V (1955-1956). Score; 49 p.

Note: Holograph in ink and pencil.

On cover: listing of duration of each movement.

At end: Agate Beach, Oregon, June 1955-Febr. 24, 1956.

Contents:

I. Grave-Allegro II. Calmo III. Presto IV. Allegro deciso-Calmo 14/2 Quartet no. V (1955-1956). Draft; 80 p.

Note: Holograph in pencil and ink.

Laid in: Note before each movement with title, date, etc.

14/3 Quartet no. V (1955-1956). Sketches; 87 p.

Note: Holograph in pencil and ink.

Laid in: Note before each movement with title, date, duration, etc.

14/4 Quartet no. V (1955-1956). Sketches of thematic material; 6 p.

Note: Holograph in ink.

14/5 Quartet no. V (1955-1956). Publisher's proofs; 39 p.

Note: Holograph markings in pencil and ink.

On cover: To my Daughter Suzanne Bloch-Smith.

15/1 Quintett no. 1 : for piano and strings (1924). Score for piano and strings; 107 p.

Note: Holograph in ink and pencil.

On cover: To Harold Baner and the Lenox quartet. At end: Cleveland, Ohio March 27, 1923.

15/2 Quintett no. 1 : for piano and strings (1924). Draft; 47 p.

Note: Holograph in pencil.

Includes cover with notes on recto of page 2.

Contents: 3rd movement.

15/3 Quintett no. 1 : for piano and strings (1924). Sketches; 75 p.

Note: Holograph in pencil and ink.

15/4 Quintett no. 1 : for piano and strings (1924). Score and parts; 82 p.

Note: Holograph in ink and pencil.

Contents:

Violin I Violin II Viola Cello 15/5 Quintett no. II (1957). Drafts and sketches; 63 p.

Note: Holograph in pencil and ink.

Laid in: Note before each movement with title, date, etc.

15/6 Quintett no. II (1957). Sketches and thematic material; 50 p.

Note: Holograph in pencil and ink.

Laid in: Note in second and third folder with title, date, etc.

16/1 Regrets.... pour piano seul (1897). Piano solo score; 3 p.

Note: Holograph in ink.

On cover: XIII. Bruxelles. Octobre 1897.

16/2 Ronde des princesses. Score; 7 p.

Note: Holograph in ink.

16/3 Le saule : pour piano and chant. Piano-vocal score; 3 p.

Note: Holograph in ink.

16/4 Scherzo fantasque. Sketches; 68 p.

Note: Holograph in pencil.

On last page: Achèvé! after minimal changes! December 21, 1948, Agate Beach, Oregon.

16/5 Scherzo fantasque. Sketches; 45 p.

Note: Holograph sketches in pencil.

16/6 Serenade : morceau pour piano & violon (1898). Score; 7 p.

Note: Holograph in ink.

On cover: Genève, 8-9 Janvier 1898.

16/7 Sinfonia breve. Draft; 54 p.

Note: Note placed before 1st and 3rd movements with title, etc.

Laid in note in first folder: no page 4.

16/8 Sinfonia breve. Sketches; 71 p.

Note: Holograph in pencil.

Laid in note before each movement with title, etc.

17/1 Sonate pour violon et piano (1920). Score; 70 p.

Note: Holograph in ink and pencil.

On cover: À mon ami Paul Rosenfeld.

At end: New York (janvier-fevrier 1920), Cleveland (Novembre 1920).

17/2 Sonate pour violon et piano (1920). Violin part; 15 p.

Note: Holograph in ink and pencil.

On cover: À mon ami Paul Rosenfeld.

At end: New York (Jan.-Febr. 1920), Cleveland (Nov. 1920).

17/3 Sonate pour piano et violoncello (1897). Score and part; 22 p.

Note: Holograph in ink and pencil.

On cover of each score: 24 Nov.-29, 1897, Bruxelles.

17/4 [Studies and exercises] : <emph render="italic">Counterpoint, II part</emph> (1918). Studies and exercises workbook; 73 p.

Note: Holograph in ink and pencil.

17/5 [Studies and exercises] : <emph render="italic">Theorie musicale et harmonie elementaire, no. 1</emph>. Studies and exercises workbook; 26 p.

Note: Holograph in ink and pencil.

Laid in note from Suzanne Bloch: One of my very first theory books written out for me by my father - about 1917 or 1918.

17/6 [Studies and exercises] : Workbooks-from E. Bloch (1900). Studies and exercises workbook; 56 p.

Note: Holograph in pencil and ink.

Laid in note: 2 Work books-from E. Bloch exercises when study with Prof. Ivan Knorr in Frankfort, 1900.

18/1 Suite I for viola solo. Score; 5 p.

Note: Holograph in ink and pencil.

18/2 Suite I for violin solo (1958). Draft; 8 p.

Note: Holograph in pencil and ink.

Laid in note with title, date, etc.

At end: April 17, 1958, Agate Beach.

18/3 Suite I for violin solo (1958). Sketches; 10 p.

Note: Holograph in pencil and ink.

Laid in note with title and date.

18/4 Suite I for violoncello (1956). Sketches; 22 p.

Note: Holograph in pencil and ink.

Laid in notes with title, dates, duration of movements.

18/5 Suite II for violin solo (1958). Draft; 14 p.

Note: Holograph in pencil and ink.

Laid in note with title, date.

18/6 Suite II for violin solo (1958). Sketches; 9 p.

Note: Holograph in pencil.

Laid in note with title.

18/7 Suite II for violoncello solo (1956). Sketches; 25 p.

Note: Holograph in pencil and ink.

Laid in note with title and dates.

18/8 Suite III for violoncello solo (1956-1957). Sketches; 15 p.

Note: Holograph in pencil.

Laid in notes with title and dates and durations of movements.

18/9 Suite for viola and piano or orchestra. Orchestral draft; 116 p.

Note: Holograph in pencil and ink.

18/10 Suite for viola and piano or orchestra. Sketches; 3 p.

Note: Holograph in ink and pencil.

18/11 Suite for viola and piano or orchestra. Viola part; 15 p.

Note: Holograph in ink and pencil.

On cover: Keep for L. Bailly; "Sapientra, meditatio non mortis, sed vitae".

18/12 Suite Hebraïque. Sketches; 68 p.

Note: Holograph in pencil and ink.

Laid in note in front of first 3 folders with title, etc.

Contents:

Rhapsodie Hebraïque pour Alto solo, Piano (2 folders) Meditation (2 folders) Three Processionals, Viola, Piano Processional I Processional II Processional III 18/13 Suite Hebraïque for viola (or violin) and orchestra. Violin score; 6 p.

Note: Holograph in ink.

19/1 Suite modale for flute and piano (1956). Score; 18 p.

Note: Holograph in ink and pencil.

On cover: To Elaine Shaffer (Mm. Efrem Kurtz); list of duration of movements; July 15-Aug. 31, 1956.

At end: Agate Beach, Oregon, August 31, 1956.

19/2 Suite modale pour flûte et piano. Drafts; 23 p.

Note: Holograph in pencil and ink.

Laid in note before first folder with title, duration of each movement, dates, etc.

19/3 Suite pour alto solo et orchestre. Score; 56 p.

Note: Holograph in ink and pencil.

Note on page 41: New York, juin 1919.

At end: New York, mars 1919-janvier 1920.

19/4 Suite p[our] piano et viola [ōu orchestra]. Score; 37 p.

Note: Holograph in ink and pencil.

19/5 Suite symphonique. Drafts; 72 p.

Note: Holograph in pencil.

19/6 Suite symphonique. Sketches; 60 p.

Note: Holograph in ink and pencil.

19/7 Suite symphonique. Sketches; 29 p.

Note: Holograph in pencil.

19/8 Suite symphonique. Sketches; 20 p.

Note: Holograph in pencil and ink.

20/1 Symphonie, C-sharp minor (1901). Sketches; 46 p.

Note: Holograph sketches in pencil and ink bound in small sketchbook.

20/2 [Symphonie, E-flat major] (1955). Drafts; 49 p.

Note: Holograph in pencil and ink.

Laid in note in each folder with title, dates, etc.

On page 16: finally! completed Febr. 24, 1955 [etc.].

On page 49: Finally fixed! March 7, same March 8! 1955.

20/3 Symphonie, E-flat major (1955). Sketches; 58 p.

Note: Holograph in pencil and ink.

Laid in note in each folder with title, date, etc.

20/4 Symphonie funèbre (1895). Score; 14 p.

Note: Holograph in ink.

On page 1: Commence cet mais le 11 septembre 1895, Genève.

Many signatures on last page verso.

25/1 Symphonie orientale (1896). Full score, 85 p., in 2 vols.

Note: Holograph in ink and pencil.

20/5 [Symphony for trombone and orchestra]. Draft piano reduction; 15 p.

Note: Holograph in pencil.

20/7 Symphony with trombone solo (1954). Sketches; 39 p.

Note: Holograph in pencil and ink.

Laid in note in second and third folders with title, date, etc.

On page 27: April 13, 1954 [etc.].

20/3 Two last poems...(maybe) (1957-58). Full score: 52 p.

Note: Holograph in ink.

Inside front cover: To Elaine Shaffer Kurz.

At end: Agate Beach, Oregon-Jan. 22, 1958.

20/4 Two last poems...(maybe) (1957-58). Piano reduction score; 19 p.

Note: Holograph in ink.

On cover: To Elaine Shaffer Kurtz; Duration: Circa 13 minutes.

At end: Jan. 20, 1958.

20/5 Two last poems...(maybe) (1957-58). Score draft for flute solo and orchestra; 31 p.

Note: Holograph in pencil.

Laid in note in each folder with title, date.

20/5 Two last poems...(maybe) (1957-58). Primary sketches, piano reduction; 19 p.

Note: Holograph in pencil.

Laid in note with title and date.

20/7 [Unidentified notes] Notes; 4 p.

Note: Holographs in pencil.

20/8 [Unidentified sketches] Sketches; 4 p.

Note: Holographs in pencil.

20/9 Utopia : a poem for violin and piano. Draft and sketches; 39 p.

Note: Holograph in pencil and ink.

On cover: (as a compliment to the Sonata-and to be played after it).

On page 37: Santa Fe (N.M.) Esquisses from 14 Nov. 1924, Realization Nov. 20, 1924.

On page 39: Santa Fe [new ???? Esquisses finis le 14 Nov. 1924.

21/1 Violin sonata 1. Drafts and thematic material; 66 p.

Note: Holograph in pencil and ink.

On page 62: End Nov. 26, 1920, Cleveland, etc.

21/2 Violin sonata no. 15 [???] Sketches; 14 p.

Note: Holograph in ink and pencil of abandoned final movement.

21/3 Vivre-aimer, poème symphonique pour grande orchestre (1901). Score; 93 p. (bound).

Note: Holograph in ink and pencil.

On title page: Dedie à mon cher maitre E. Jaques-Dalcroze; Compose a Francfort, 6 novembre-3 decembre 1900; Execute pour la 1er fois a Genève, le 23 juin 1901.

At end: Francfort 6-30 Novembre 1900.

21/4 Voix dans le desert : poème symphonique pour violoncello solo et orchestre (ou piano) (1935). Piano reduction score; 46 p.

Note: Holograph in ink and pencil.

Note at end of piano reduction and cello solo: Termine a Chatel-Haute Savoie, le 14 aout 1935.

21/5 Work for trombone solo (1953-54). Sketches; 48 p.

Note: Holograph in pencil.

Laid in note in each folder with title, date.

25 Part 2: Manuscript Transcriptions of Works by Others Tschaikovsky, Piotr 25/2 Romeo and Juliet Score; 36 p.

Manuscript in ink by E. Bloch.

Wagner, Richard 25/3 Siegfried-Idyll Score; 11 p.

Manuscript in ink by E. Bloch.

22-24 Manuscript Lectures and Lecture Notes, 1912-1940

Manuscripts of lectures along with notes by Ernest Bloch.

Arranged alphabetically by title and chronologically therein.

22/1 [Lectures in Geneva] (1912-1913). Lecture notes: Plan à la 1 [st] Causerie -- Mahler; Claude Debussy; Edmond Fleg; various paginations.

Note: Holograph in ink. French text.

22/2 [Lectures in Geneva]. Lecture notes: Les Grandes Principes de l'Esthetique (Cours sur la Musique; 2nd-5th, 8th, 9th Causeries; Forme (fin) Rhythme); 96 p.

Note: Holograph in ink and pencil.

22/3 [Lectures in Geneva] (1913-14). Lecture notes: Kyrie (includes 1 leaf sheet music); Gloria; Credo; Sanctus; various paginations.

Note: Holograph in ink and pencil. French text.

22/4 [Lectures in Geneva]. Lecture notes: L'Evolution du gout Musical; Art et Culture; L'Art y les Peuples Primitifs; 119 p.

Note: Holograph in ink and pencil.

23/1 [Lectures in Geneva] (1914). Lecture notes: La Genie-La Personalite; La Repercussion de l'oeune d'Art-Artist & Public; 47 p.

Note: Holograph in ink and pencil.

Note: Also includes "Conférences Ernest Bloch" ; 7 p.

23/2 [Lectures in Geneva]. Lecture notes: La Matiere Musicale; 18 p.

Note: Holograph in ink and pencil.

23/3 [Lectures in Geneva]. Lecture notes: Miscellaneous: 51 p.

Note: Holograph in ink and pencil.

23/4 [Lecture notes-San Francisco Conservatory] (1940). Lecture notes: The Tower of Babel, April 26, 1940; 20 p.

Note: Holograph in ink and pencil.

23/5 Notes pour l'etude de choeurs : Servizio Sacro = Sacred Service. Lecture notes; 7 p.

Note: Holograph in French in ink.

Laid in note from Suzanne Bloch on cover folder stating these are "detailed directions for choral director's interpretation".

24/1 [The Peterboro School] (1919). Lecture notes (Preface); 6 leaves.

Note: Holograph in ink. French text.

At head: Peterboro -- aout 1919.

24/2 The Peterboro School (1919). Lecture notes (Forward); 3 leaves.

Note: Typescript. English text; translation of "Preface".

24/3 [The Peterboro School] (1919). Lecture notes; [84] p.

Note: Holograph in ink and pencil. French text.

24/4 [The Peterboro School] (1919). Lecture notes; [7] leaves.

Note: Holograph in ink and typescript. English text.

24/5 [The Peterboro School] (1919). Lecture notes; [53] p (bound).

Note: Holograph in ink and typescript. French text.

26-42 Correspondence, 1894-1968

The Correspondence series is divided into two subseries: Personal Correspondence, and General Correspondence. The Personal Correspondence includes letters, post cards, invitations, and telegrams from family members and close friends. Non-family correspondence and related materials are filed in the General Correspondence subseries. There are two categories filed at the end of the General Correspondence: Unidentified, which includes Bloch letter drafts, Bloch letter to anonymous singer, and unidentified items, and Miscellaneous, which contains the envelopes of the letters herein.

Arranged alphabetically by name of correspondent and chronologically therein.

26-35 Part 1: Personal Correspondence 26-31 Family 26/1 EB letterpress book: 1904-1914 26/2 EB letterpress book: 1909-1916 27/1-18 EB to Marguerite Schneider Bloch: 1901-1902 (Apr.) 28/1-19 EB to Marguerite Schneider Bloch: 1902 (May)-1903 (June) 29/1-22 EB to Marguerite Schneider Bloch: 1903 (July)-1910 (Dec.) 29/23 EB to Marguerite Schneider Bloch: undated 30/1-25 EB to Marguerite Schneider Bloch and children: 1911-1925 31/1 Ivan Bloch to various family members: 1960-1980 31/2 Lucienne (Luce) Bloch Dimitroff to various family members: 1963-1974 31/3 Marguerite Schneider Bloch from her father: 1895-1902 31/4 Marguerite Schneider Bloch from her mother: 1903-1904 31/5 Marguerite Schneider Bloch from mother-in-law, Sophie Bloch: 1904 31/6 Marguerite Schneider Bloch from various people: 1894-1910 31/7-27 Marguerite Schneider Bloch to EB: 1901-1910 [includes undated] 31/28 Maurice Bloch [Bloch's father] to EB: 1903-1913 31/29 Sophie Bloch [Bloch's mother] to EB: 1902-1909 31/30 Sophie Bloch to EB: 1910 31/31 Sophie Bloch to EB: 1911-1918 31/32 Sophie Bloch to EB: 1919 (Jan.-July) 31/33 Sophie Bloch to EB: 1919 (Aug.-Dec.) 31/34 Sophie Bloch to EB: 1920 31/35 Suzanne (Suzy) Bloch Smith to various family members: 1965-1967 31/36 Suzanne (Suzy) Bloch Smith to various family members: 1968 32-35 Friends 32/1-12 EB to Edmond and Madeleine Fleg: 1901-1910 33/1-15 EB to Edmond and Madeleind Fleg: 1911-1920 34/1-15 EB to Edmond and Madeleine Fleg: 1921-1947 34/16-22 EB to Edmond and Madeleine Fleg: undated 35/1-28 Edmond and Madeleine Fleg to EB: 1902-1938 35/29-32 Edmond and Madeleine Fleg to EB: undated 36-42 Part 2: General Correspondence 36/1 Adler, Samuel 36/2 Akre, L. 36/3 Astruc, Gabriel 36/4 Bachman, Alberto 36/5 Bacon, Ernst 36/6 Barrett, Herbert 36/7 Bauer, Harold 36/8 Bernheim, Léonce 36/9 Bixby, Leonore

donor of Anita Frank correspondence

36/10 Bizet, Alice 36/11 Blaucard, Jacqueline 36/12 Bodansky, Artur 36/12 Boissier, A. 36/13 Breval, Lucienne 36/14 Breystein, N. 36/15 Brunschwig, G. 36/16 Buttolph, David 36/17-18 Carré, Albert 36/19 Celliries, L. 36/19 Cheatham, Kitty 36/20 Chevillard, Camile 36/21 Chiesa, Maria Tibaldi 36/22 Colonne, Edouard 36/23 Colum, M. M. 36/24 Coolidge, Elizabeth S. 36/25 Dossier Conservatoire de Genève 36/26 Dower, Helen 36/27 Downes, Olin 36/28 Elkus, Albert 36/29 Ellwell, Herbert 36/30-34 Engel, Carl 36/35 Flonzaley Quartet 36/36 Foly, Magdalene 37/1 Fortas, Abe 37/2-27 Frank, Anita 37/28 Friedland, Rabbi Eric 37/28 Friedler, Egon 37/29 Gabrilówitch, Ossip 37/30-40 Godet, Robert 38/1-2 Goetschel, Leon 38/3 Gos, Albert 38/4 Green, Edith 38/5 Griller, Sidney 38/6 Harcourt, Eugene d' 38/7 Hausegger, Siegmund v. 38/8 Hertz, Alfred 38/9-19 Hirsch, Samuel and Louise Hirsch

and children

38/20 Hodghead, Lillian 38/21 Isaacs, Leonard 38/22-28 Jaques-Dalcroze, Emile 38/29 Jospe, Erwin 38/30 Kahn, Otto H. 38/31 Klemeyer, Henry 38/32 Kronick, Phyllis 38/33 Lacomblé, Antoine and Corine Lacomblé 38/34 Lafranc, Jean 38/34 Lalo, [?] 38/35 Lobet, Alfred 38/36 London, George 38/37 Marsh, Charles H. 38/38 Marty, C. 38/39 McCarthy, Lea 38/40 McIntyre, Thomas J. 38/41 Meier, Samuel 38/42 Mengelberg, Willem 38/43 Mense, J. 38/44 Menuhin, Yehudi 38/45 Mesierow-Minchin, Nina 38/46 Messager, André 38/47 Miller, Myra 38/48 Mörike, Eduard 38/49 Monteux, Pierre 38/50 Nicewonger, Harriet 38/51 Pelosop, G. H. 38/52 Percal, Johnathan 38/53 Pierne, Gabriel 38/54 Pugno, Raoul 39/1 Raisin, F. 39/2 Rasse, François 39/2 Rause, B. C. 39/3 Riesenfeld, Hugo 39/4 Robertson, Leroy 39/5 Sachar, A. L. 39/6 Saerchinge, César 39/7 Salzedo, Carlos 39/8 Saulter, B. 39/9 Schabbel, Otto 39/10 Schillings, Max 39/11 Schneider, Adolf 39/12 Schneider, Louis 39/13 Sedgwick, Frank A. 39/14 Sessions, Roger 39/15 Singer, Jacques 39/16 Societa Italiano 39/17 Sopkin, Louis 39/18 Sternberg, Daniel 39/19 Stokowski, Leopold 39/20 Straram, Enrich 39/21 Théatre de L'Opera-Comique

preliminary work on EB's Macbeth

39/22 Wallfisch, Ernst 39/23 Wasburg, Felix 39/24 Weiss, Bob 39/25 Williams, J. F. 39/26 Wittke, C. 39/27 Wurman, Hans G. 39/28 Wyatt, Wendell 39/29 Zweig, Stefan 39/30 Unidentified 40-42 Miscellaneous

Folders:

40 Envelopes: EB to Marguerite Schneider Bloch 41 Envelopes: EB to Anita Frank 42 Envelopes: Marguerite Schneider Bloch and Edmond Fleg to EB 43-55 Business Papers, 1909-1981

The Business Papers series covers the business affiliations of Ernest Bloch and his son Ivan and includes contracts, business correspondence, royalty statements, and other items. It is divided into two subseries: Ernest Bloch Business Papers and Ivan Bloch Business Papers.

Arranged alphabetically by name of organization, then alphabetically by type of material, and chronologically therein.

43-52 Part 1: Ernest Bloch Business Papers A. & G. Carisch & C. 43/1 Contract, 1935 Correspondence 43/2 1933-1934 Carisch, Guido Carisch, M. 43/3 1950-1953 Carisch, S.A. 43/4 1958-1959 Carisch, S.A. Sengstack, David K. Summy-Birchard Publishing Co. 43/5 1961, 1977, 1979 Bloch, Ivan Bloch, Lucienne Ravizza, Calisto Royalty Statements 43/6 1930-1955 43/7 1959-1967 43/8 1968-1978 43/9 Miscellaneous 43/10 America-Israel Cultural Foundation, Inc. Correspondence, 1967 Paz, Gideon American Guild of Authors and Composers (AGAC) 43/11 Correspondence, 1978-1980 Bachman, Lewis M. Conlin, Marianne Goldberg, Larry Korman, Bernard 43/12 Royalty Statements, 1979-1980 American Society of Composers, Authors and Publishers (ASCAP) 43/13 Contracts, 1963-1966 Correspondence 43/14 1944-1960 Finkelstein, Herman Harbach, Otto A. Korman, Bernard Rosenberg, Sylvia Taylor, Deems 43/15 1962-1963 Adams, Stanley Attisani, Margaret Dittmar, Marilyn Finkelstein, Herman Korman, Bernard Rosenberg, Sylvia 43/16 1965-1975 Adams, Stanley Arcomano, Nicholas Bookspan, Martin Gurvitch, Arnold Korman, Bernard Payne, Ancil Rosenberg, Sylvia 43/17 1976-1980 Adams, Margaret Attisani, Margaret David, Hal Korman, Bernard Rosenthal, Nancy Saffer, Judith M. Willamette Week 43/18 Legal Correspondence, 1959, 1980 Royalty Statements 43/19 1956-1963 43/20 1964-1967 43/21 1968-1971 43/22 1972-1977 43/23 1978-1981 43/24 Miscellaneous 43/25 The Beethoven Association Correspondence, 1923 Sonneck, O.G. Boosey & Hawkes, Inc. Correspondence 44/1 1927 Stevens, David 44/2 1939-1944 Chapman, Ernest Hawkes, Ralph Heinsheimer, H.W. Schulhof, Andrew 44/3 1945-1948 Ampenoff, R. Antheil, George Bean, Betty Randolph Dower, Helen Elkus, Albert Goldstein, Sylvia W. Hawkes, Ralph Heinsheimer, H.W. "Lillian" Monteux, Pierre Ricketts, Pearl Rosen, C.A. Roth, E. Stein, Erwin Turner, Godfrey Wallach, Sylvia Winkler, Harold 44/4 1949-1953 Adams, David S. Ampenoff, R. Bean, Betty Randolph Boosey, Leslie A. Cohen, Alex Goldstein, Sylvia Haeringer, A. Hawkes, Ralph Hirsch, L. Rosen, C.A. Smith, Gertrude Tomadelli, Ina May 44/5 1955 Roth, E. 44/6 1958-1960 Goldstein, Sylvia Sengstack, David E. Trent, G. H. 44/7 1964-1979 Adams, David S. Ampenoff, R. Goldstein, Sylvia James, Muriel Krey, N. Pool, A.P. Pope, W. Stuart Trent, G. H. Ward, John Owen 44/8 Legal Correspondence, 1965 44/9 Copyrights, 1972-1973 Royalty Statements 44/10 1939-1951 44/11 1957-1960 44/12 1961-1964 44/13 1965-1968 44/14 1969-1972 44/15 1973-1976 44/16 1977-1979 44/17 Miscellaneous Broude Brothers Ltd. 45/1 Contracts, 1954-1980 Correspondence 45/2 1952 Broude, Alexander 45/3 1955-1956 Berges, Ruth Broude, Alexander Broude, Irving Kurtz, Efrem Lefebre, Dodie Richter, Clifford G. Urbach, Alfred D. 45/4 1957 Ajemian, Anahid Berges, Ruth Broude, Alexander Broude, Irving Clayton-Summy Leuckart, F.E.C. Pearl, John Richter, Clifford G. 45/5 1958-1968 Basch, Peter J. Berges, Ruth Berman, Florence Berton, Natalie B. Broude, Irving Casals, Pablo Hampton & Weiss Menuhin, Yehudi Middleton, [?] Red, Virginia Schor, Arthur R. Yolkoff, Arthur 45/6 1969-1973 Broude, Irving Broude, Ronald Wiener, Ivan 45/7 1975-1978 Broude, Ronald Davis, Nathalie A. Gould, Robert Petersen, Barbara A. Sengstack, David K. 45/8 1979-1981 Broude, Ronald 45/9 Legal Correspondence, 1960-1961 Royalty Statements 45/10 1957-1969 45/11 1970-1978 45/12 1979 45/13 Miscellaneous C.C. Birchard & Co. 46/1 Contracts, 1925-1933 Correspondence 46/2 1925-1926 Birchard, Clarence C. 46/3 1927-1928 Birchard, Clarence C. Pitcher, Gladys Stevens, David 46/4 1929-1930 Armitage, Margery Birchard, Clarence C. Elkus, Albert I. Jansky, Nelson M. 46/5 1933 Birchard, Clarence C. Frank, Anita 46/6 1939-1950 Birchard, Clarence C. Coopersmith, Harry Dykema, Peter W. Graham, Ella M. Jansky, Nelson Moran, A. Moses, Abram Pecora, Ferdinand Stevens, Davi Vandevere, J. Lilian 46/7 1951-1956 Birchard, Clarence C. Buttolph, David L. Graham, Ella M. Headley, Herrold E. Hills, Margaret T. Jansky, Nelson M. Malin, Donald F. McOsker, Muriel J. Nathanson, Moshe Pitcher, Gladys Pittsburgh International Music Festival Richardson, Olive Safer, Virginia L. 46/8 Copyrights, 1957 46/9 Royalty Statements, 1929-1956 Carl Fischer, Inc. 47/1 Contracts, 1924-1956 Correspondence 47/2 1923-1926 Fischer, Walter Goltz, Eric von der "M K" Saenger, Gustav Schaefer, A.S. 47/3 1929, 1931-1932 Fischer, Walter Goltz, Eric von der Saenger, Gustav 47/4 1938-1942 Fischer, Walter Goltz, Eric von der 47/5 1945-1956 Bradley, Edson P. Breck, Marion Connor, Frank H. Fleming, Agnes M. Goltz, Eric von der Greenamyer, C.W. Hauser, Arthur A. Marsh, Charles H. McBride, Sally Meinhardt, W. Nelson, Audrey Reese, Gustave Strauss, Harold Wattoff, Robert J. Whyte, Edith A. 47/6 1959, 1963-1967 Antonini, Alfredo Goltz, Eric von der Markham, Henson Urban, Gretl 47/7 1971-1973 Goltz, Eric von der Mathews, Ann C. Weiss, Robert 47/8 1977, 1981 MacKenzie, Warren G. Cohen, Arthur 47/9 Copyrights, 1967 Royalty Statements 47/10 1933, 1937/1938 47/11 1957-1960 47/12 1961, 1963/1964, 1966 47/13 1968-1971 47/14 1972-1978 47/15 Miscellaneous Cleveland Institute of Music 48/1 Contracts and Related Matter, 1920-1925: Correspondence Briggs, Charles E. Cary, Sheldon Clapp, Willard M. Clement, Ada Miscellaneous 48/2 Correspondence: Establishment of the Institute, May-Sept. 1920: Briggs, Charles E. Mallet-Prevost, S. Sanders, Martha B. Urchs, Ernest B.R. [?] 48/3 General Correspondence 1921-1922 Dreher, Henry Kahn, Otto H. Paynter, R.R. Sanders, Martha B. Seiberling, Gertrude G. Seilers, C.L. Surette, Thomas Whitney 48/4 1923 Bohhslay, Laura Briggs, C.E. Derringer, Robert E. Friedberg, Annie Maguire, J. Francis Meakle, Cadance Rogers, Lillian Sanders, Martha B. Seiberling, Gertrude G. 48/5 1924 Miner, Phillip Sanders, Martha B. Sincere, Victor M. 48/6 Feb. 1925 Briggs, Charles E. Rubinstein, Beryl Sanders, Martha B. Hay [?] 48/7 Apr.-July 1925 Baker, Newton D. Bauer, Harold Bradley, Kenneth M. Cahier, Charles Clarage, Eleanor Davis, George Downes, Olin Goldman, Rabbi Solomon Hoffmann, John A. Human, Alfred E. Hutchinson, Hubbard McConnell, Frederic Rossin, Clara L. Saenger, Gustav Sanders, Martha B. Sincere, Victor M. Smith, H.W. Squire, Andrew Urchs, Ernest Vas, Sandor E. Voorhis, [?] 48/8 Membership Committee Letters sent Eastman, George Freund, John C. Kahn, Otto H. Liebling, Leonard Mmebers of the Board of Directors Wasburg, Felix Minutes Miscellaneous 48/9 News Clippings, Articles, etc. 48/10 Personal Notes 48/11 Promotional Material: Advertisement of Music Courses and Piano Contest Advertisements Correspondence Briggs, Charles E. Rogers, Bernard Rogers, Lillian Sanders, Martha B. Sanner, J.V. Unidentified Correspondence: piano contest Bohhslay, L. Briggs, Charles E. Sanner, J.V. Notes Receipts 48/12 Reports and addresses given by EB to the Board of Directors 48/13 Statistics Edizioni Suvini-Zerboni 49/1 Contracts, 1909-1938 Correspondence 49/2 1936-1939 Giordani, Paolo Panizza, Ettore 49/3 1947-1948 Giordani, Paolo 49/4 1950, 1952-1954 Ruziska, Paolo Sugar, L. 49/5 1959, 1961, 1964 Ruziska, Paolo 49/6 1967-1969 Colombo, Pierre Ruziska, Paolo 49/7 1971-1975 Ruziska, Paolo 49/8 1979-1980 Sugar, Susi 49/9 Legal Correspondence, 1967 49/10 Copyrights, 1967-1968 49/11 Royalty Statements, 1909-1976 49/12 Miscellaneous Ernest Bloch Society 49/13 Correspondence, 1965-1970 Bloch, Ivan Burton, Elizabeth Fortas, Abe Girling, David A. Gordon, Victor Letherer, Gary Paul McIlvain, Claire Moon, Eugene Swanson, Marilyn Tarpinian, Sidney 49/14 Ernest Bloch Society Bulletin 49/15 Miscellaneous F.E.C. Leuckart Correspondence 49/16 1924-1925 Sander, Martin 49/17 1927-1929 Sander, Martin 49/18 1931 Sander, Martin 49/19 1938 Leuckart, F.E.C. 49/20 1956-1958 Pearl, John (for Associated Music Publishers, Inc.) Sander, Erich 49/21 1966-1968 Sander, Erich 49/22 1970-1976 Sander, Erich 49/23 1978-1979 Peckarsky, Milton Sander, Erich 49/24 Legal Correspondence, 1930 49/25 Royalty Statements, 1931 49/26 Miscellaneous 49/27 G. Ricordi & Co., Inc. Correspondence 1939 Interrante, G. Tasselli, Benato G. Schirmer, Inc. 50/1 Contracts, 1917-1955 Correspondence 50/2 1917-1921 Deis, Carl Kanner, D. Marble, Marston Schirmer, A. Swinburne Schirmer, Rudolph Sonneck, O.G. 50/3 1922 Deis, Carl Hall, E.B. "KM" Marble, Marston Sonneck, O.G. 50/4 1923 Fay, W. Rodman Kanner, D. Marble, Marston Riesenfeld, Hugo Schirmer, G. Sonneck, O.G. Tompkins, M.E. 50/5 1924-1926 Albrecht, A.F. Deis, C. Dilworth, J.L. Fay, W. Rodman Hall, E.B. Harris, A. Kanner, D. Marble, Marston Reese, Gustave Sander, Victor (of The Bailey Company) Schirmer, G. 50/6 Sonneck, O.G. 50/7 1930, 1932-1933 Engel, Carl Flammer, Harold Pierne, Gabriel Schirmer, Gustave 50/8 1938-1940 Engel, Carl Kryger, L. Peurs, I. Reese, Gustave Schirmer, G. 50/9 1943-1949 Broder, Nathan Gailinger, Gertrude Heinsheimer, H.W. Hirsch, L. Jenkins, Saveria Reese, Gustuve Schirmer, G. Wittke, Paul 50/10 1950-1951 Broder, Nathan Cohen, Alexander Deis, Carl Doerschuk, Julia Heinsheimer, H.W. Moynihan, Agnes Raines, Fyat Schirmer, Gustave 50/11 1952-1957 Ackman, Sydelle Blancard, Jacqueline Broder, Nathan Chapman, Ernest Cohen, Alexander Heinsheimer, H.W. Klein, Myra Moynihan, Agnes Schirmer, Rudolph Wittke, Paul 50/12 1959 Grunain, Rose Heinsheimer, H.W. 1963 Schirmer, Gustave 50/13 1966-1969 Baller, Adolph Heinsheimer, H.W. McIlvain, Claire Noon, Eugene Rothschild, A. Tarpinian, Sidney 50/14 1971-1972 Heinshgeimer, H.W. Schirmer, G. Sturm, George 50/15 1977, 1979-1980 Murphy, Edward 50/16 Copyrights, 1950-1979 Royalty Statements 51/1 1923-1928 51/2 1930-1940 51/3 1957-1960 51/4 1961-1963 51/5 1964-1966 51/6 1967-1969 51/7 1970-1972 51/8 1973-1975 51/9 1976-1977 51/10 1978-1979 51/11 Miscellaneous 52/1 Galliard Limited Correspondence 1976 Elkin, William A. Bowerman, J. F. 1979 [no names specified] 52/2 Hawkes and Son Correspondence, 1927 C.C. Birchard & Co. Joseph Williams Ltd. 52/3 Contracts, 1951 Correspondence 52/4 1950-1954 Williams, Florian 52/5 1959 Williams, Florian 1965 Williams, Florian 52/6 Copyrights, 1980 52/7 Royalty Statements, 1954 52/8 Miscellaneous Library of Congress 52/9 Correspondence 1934 Blanchard, Linn R. 1955 Keller, Alton H. Spivacke, Harold 1960 MacCarteney, Richard S. 1971 Einhorn, Nathan R. Spivacke, Harold 1972 Einhorn, Nathan R. 52/10 1973-1976 Einhorn, Nathan R. Lists of Bloch Compositions at LC 52/11 1925-1961 52/12 circa 1971, undated 52/13 Miscellaneous 52/14 M.E. Demets Contract, 1904 52/15 Mills Music, Inc. Correspondence, 1957 Malin, Don 52/16 Novelle & Co. Ltd. Correspondence, 1938 Novelle, G. Summy-Birchard Publishers 52/17 Contracts, 1973 Correspondence 52/18 1957-1959 Bloch Family Bobbitt, Helen Dahnert, Robert Olson, Robert G. Perris, Arnold Pitcher, Gladys Sengstack, David K. 52/19 1961-1962 Miller, Myra 52/20 1965-1975 Berman, Albert Bloch Family Chasins, Edward A. Lanning, Van Lier Lehr, Eugene R. London, George McAuliff, E.C. McIntyre, Thomas J. Royalty Department Savler, Roberta Sengstack, David K. 52/20 Shapiro, Herbert 52/21 1976-1977 Cornwell, Richard Savler, Roberta 52/22 1978-1979 Beeton, Diana Hamill, Paul Harrod, B.J. Sengstack, David K. Legal Correspondence 52/23 1959-1964 52/24 1966-1967 52/25 Royalty Statements, 1957-1979 52/26 Miscellaneous Correspondence 52/27 Miscellaneous 52/28 Universal Edition, Inc. Correspondence, 1924-1934 Kahnnes, Edwin, F. Name not distinguishable Unknown 53-55 Part 2: Ivan Bloch Business Papers Center for Creative Photography 53/1 Contracts, 1975-1979 Correspondence 53/2 1975 Adams, Ansel Caplan, Ron "Jane" [Kolisch], Marian Rawle, Andrea Schaefer, John P. Scully, Julia Sherrill, Leicester H. 53/3 1976 Adams, Ansel Bloch Family Caplan, Ronald [Johnson], Eric Jones, Harold [Kolisch], Marian Porter, Allan Schaefer, John P. 53/4 1977 Adams, Ansel Binder, Herr Bloch Family Bryant, Danald S. Eggenberger, Christopher [Johnson], Eric Jones, Harold Robertson, Sally Weiss, Robert L. 53/5 1978 Adams, Ansel Adams, Virginia Bloch Family Enyeart, James L. Gonzales, Philip A. Hatfield, Mark O. Hull, Robert Johnson, Eric Jones, Harold McGillivray, Marguerite Pitts, Terence R. Schaefer, John P. Schwartz, Sandy Sherrill, Leicester H. Wold, Milo 53/6 1979, A-K Adams, Ansel & Virginia Bachman, Lewis M. Bloch Family Bryant, Dr. Donald S. Burges, Minnette Druckrey, Timothy Enyeart, James L. Garza, Dr. Edward C. Henning, Robert A. Hilscher, Herb and Miriam Hull, Robert "Jeanne and Ike" Korman, Bernard 53/7 1979, M-W McGillivray, Marguerite McMillan, Samuel C. Monsen, Dr. R. Joseph Pitts, Terence S. Rasmuson, Elmer and Mary Louise Robinson, Gerald H. Schaefer, John P. Scheckenberg, Bonnie Shaw, Elizabeth Tucson Musicians Association Washburn, Bradford 53/8 1980 Adams, Ansel Enyeart, James L. Scheckenberg, Bonnie 53/9 Photographs 53/10 Lists of EB Photos 53/11 Press Releases 53/12 Articles & Clippings 53/13 Miscellaneous Eric Johnson/Bloch Project 53/14 Contracts, 1975-1976 Correspondence 53/15 1970-1972 Bloch Family Dunseth, W.B. Finkelstein, Herman Fortas, Abe Gerot, Joseph Hanks, Nancy Hofschuster, Henry "Joan" Johnson, Eric Löw, Robert J. McDonald, John Photo Plastic Products, Inc. Rosenberg, Sylvia Straight, Michael Taylor, Thomas T. 53/16 1973-1976 Bloch Family Green, Edith "Jack" Jenkins, Don Johnson, Eric Löw, Robert J. Ryan, Irene E. Taylor, Thomas T. 53/17 1977-1978 Bloch Family Johnson, Eric Kinkaid, Frank & Marilyn [Kolisch], Marian Monsen, Joseph & Elaine Nagelsmith, Barbara 53/18 Miscellaneous Free Library of Philadelphia: The Edwin A. Fleisher Music Collection Correspondence 54/1 1966 Seder, Theodore 54/2 1978 Bloch, Ivan Seder, Theodore 54/3 Promotional Material [brochures, Policies & Procedures] KOAP-TV Studio Orchestra 54/4 Correspondence, 1978-1979 Atiyeh, Hon. Victor, Governor, State of Oregon Bryant, Donald S. Goldschmidt, Neil, Mayor, City of Portland Imel, Marie Kolisch, Pierre Lieuallen, Roy E. Murphy, Francis Scott, Doug Straub, Bob Sander, Steve Timmons, Jill Wiltshire, Richard & Marie 54/5 Miscellaneous KOIN-TV, Portland 54/6 Contract (agreement statement by Ivan Bloch), undated Correspondence 54/7 1966-1968, A-C Ampenoff, R. Barr, Lester Baur, Roberta & Malcolm Bennett, Betty Bessey, Roy F. Bloch Family Bookspan, Martin Broude, Irving Crommie, Karen 54/8 1966-1968, F-W Feeney, Richard E. Goldhammer, Elsie Goldsmith, Ruth Goltz, Eric van der Green, Edith Hagen, Jean F. Heitzel, John Hirschberger, Donald Johannesen, Grant & Zara Johnson, Helen Kolisch, J. Pierre Lane, Howard Moment, Samuel Moreland, Jules Murphy, Francis Pope, W. Stuart Roberts, Luke Savler, Roberta Schnitzer, Mrs. Morris Schouffler, Caroline Sterling, Don Voss, Ralph Wiener, Ivan Wold, Milo 54/9 1972-1975, B-M Bloch Family Broude, Ronald Bryant, Donald S. Coates, Helen G. Cohen, Abe Davidson, Joan Fortas, Abe Frisbee, Don Griffiths, David G. Haas, Elise Havorson, Carl Hirsch, Harold & Elizabeth Hope, Eleanor Irwin, John Kinkaid, Frank Lamont, L. [secretary to Isaac Stern] Larson, Don McCoy, R.E. 54/10 1972-1975 Roberts, Luke 54/11 1972-1975, S-W Savier, Roberta Stamas, S. Stern, Isaac Strassburg, Robert Taubman, Howard Watson, Kalvin Wold, Milo & Blanche 54/12 1976 Aucoin, Les Bloch Family Critchlow, Victor J. Fortas, Abe Frisbee, Don C. Griffiths, David G. Hatfield, Mark O. Hollander, Lorin Irwin, John [Johnson], Eric Larson, Don Lundy, Herb McDonald, John & Dorothy Murphy, Francis Petroff, Madelon Roberts, Luke Taubman, Howard Ullman, Al Unger, Paul A. Weiss, Robert L. Wold, Milo & Blanche 54/13 1977 Bryant, Donald S. [Johnson], Eric Roberts, Luke 54/14 1978-1979 Bryant, Donald S. 54/15 1980 Bloch Family Bryant, Donald S. Cross, Travis Frisbee, Don Strasburg, Robert 54/16 Undated Ranch, P.O. Taubman, Howard 54/17 Unidentified, 1975-1980 EB Documentary Materials Correspondence [includes information about writers of letters to Bloch] 54/18 A-G Ansermet, Ernest Barjansky, Alexander Boulanger, Nadia Celine, Ferdinand Cowell, Henry Debussy, Claude Downes, Olin Ellis, Havelock Epstein, Jacob Giono, Jean Godet, Robert 54/19 K-Z Kirchner, Leon Magnes, Judah Mahler, Gustav Mauclair, Camille Moore, Douglas Peter, Marc Pierne, Gabriel Queen Elizabeth of Belgium Schelling, Ernest Wells, H.G. Zweig, Stefan 54/20 EB Documentary Material: Articles & Clippings 54/21 EB Documentary Material: Lists of EB Recordings 54/22 EB Documentary Material: Miscellaneous 54/23 EB Documentary Material: Notes 54/24 EB Documentary Material: Profiles 55/1 EB Documentary Material: Proposals 55/2 EB Documentary Material: Scripts, 1960, 1967 55/3 EB Documentary Material: Scripts, 1968 55/4 EB Documentary Material: Scripts, 1976 55/5 EB Documentary Material: Statements on EB Copland, Aaron Johnston, Helen Menuhin, Yehudi Wold, Milo 55/6 Ivan Bloch Documentary Proposals: various topics 55/7 Miscellaneous Laurel Records 55/8 Correspondence, 1978-1980 55/9 Miscellaneous MACBETH: Material Relating to the EB Opera 55/10 Correspondence, 1968-1976 Amis, John Bloch Family Caswell, E.W. Colombo, Pierre Dayviss, Denny Guevoult, Denys Kinkaid, Frank & Marilyn McEachern, Thomas Menuhin, Yehudi Richards, Denby Sternberg, Daniel 55/11 Miscellaneous Correspondence, 1910-1911 55/12 Writings About MACBETH [press releases] 55/13 Articles & Clippings 55/14 Miscellaneous 55/15 Milo Wold Project Correspondence, 1967 Wold, Milo Portland Junior Symphony Orchestra Correspondence 55/16 1975 Bloch Family Broude, Ronald Caswell, E.W. Cocchini, Alfred Critchlow, Lois and Vic Driesner, R.E. Goren, Neal Haas, Elise S. Hanson, Michael Jenkins, Donald Johnson, Eric Menuhin, Yehuti Moore, Margaret Piatigorsky, Gregor Rodgers, Alice 55/17 1976-1977 Amsden, Forest W. Avila, Penny Avshalomov, Jacob (Jack) Berry, Jack Bloch Family Broude, Ronald Caswell, E.W. Critchlow, Victor J. Dargan, Tom Dreisner, R.E. Garkill, Warren Gruber, Matt & Alice Haas, Elise S. "Helen J." Huisman, John & Mary Hyslop, David Kinkaid, Frank & Marilyn Klevit, Harvey D. Lindvall, Thurston O. Lundy, Herbert Michelet, Robert Moore, Margaret Straub, Robert W., Governor, State of Oregon "Sylvia" Webber, William R. Woodruff, Aleta Young, Kay 55/18 Articles & Clippings 55/19 Miscellaneous 55/20 Stainer & Bell Ltd. Correspondence, 1979-1980 Braley, Bernard A. Slasor, Alwyne 55/21 WRVR Radio, New York Correspondence, 1968 Miscellaneous 56 Photographs, 1916-1925, undated

The Photographs series is fairly small, considering the fact that Bloch was also a skillful photographer. The photographs depict Bloch alone (usually portraits), or Bloch family members. Of special note is a photograph of Ernest Bloch with Roger Sessions.

Arranged by subject and chronologically therein.

56/1 EB Alone, Portraits, 1916-1917 56/2 EB Alone, Portraits, 1919 56/2 EB at Work, 1919 56/3 EB Alone, Portraits, 1925 56/4 EB Alone, undated 56/5 EB with Others, undated

Contents:

Ivan Bloch Mariana Bloch Roger Sessions 56/6 EB with Unidentified Others, circa 1916, undated 56/7 Miscellaneous 56 Programs, 1908-1980

Programs from Ernest Bloch concerts and performances. Each citation includes date, concert venue, performing artist(s) when given, and Bloch work(s) performed unless the entire concert was a tribute to Bloch.

Arranged chronologically.

1908-1909 56/8 1908, Sept.: Théatre National de L'Opéra-Comique; EB's Macbeth 56/8 1909, May 8: Grand Concert par L'Orchestre Symphonique de Lausanne; EB's Deux Poèmes symphonique 1940s 56/9 1947, Nov. 14-15: Juilliard School of Music; EB festival 56/9 1948, June 4: Sinfonie-Konzert 1950s 56/10 1950, Nov. 28-Dec. 2: Ernest Bloch Festival Assn./Chicago Symphony Orchestra; in honor of EB's 70th birthday (2 copies) 56/10 1957, Mar. 10: New York Chamber Ensemble; concert dedicated to the memory of Alma Morgenthau 56/10 1959, May 3: Congregation Emanu-El of the City of New York; EB Scared Service 1960s 56/11 1965, Apr. 3, 11: College of Marin, Kentfield, CA; the music of EB 56/11 1967, Dec. 13: The Portland Civic Orchestra; first concert of second season 56/11 1968, Feb. 13-14: Washington National Symphony; EB's Concerto Grosso for String Orchestra 56/11 1968, Nov. 8: Grand Theatre de Genèvre; EB's Macbeth 56/11 1969, Dec. 7: Symphonic Choral Society of New York/Camerata Singers and Symphony Orchestra; EB's Sacred Service 1970s 56/12 1973, May 9, 11, 13: Juilliard School of Music; EB's Macbeth (2 copies) 56/12 1975, July 9: Royal Festival Hall; EB's Macbeth (3 copies) 56/12 1976, Mar. 31-Apr. 3: San Francisco Symphony; EB's America 56/12 1979, Jan. 27: Carnegie Hall [concert]; "Yehudi and Hephzibah Menuhin" [three EB works] 56/12 1979, June 17-July 27: Center for Creative Photography; EB as photographer and composer 56/12 1979, Dec. 18: Arena Coast Music Assn.; "A Winter Concert" 1980s 56/13 1980, Apr. 13-18: Linfield College; EB "Commemoration Week" (3 copies) 56/13 1980, July 24: Oregon State University of Music; "A Centenary Tribute" (3 copies) 56/13 1980, Nov. 11: University of Oregon School of Music; solo and chamber music of EB 56/13 1980, Nov. 13: University of Oregon School of Music; orchestral and choral music of EB 57-60 Writings about Ernest Bloch, 1910-1976

Writings by various authors about Ernest Bloch. This series is divided into four subseries: Biographical Writings, Clippings, Articles in Serials, and Articles and Clippings in Scrapbooks.

Arranged chronologically.

57/1-4 Part 1: Biographical Writings 57/1 Ernest Bloch: biography and comment, author unknown, 1923 57/2 Ernest Bloch, [by] Mary Tibaldi Chiesa. Torino, Italy: G.B. Paravia & C., 1933 57/3 Ernest Bloch: creative spirit, author unknown, undated 57/4 Untitled, undated 57/5-8 Part 2: Clippings 57/5 1910-1919 57/6 1920s-1950s 57/7 1960s-1970s 57/8 undated 58/1-5 Part 3: Articles in Serials 58/1 1922, May: Über Ernest Bloch, von Guido M. Gatti; Musikblatter des Anbruch, pp. 133-137 58/2 1922, Due "Macbeth", [by] Guido M. Gatti; La Cultura Musicale, pp. 125-137 58/3 1923, July-Aug.: Ernest Bloch, [by] Fernando Liuzzi; Il Pianoforte, pp. 174-179 58/4 1931, Sept.: The Musician; no articles on EB 58/5 1976, Apr. 4: In Search of Ernest Bloch, by Penny Avila; Northwest Magazine, pp. 14-15 (3 copies) 59/1-2 60/1-2 Part 4: Articles & Clippings in Scrapbooks 59/1 Scrapbook 1: 1910-1911 59/2 Scrapbook 2: 1916-1917 60/1 Scrapbook 3: 1917-1920 60/2 Scrapbook 4: 1928-1929 61-62 Personal Papers, 1888-1975

The Personal Papers series is divided into two subseries: Ernest Bloch Legal, Financial, and Miscellaneous Documents, and Personal Papers of Other Family Members. The first subseries contains documents relating to Ernest Bloch, including his grade school report cards, passports and marriage certificate. The second subseries contains documents relating to Bloch's wife Marguerite Elizabeth Auguste Bloch and his daughter Suzanne Bloch, including Marguerite's birth certificate.

Arranged alphabetically by type of material and chronologically therein.

61 Part 1: Ernest Bloch Legal, Financial, and Miscellaneous Documents 61/1 Estate of Ernest Bloch

Contents:

Correspondence, 1964-1975 Inventory and appraisal Letters testamentary Lists of EB works Miscellaneous 61/2-7 Financial Papers, 1942-1959

Folders:

61/2 Balance sheets, Vol. 1, 1942-1959 61/3 Balance sheets, Vol. 2, 1949-1956 61/4 Balance sheets, Vol. 3, 1957-1959 61/5 Balance sheets [loose], 1957-1959 61/6 Dominick & Dominick [investors] 61/7 Miscellaneous 61/8 Passports 61/9 Report Cards: 1888, 1891-1994 62 Part 2: Personal Papers of Other Family Members 62/1 Marguerite Elizabeth Auguste Bloch

Contents:

Birth certificate Marriage certificate Naturalization papers and passports Miscellaneous 62/2-6 Suzanne Bloch

Folders:

62/2 Articles & clippings 62/3 Correspondence, 1961-1967 62/4 Programs 62/5 Promotional material 62/6 Miscellaneous 62/7 Miscellany 62 Printed Matter, 1941-1980

The Printed Matter series contains one volume of printed music containing Bloch selections, promotional material (a small amount of brochures, announcements, and flyers that promote Ernest Bloch and his work), one literary volume (Darwin, Marx, Wagner by Jacques Barzun), and a folder of miscellaneous loose items.

Arranged by genre.

Music 62/8 Compositores de América = Composers of the Americas : biographical data and catalogs of their works, Volume 9. Washington, DC: Unión Panamerica, 1963. Includes data on EB as well as title page of EB's Arodath Hakodesh (Sacred Service). Promotional Material 62/9 Brochures, announcements, and flyers, 1976-1980 Literary 62/10 Darwin, Marx, Wagner : critique of a heritage, by Jacques Barzun. Boston: Little, Brown & Company, 1941. Miscellaneous 62/11 Miscellaneous material 63-64 Carolyn Epes / Ernest Bloch Material, 1916-1980

The material in this collection generally follows the same series order and arrangement scheme as the larger. There are no professional papers or personal documents included with this material; however, all other series are represented.

64/2 Music Manuscripts 64/2 America : anthem from the symphony "America", by Ernest Bloch (1916) Piano-vocal score; [2] p.; 36 cm.

Note: Title page autographed in ink; music, blackline print.

Gift of Carolyn Epes, 1988.

64/1 Manuscript Lecture Notes on Ernest Bloch 64/1 Manuscript Lecture Notes on Ernest Bloch, by Anita Frank.

Note: Holograph in pencil.

63/1-5 Correspondence: Ernest Bloch to Anita Frank 63/1 1923 63/2 1931-1936 63/3 1947 63/4 1950-1957 63/5 Miscellaneous correspondence to Anita Frank, 1931-1980 63/6-7 Photographs 63/6 EB Portraits, circa 1925, undated 63/7 EB & Miscellaneous 63/7 EB at Piano, undated 63/7 EB at Seashore, undated 63/7 EB Profile Shot, undated 63/7 EB Snapshots, undated 63/7 Photograph of St. Francis Auditorium, undated 63/8 Programs 63/8 1937/1938: Three Concerts of Chamber Music by Ernest Bloch 63/8 1947: A Festival of Three Concerts presenting Music of Ernest Bloch 63/8 1950: A Six-day Ernest Bloch Music Festival in honor of EB on occasion of his 70th birthday 63/8 Mar. 29 (year unknown): Sunday Evening Ensemble Concert; EB's Sonata for violin and piano 63/10-12 64/3 Writings About Ernest Bloch 63/10 Biographical 63/10 Ernest Bloch, by Mary Tibaldi Chiesa; reprinted from The Jewish Chronicle Supplement, Nov. 25, 1932 63/10 Ernest Bloch, [by] Mary Tibaldi Chiesa. Torino, Italy: G.B. Paravia & C., 1933; autographed by EB 63/11 64/3 Articles in Serials 63/11 Mr. Bloch's lectures; The Outpost, issued by the Cleveland Institute of Music, Jan. 6, 1923; p. 4 64/3 Ernest Bloch at 70 -- a musician apart, by Howard Taubman; in The New York Times Magazine, July 16, 1950; pp. 17-19 64/3 Ernest Bloch discusses his art; Ernest Bloch Society Bulletin, No. 7, 1974; p. 1 64/3 Centennial commission to honor music of Ernest Bloch; Jewish Cultural News, Fall 1979; pp. 1-2 63/12 Clippings 63/12 Clippings, 1926-1975, undated 63/13 Printed Matter 63/13 Promotional Material [brochures and flyers] 63/13 Miscellaneous 63/14 Miscellany 63/14 Miscellany