Jacobo Ficher Collection
Catalog Record: http://lccn.loc.gov/2003561033
General International Standard for Archival Description
Music Division Library of Congress Washington, D.C.
Finding Aid encoded by Library of Congress Music Division, 2005
Encoded Archival Description
Encoded Archival Description (EAD) Version 2002
collection
Jacobo Ficher Collection1864-1997 (bulk 1919-1978)
Ficher, Jacobo, 1896-1978
Biographical History for: Jacobo Ficher Collection1864-1997 (bulk 1919-1978)
Biographical Sketch Date Event 1896 On January 15 Jacobo (Iakov) Ficher was born in Odessa, Russia to Alexander Ficher (Odessa, 1864 - Buenos Aires, 1937), trombonist of the Odessa Philharmonic Orchestra, and his wife Iente Mirl (Elena) Gotz. 1901 He began violin studies at five, but they were soon interrupted due to his mother's death. 1903 His violin studies continued with professors, Piotr S. Stoliarsky and M. T. Hait. 1912 He applied to the Saint Petersburg Conservatory at sixteen. After being admitted, he travelled alone to the imperial capital and began his academic musical studies. He studied violin under Sergei Korguieff and Leopoldo Auer, and fugue, harmony, counterpoint, composition and orchestration with Vasili Kalafati, Maximilian Steinberg, Nikolay Tcherepnin and Nicolai Sokoloff. 1917 He graduated from the conservatory (then the Petrograd Conservatory) as a "Free Artist." 1917-1923 He composed his first works: songs, and piano and violin pieces. 1919 Winner of an orchestra competition judged by Alexander Glazounov, he was appointed concertmaster of the ex-Imperial Opera Orchestra (renamed the Academic Opera Orchestra). However, he remained in that position for a short period after seeing, when he came back to Odessa, the deprivation that the city began to suffer. 1919 On August 1 he was soloist in Bruch's G minor Violin Concerto with the Soviet Odessa Philharmonic under conductor L. P. Steinberg. 1920 In Odesssa on June 3 [16 in Gregorian calendar] he married the pianist Ana Aronberg, a pupil at the Odessa Conservatory. 1921 Due to the famine and persecution in Odessa the couple and members of their family flew to Poland. 1923 On February 10 Jacobo Ficher, his wife, younger brother, sister-in-law, and his father with his second wife arrived in Buenos Aires, Argentina and established themselves there. 1923 Being the peak of the Carnival season in Buenos Aires, he was engaged the day after his arrival to play the violin and provide music at masked balls. 1923 Later on, he formed with his wife, his father and his younger brother Rachmiel (who played the cello) a small orchestra to play at silent movies in a Buenos Aires cinema. Due to an exhausting playing schedule they resigned, but soon were contracted by a posh Buenos Aires hotel to play popular music and also medleys of classical composers. 1923 On June 24 his first child, a son Miguel, was born. 1924 He composed his first orchestral work, Suite no. 1 1927-1928 With Poema heroico Op. 7 he shared with Dmitri Shostakovich the only two second prizes awarded in a contest organized by the Leningrad Philharmonic Orchestra. 1928 On February 7 his second child, a daughter Myra, was born. 1929 He won two prizes: the Municipality of Buenos Aires Prize for his first string quartet and the Asociación del Profesorado Orquestal Prize for Obertura patética, Op. 11 1929 He co-founded the Grupo Renovación with Juan José Castro, José María Castro, Juan Carlos Paz, and Gilardo Gilardi. 1929 He received the Asociación del Profesorado Orquestal Prize for Exodus-Obertura para orquesta sinfónica, Op. 11 1931 He won again the Municipality of Buenos Aires Prize for Sulamita, poema de amor, Op. 8 for orchestra. 1932 Again, he won the Asociación del Profesorado Orquestal Prize for Tres bocetos sinfónicos inspirados en el Talmud, Op. 17. 1932 He was nominated conductor of the Orchestra Asociación del Profesorado Orquestal. 1933 He was also nominated conductor of the Radio Nacional, Radio Municipal, and Radio Belgrano orchestras. 1936 He was the winner of second prize for La rosa muerta, poema para coro mixto y piano, Op. 34, in a contest sponsored by the Idelssohn Asociation of Johannesburg, Sud Africa. 1937 He received the Coolidge Prize for his second string quartet at the Festival de Música de Cámara Panamericana, Mexico City. 1939 He was nominated conductor of the AGMA (Asociación General de Músicos de la Argentina) Symphonic Orchestra and Music Director of Radio Splendid. 1940 He was the winner of the Comisión Nacional de Cultura First Prize for his Symphony No. 3. 1941 Again, he received the Municipality of Buenos Aires Prize for his Piano Sonata No. 1. 1942 He accepted the E.A. Fleisher Collection Prize for his Violin Concerto, Op. 46. 1943 He became professor of Harmony at the Asociación General de Músicos de la Argentina. 1947 He founded the Liga de Compositores de la Argentina. 1952 He received the Asociación Wagneriana Carlos López-Buchardo Prize for his fourth string quartet. 1954 On November 7, his Tercera suite para orquesta de cámara, Op. 78 was premiered by the Indianapolis Orchestra under Fabien Sevinsky. 1954 In November-December he was invited to the Festival de Música Latinoamericana de Caracas, where his cantata Salmo de Alegría was performed. 1956 He was appointed Professor of Harmony at the Escuela Superior de Música de la Universidad de La Plata. 1957 In March he was invited to the II Festival de Música Latinoamericana, Caracas and conducted his Obertura para Don Segundo Sombra. 1957 In September he won Second Prize at the Festival Interamericano de Música, Montevideo, for his saxophone quartet. 1958 He was appointed Professor of Composition at Buenos Aires National Conservatory and Musical Advisor to the Fondo Nacional de las Artes. 1958 On August 14 his Oda a la Libertad, Op. 90 was premiered by Jean Fournier. 1960 He received the Grand Prize "Sesquicentenario de la Revolución de Mayo" for his Symphony No. 7, Op. 92 Epopeya de Mayo. 1961 During March at the Festival of Contemporary Music in Miami, the Suite for Chamber Orchestra was performed. 1961 In November he received the Argentinean Mozarteum Prize (Academia Nacional de Bellas Artes) for his piano quintet. 1963 On August 29 his cantata Mi aldea, for soloist, choir and orchestra was premiered by Jacques Bodmer. 1963 In December his ballet Los invitados was performed by the Tucson Symphony Orchestra in Arizona. 1964 His Obertura festiva was performed by the Athens Symphony Orchestra under Andreas Paridis. 1965 In August his Piano Sonata Op. 101 was premiered at the IV Festival of Contemporary Music of the Instituto Torcuato Di Tella. 1966 Several concerts were performed in Buenos Aires to celebrate his 70th birthday. Also, Ediciones Culturales Argentinas published his biography by Boris Zipman. 1966 He was appointed Professor of Composition at Buenos Aires Conservatorio Municipal Manuel de Falla. 1967 At a homage in La Plata, he conducted his cantata Salmo de Alegría at the Teatro Argentino. 1968 On November 12 his opera Pedido de mano [The Proposal] was premiered at the Buenos Aires Teatro Presidente Alvear under the conductor Armando Krieger. 1968 He was appointed Professor of Instrumentation at the Teatro Colón's Conservatorio e Instituto. 1968 In December he traveled to Europe with his wife, through invitations by the Israel Composers Association and the British Council. He spent one month in Israel, traveled to Italy, France and England, and visited London under the auspices of the British Council. 1969 In January he traveled to the United States and remained one month in Philadelphia. 1969 In July he was nominated a Member of the Academia Nacional de Bellas Artes. 1969 In September he lectured on his works at the Conservatorio Municipal Manuel de Falla. 1970 His Cinco retratos, Op. 113 for piano was premiered during the II Festival of Argentinean Contemporary Music. 1972 In a concert sponsored by the Fondo Nacional de las Artes his Piano Sonata Op. 118 was premiered. 1974 The Filarmónica de Buenos Aires under Pedro Ignacio Calderón premiered his Capricho argentino, Op. 121 for orchestra at the Teatro Colón. 1976 On July 9 the Orquesta Sinfónica Nacional under Juan Emilio Martini celebrated his 80th birthday. 1976 On July 27 his wife Ana Aronberg Ficher died. 1976 On September 30 the Filarmónica de Buenos Aires under Pedro Ignacio Calderón premiered his Obertura dramática, Op. 130 for orchestra at the Teatro Colón. 1977 On September 5 his Cello Concerto Op. 128 was premiered by the Orquesta Sinfónica Nacional under Juan Carlos Zorzi with Leo Viola as soloist. 1977 A homage was given by the Instituto Luchelli Bonadeo with a concert of his piano works and the presentation of new piano pieces published by the Instituto. 1978 On September 9 Jacobo Ficher died at the age of 82 in Buenos Aires. 1979 On September 8 the Dirección Cultural de la Municipalidad de Buenos Aires organized a tribute to his memory, with introductory words by the Director of Educación, a lecture by Dr. Pola Suárez Urtubey, and a concert of his works. 1988 In November a Memorial Concert was held at the Fleisher Art Memorial in Philadelphia under the auspices of the Leningrad-Philadelphia Sister Cities organization. 1992 On December 15 the Department of Music of New York University presented works by Ficher in a chamber concert. 1999 May 23 his Sinfonía de cámara No. 9, Op. 123 was given a world premiered by the Southern Arizona Symphony Orchestra conducted by Warren Cohen.
Scope and Content Note The Jacobo Ficher Collection reveals a composer who was significantly associated with the Argentinean music of the twentieth century. In addition to being a major creator, he developed a brilliant career as an orchestra conductor, prominent teacher and violinist. Ficher, born at the end of the nineteenth century in Odessa, Russia, came from a quite artistic family that included many musicians as well as actors on the Russian stage. His father Alexander was a trombonist at the Odessa Philharmonic Orchestra. The young Jacobo began his violin studies when he was five years old. And at sixteen, he moved to Saint Petersburg and was accepted in the Imperial Conservatory where he studied for six years under prominent musicians and pedagogues, such as, Sergei Korguieff and Leopold Auer in violin, and Vasili Kalafati, Maximilian Steinberg, Nikolay Tcherepnin and Nicolai Sokoloff in fugue, harmony, counterpoint, composition and orchestration. After the revolution life in his native Odessa became very difficult, and the city was soon under a pathetic famine. As a consequence his family decided to emigrate to Poland. At that time the composer was already married to the distinguished pianist Ana Aronberg. But later on all of them, including his father with his second wife, his youngest brother and a sister-in-law traveled to South America and settled in Buenos Aires. Musical life in the Buenos Aires of the 1920s was very active, and the local composers, many of them trained in Europe, were at the middle of a musical nationalism, based mainly on the integration of native and folk themes into art music. However, a group of young composers were looking toward transitional styles and the new European trends. Ficher fit perfectly into the last category. As a consequence he, together with Juan José and José María Castro, Juan Carlos Paz and Gilardo Gilardi founded, in 1929, the Grupo Renovación, which rapidly became the leading organization for the promotion of a new musical trend in Argentina. But being a Russian and a Jew with strong musical roots, Ficher used the new languages available, with few incursions into the twelve-tone technique, and blended them with ancient Russian and Jew tunes, specially in his early works. And interesting enough, he was attracted by some Argentinean folk and popular melodies, such as tangos and milongas. His style remained in a conservative balance, with an aside to the most avant-garde examples of his time, and always with an Slavonic influence. This collection is very complete and comprises practically all the composer's works, mainly holograph manuscript scores in all major categories of composition. It also includes highly interesting additional items, such as, documents, correspondence, writings, programs, and scrapbooks. The collection includes six series: Music, with a total of 379 items; Biographical materials; Correspondence, with more than 3000 letters; Writings; Programs, with around 500 items, from 1919 to 1997, and finally five scrapbooks of 200 pages each, from 1914 to 1990, with newspaper clippings, critical reviews, concerts programs, pictures, and letters. The MUSIC series consist of his stage and instrumental output which is significantly extensive. There are 202 items which include four ballets, two operas, ten symphonies, several cantatas, overtures, concertos with soloists, serenatas, as well as other small works. All of them are holograph manuscripts and, in the case of the operas and symphonies, include complete sets of vocal and orchestral parts. Since his two operas El oso [The Bear] and Pedido de mano [The Proposal] are based on Anton Chekov texts, the scores and also the libretti have both Russian and Spanish versions. The chamber music, which includes 86 items, is quite substantial because it holds, among other works, the composer's major string and wind trios, quartets, and quintets. The Second String Quartet Op. 35 was awarded the Elizabeth Sprague Coolidge Prize, in 1937, and premiered at the Latin American Chamber Music Festival in Mexico City. There are also suites and numerous sonatas written for one or various instrumental combinations. The vocal output contains about 45 vocal scores, many of them cycles of songs based on texts of Argentinean and other Latin American poets and several choruses "a cappella". The piano music comprises 46 holograph manuscript scores and includes several major sonatas and sonatinas, several piano cycles based on children fables, and a few pieces for two pianos. For a complete description of his works, with world premieres dates, orchestras, conductors, interpreters and other details, see the Catalogue of Works in the WRITINGS series. The BIOGRAPHICAL MATERIALS series consists of several documents written in Russian that belong to the composer, his wife and his family, such as birth and death certificates, passports, identifications, and documents relating to his studies at the Saint Petersburg [Petrograd, Leningrad] Conservatory, as well as the Odessa Conservatory. The CORRESPONDENCE series, which encompasses approximately 3000 letters received during a period of more than sixty years of Jacobo Ficher's life, show a diverse picture of the composer's correspondents with family, friends, acquaintances, and pupils. Major Latin American composers and conductors as well as European contemporary musicians wrote to him. A substantial amount of letters are in Russian, and span more than sixty years from his pals during his formative youthful years in Odessa and Saint Petersburg, such as, Nicolai Malko, Fabien Sevitsky, Joseph Roisman, Lazare Saminsky. Also, there are several letters from Paul Kletzki, Gregory Stone, Stanislaw Wislocki, Sir Adrian Boult, Hugo Kortschak and others. Half of the correspondence is written in Spanish; the others are in Russian, Italian, Portuguese, French, and English. There are also a few letters in Yiddish. It is interesting to mention the correspondence from Elizabeth Sprague Coolidge and also from Aaron Copland with whom he developed a friendship during Copland's frequent visits to Buenos Aires. It is remarkable how many of the composer's pupils wrote to him during several years from diverse points of the world where they were studying. Those letters are practically diaries about the development of the musical life between the 1950s and 70s principally in France, the United States, and Russia. The WRITINGS are a small and interesting series, and among other items includes the composer's lectures about his own works, as well as acceptance speeches, and presentations he did in Tel-Aviv during his official trip to Israel. It contains also some lectures by distinguished Argentinean musicologists and critics about the composer's life and works. The PROGRAMS series contains programs from the early days of the composer's youth in Odessa to world premieres performed after his death in 1978. A singular and valuable item is the program/poster written in Russian with Ficher as soloist in Bruch's G minor Violin Concerto with the Soviet Odessa Philharmonic conducted by L. P. Steinberg, held on August 1, 1919. There is also a big poster announcing the world premiere of his opera Pedido de mano [The Proposal] at Buenos Aires's Teatro Alvear during the 1968 opera season. The SCRAPBOOKS are five 200-page books, very well organized and numbered by year. There is a weighty amount of critical reviews from Argentinean newspapers and other periodicals from different countries. Also, pasted to these books are photographs, letters, and programs. Finally, I would like to express my gratitude to Dr. Miguel Ficher for his continuous support and collaboration, to Kevin LaVine for the translation of Russian documents and letters, and to Wilda Heiss for her advice in the processing of this collection. Susana Salgado, 1999
series
Music, 1927-1977
Consists of holograph manuscripts and photocopies of full scores, parts, and libretti.
subseries
Stage, 1933-1956
file
Colombina de Hoy, ballet en 1 acto para dos pianos, op. 25, [1]933
Holograph two-piano scores in ink (piano I/II)
Golondrina, ballet en tres jornadas, op. 47
Holograph piano score in pencil [first draft]
Typed libretto with description of each number and timing (2 copies)
Los invitados, ballet en 1 acto, op. 26, para orquesta y dos pianos
Copyist's manuscript orchestral parts in ink
Melchor, ballet con coros [and orchestra] en 3 actos, op. 40
Holograph full score and choral sketches in pencil and ink [first draft]
Bound holograph piano-choral score in ink
Typed Spanish libretto; description of acts and scenes
El oso, ópera en 1 acto, libretto Chekov, op. 75, 1952
Holograph full score in pencil; p. 1-120
Holograph full score in pencil; p. 121-238
Holograph piano-vocal score (transparency)
Bound ozalid piano-vocal score with marks in red pencil
Spiral-bound ozalid piano-vocal score, corrected draft
Ozalid piano-vocal score, corrected draft (2 copies)
Ozalid piano-vocal score [incomplete draft] p. 3-145
Copyist's manuscript orchestral parts (transparency)
Pedido de mano, ópera de cámara en 1 acto, op. 84
Holograph full score in pencil, argumento de Anton Chekov
Holograph orchestral parts (transparency)
Orchestral Works, 1927-1977
Algodón, película documental [film score]
Kadish cantata, per solisti, coro ed orchestra, op. 112; poema de Arminda Ralesky
Typed texts in Spanish, English, Italian, German and French
Kadish Laico (Requiem)
Printed original poem Kadish Laico (Requiem) and photocopy, both with pencil annotations by the composer
Mi aldea, cantata para soprano, contralto, tenor y orquesta de cámara, op. 91
Cantata Salmo de Alegría, dedicada al pueblo de Israel, poema de Rafael Alberti, op. 69
Ozalid full score with marks in red and blue pencil
Ozalid and holograph choral parts (transparency)
Capriccio Argentino, op. 121
Cinco sonetos de Shakespeare para voz y orquesta, op. 94, translation Manuel Mujica-Lainez
Concierto para arpa y orquesta de cámara, op. 85
Holograph piano-harp score (transparency)
Concierto para flauta y orquesta de cámara, op. 107
Holograph piano-flute score (transparency)
Holograph orchestral and soloist parts (transparency)
Concierto para piano y orquesta no. 1, op. 53
Holograph two-piano score in ink with pencil and red pencil notations
Concierto para piano y orquesta no. 2, op. 81
Spiral-bound ozalid full score with emendations in ink and marks in red pencil
Holograph two-piano score (transparency)
Ozalid copyist orchestral parts with emendations in ink and pencil; 52 p.
Concierto para piano y orquesta no. 3, op. 103
Concierto para violín y orquesta, op. 46
Holograph piano-violin score in pencil [first draft]
Holograph full score in pencil with emendations in ink and marks in red pencil
Holograph piano-violin score and soloist part (transparency)
Concerto per violoncello ed orchestra, op. 128
Holograph piano-cello score (transparency) and ozalid soloist part
Cría de caballos de carrera, film documental [film score]
Dos poemas no. 16 y 42 de "El Jardinero" de R. Tagore, op. 10
Holograph full score in pencil with emendations in ink and red pencil
Holograph full score in ink with emendations in blue and red pencil
Holograph piano score in ink with marks in red pencil
Holograph orchestral parts (transparency) and clarinet part in ink
Exodus, obertura, op. 11
Gaucho, suite de la película [Gaucho], op. 51 [film score]
Copyist's orchestral parts (transparency)
Hamlet, cuatro movimientos sinfónicos, op. 67
Obertura dramática, op. 130
Obertura festiva, op. 98
Bound ozalid full score with marks in red pencil
Obertura para "Don Segundo Sombra" de Ricardo Güiraldes, op. 82
Oda a la libertad, op. 90, para voz recitante y orquesta, poema de José Isaacson
Holograph piano-speaker score (transparency)
El organillero, poema sinfónico, op. 41, poema de Leónidas Barletta [bass soloist]
Poema heroico, op. 7
Bound holograph full score in ink, second version
Preludio, coral y fuga, op. 54-B See also: Piano subseries, op. 54-A for piano solo
Preludio, coral y fuga, op. 54-B
Primavera sin nieve, película documental [film score]
Seis canciones del Paraná op. 77-B, para canto y orquesta See also: Vocal music subseries op. 77-A, for voice and piano
Seis fábulas (segunda serie), op. 59-B See also: Piano subseries op. 59-A, for piano solo
Seis fábulas (segunda serie), op. 59-B
Ozalid manuscript full score with cover, marks in red, blue and black pencil
Ozalid manuscript orchestral parts with covers and with marks in red and black pencil, emendations in ink; 46 p.
Serenada, op. 61
Siete canciones de Amado Villar para soprano (tenor) y orquesta, op. 45
Primera suite, 1924, op. 5, revised 1966
Segunda suite, op. 6, 1926, revised 1962
Suite para orquesta, op. 78, 3a. suite
Sulamita, poema sinfónico, op. 8, poema de amor según Alejandro Kuprin, 1927
Primera sinfonía, op. 20 (de cámara)
Holograph full score in pencil with cover
2a. sinfonía, op. 24
Holograph piano score in pencil with marks in black, red and blue pencil [first sketch]
Manuscript orchestral parts in ink with covers and indications in pencil
Tercera sinfonía, op. 36
Manuscript orchestral parts in ink with covers
Cuarta sinfonía, op. 60
5a. sinfonía, op. 63, "Así habló Isaías"
Manuscript orchestral parts in ink with covers and with indications in pencil; 60 p.
6a. sinfonía, op. 86
7a. sinfonía, op. 92, "Epopeya de Mayo"
8a. sinfonía, op. 105
Sinfonía no. 9, op. 123
10a. sinfonía, op. 131
Tres bocetos sinfónicos inspirados en el Talmud, op. 17
Holograph full score in pencil and ink with red and blue pencil marks
Tres piezas para orquesta de bronces y percusión, op. 116
Tres piezas para violín y orquesta, op. 65[B] See also: Chamber music subseries, op. 65[A] original for violin and piano
Tres piezas para violín y orquesta, op. 65[B]
Variaciones y fuga sobre un tema de Mozart, op. 95
Photographic negatives of printed full score
Chamber Music, 1927-1974
Canción de cuna
Canto elegíaco para violoncello y piano, op. 13, no. 1
Cuarteto para cuerdas, no. 1, op. 9, versión nueva, revisada en 1947
Cuarteto para cuerdas, no. 2, op. 35
Cuarteto para cuerdas, no. 3 op. 50
Holograph full score in pencil with ink emendations
Holograph parts in ink with pencil marks
Cuarteto para cuerdas, no. 4, op. 73
Copyist's manuscript parts in ink (transparency)
Cuarteto para saxofones, sop, alto, tenor, bar, op. 89
Cuarteto para saxofones, transcripción para fl, ob, cl, fg o v1, v2, vla, vlc, op. 89
Cuatro piezas para 4 solistas, op. 127 (flauta, oboe, clarinete en Sib y fagot)
Dos piezas hebreas para violín y piano, op. 12, no. 1 Melodía hebrea, no. 2 Danza hebrea
Holograph piano/violin score in pencil [no. 2 Danza hebrea only]
Holograph piano/violin score in ink and violin part
Holograph piano-violin score and violin part (transparency)
Bound ozalid piano-violin score and violin part
Grave y presto, op. 3, para violin solo
Hora [Jewish dance]
Introducción y movimiento perpetuo, op. 92
Holograph piano-violin score and violin part in ink
Introduzione ed Allegro para piano, flauto, oboe, fagotto, violino, viola, op. 118
Melodía hebrea para cello y piano, op. 31, no. 2 See also: Dos piezas hebreas para violín y piano op. 12
Quinteto para flauta, oboe, clarinete, fagot y corno, op. 108
Quinteto para piano y cuarteto de cuerdas, op. 96
Serenata, op. 61 [string orchestra]
Copyist's manuscript full score in ink (transparency)
Sonata a cuatro, op. 68, no. 3 (flauta, oboe, clarinete en Sib, fagot)
Sonata para arpa, op. 55 [first draft]
Holograph harp score in ink with marks in pencil
Sonata para clarinete en Sib y piano, op. 32, no. 2
Holograph piano-clarinet score and clarinet part (transparency)
Sonata para fagot y piano op. 32, no. 4
Holograph piano-bassoon score and bassoon part (transparency)
Sonata para flauta, oboe y fagot, op. 68, no. 2
Holograph flute-oboe-bassoon score (transparency)
Sonata para flauta y clarinete en Sib, op. 68, no. 1
Holograph flute-clarinet score (transparency)
Sonata para flauta y piano, op. 32, no. 1
Holograph piano-flute score in ink and flute part with covers
Holograph piano-flute score and flute part (transparency)
Printer's proof copy of piano-flute score and flute part (master transparency)
Sonata para oboe y piano, op. 32, no. 3
Holograph piano-oboe score in ink and oboe part
Holograph piano-oboe score and oboe part (transparency)
Printer's proof copy of piano-oboe score and oboe part (master transparency)
Sonata para viola y piano, op. 80
Holograph piano-viola score and viola part (transparency)
Sonata para violín y piano, op. 15, no. 1
Sonata para violín y piano, op. 56, no. 2
Sonata para violín y piano, op. 93, no. 3
Sonata para violoncello y piano, op. 48
Holograph piano-cello score and cello part (transparency)
Sonatina para piano, trompeta en Sib y saxofón contralto en Mib, op. 21
Holograph piano-trumpet-saxophone score, and trumpet and saxophone parts in ink
Copyist's manuscript piano-trumpet-saxophone score in ink
Photocopy of printed score and parts with corrections in red pencil
Suite en estilo antiguo, op. 16
Holograph full score in pencil and ink [first draft]
Holograph piano-version score in ink with covers, op. 16-a
Tres piezas para viola y piano, op. 76
Tres piezas para violin y piano, op. 65[A] See also: Chamber music subseries, op. 65[B], for violin and orchestra
Holograph piano-violin score and violin part in ink with marks in red and blue pencil
Trío, op. 30 para piano, violín y cello
Printer's proof copy piano-violin-cello score and parts (master transparency)
Vocal Music, 1934-1977
Cantos de amor, op. 28
Cinco sonetos, op. 124 para soprano o tenor y piano
Cinco sonetos de amor, op. 102, para voz y piano de Manuel Felipe Rugeles
Cinco poemas para voz y piano, op. 100
Cuatro baladas del Paraná, op. 79, texto de Rafael Alberti See also: Vocal music subseries, Seis canciones del Paraná op. 77
Holograph piano-vocal score in pencil [first draft]
Cuatro baladas del Paraná, op. 79, texto de Rafael Alberti
Cuatro coros a cappella, op. 125, poesía de C. Cordoba Iturburu
Cuatro poemas, op. 132, poesías de Arminda Ralesky (1977)
Photocopy of the printed score with corrections in ink
Cuatro sonetos de amor, op. 104, para coro mixto a cappella
Dos canciones, op. 27, para soprano o tenor y piano
Dos canciones, op. 70, no. 1 and no. 2, para una voz y piano, poesías de W. Longfellow
Dos coros a cappella, op. 83, no. 2 Bruma de oro, poesía de Conrado Nalé Roxlo
Holograph vocal score in ink, signed and dated by the composer, 12-VII-[1]955
El murciélago para canto y piano, letra de Ferrari-Amores
Ocho poemas, op. 33, canto y piano, poesías de César Tiempo
Holograph piano-vocal score in ink, bilingual text Spanish-Italian
Holograph piano-vocal score in ink with covers [only poems 3, 4, 6, 7]
"Pulvis eris, et pulvis reverteris", op. 52, no. 2
Holograph piano/organ-vocal score in pencil, dated by the composer, 11-X-[1]944
Rapsodia, op. 88, para coro mixto y cuarteto de saxofones
Salmo 119, op. 51, no. 1 [op.52a], para tenor y coro femenino, órgano o piano
Seis canciones del Paraná, op. 77-[A], texto de Rafael Alberti See also: Vocal music subseries, Cuatro baladas del Paraná op. 79
Seis canciones del Paraná, op. 77-[A], texto de Rafael Alberti
A toite rois (La rosa muerta), op. 34, no. 2, coro mixto y piano, poesía de Yoesch
Tres canciones, op. 110, para soprano o tenor y piano
Tres canciones, op. 117, para soprano o tenor y piano
Holograph piano-vocal score (transparency) with printed poems
Tres canciones para soprano y piano, op. 126
Tres coros a cappella, op. 14, 1928-1954
Holograph vocal score (master transparency)
Tres coros a cappella, op. 14, 1928-1954 New York: Southern Music Publishing Co., 1974.
Tres coros a cappella, op. 114, poesías de Alfonsina Storni
Tres coros a cappella, op. 120
Tres décimas, op. 74, para canto y piano, poesías de Manuel F. Rugeles
Tres poemas, op. 109, para soprano o tenor y piano
Tres sonetos de Leónidas Barletta, op. 57, para una voz grave
Tres sonetos, op. 58, para canto y piano, poesías de Francisco Luis Bernardez
[Untitled song] See also: Piano music subseries, Suite para piano
Piano Music, 1932-1975
Cinco piezas infantiles, op. 39
Cinco preludios para piano, op. 4, reelaborados en 1951
Cinco retratos, op. 113
Cuatro invenciones a 2 voces
Cuatro piezas a 2 voces, op. 29, para piano
Signed and dated by the composer, 17-X-1934
Cuatro preludios para piano, op. 119
Poema, op. 106, para 2 pianos
Polca
Preludio, coral y fuga, op. 54-A, sobre el tema "Do-Re-Mi" See also: Orchestral works subseries, op. 54-B, for orchestra
Preludio, coral y fuga, op. 54-A, sobre el tema "Do-Re-Mi"
Preludio, siciliana y fuga, op. 111, para piano a 4 manos
Holograph piano for 4 hands score (transparency)
Ozalid piano for 4 hands score with covers (2 copies)
Preludio y fuga, op. 31
Seis danzas americanas op. 66 See also: Piano music subseries, Tangos y milongas op. 66
Seis fábulas, op. 38, piezas infantiles, 1a. serie [2 to 6 only]
Holograph piano score in ink with poems pasted on p. 1
Seis fábulas, op. 59, piezas infantiles, 2a. serie
Holograph piano score in ink with marks in red and black pencil
Seis tangos y milongas para piano, op. 66
2a. sonata para piano, op. 49
Tercera sonata para piano, op. 71
Cuarta sonata, op. 72, para piano
Ozalid piano score with marks in red and black pencil
Sonata op. 87, no. 5, para piano
Sonata no. 6, op. 97, para piano
Sonata no. 7, op. 101, para piano
Sonata no. 8, op. 115, para piano
Sonata no. 9, op. 122, para piano
Sonata no. 9, op. 122, para piano Buenos Aires: Editorial Argentina de Compositores, 1972.
Suite para piano, and untitled vocal work, beginning with the words, "gerdink main Kind..."
Holograph piano score and piano-vocal sketch in ink; p. 7-13
Tres danzas en estilo popular argentino, op. 43
Holograph piano score in ink with marks in red, blue and black pencil
Tres danzas hebraicas, op. 64, for two pianos
Tres estampas, op. 37
Tres estampas, op. 42, para piano (2a. serie)
Tres piezas para piano, op. 19
Tres piezas para piano, op. 19, segunda versión
Tres piezas para piano, op. 129
Tres preludios para piano, op. 23
Toccata, op. 99, para piano
Variaciones sobre un tema popular judío, op. 22, para piano
[Untitled, unfinished piano piece]
Biographical Materials, 1864-1978
Includes original personal and family documents in Spanish and Russian, original documents from the Odessa and Saint Petersburg conservatories, and miscellaneous documents from Argentina.
Ficher, Jacobo
Ficher family documents
Odessa Conservatory
Saint Petersburg Conservatory
Miscellaneous (Argentinean and Russian documents)
Correspondence, 1923-1978
The Correspondence series is represented by letters, telegrams, and postcards (languages: Spanish, Russian, French, English, Italian and Portuguese) from individuals and corporate bodies.
Family, 1923-1978
Abrashkin, Alejandro, n.d.
Aronberg, Raia, 1957-1974
Brandes, Mario, 1972-1976
Ficher, Miguel, 1950-1978
Lopszyc, Ber, 1970-1990
[Unidentified family from Russia]
Zipman, Boris (Bernardo), 1929-1973
General, 1923-1978
Academia Nacional de Bellas Artes, 1939-1977 See also: Suárez Urtubey, Pola
ADEMA see: Asociación de Músicos de la Argentina
AEC see: Asociación Estímulo Cultural
Agashchvatian, E., 1930
AGMA see: Asociación General de Músicos de la Argentina, 1961
Agrupación de Estudiantes de Música, 1961
Alberti, Rafael, 1968 See also: León, María Teresa
Alec Templeton, Inc. Axelrod Publications, Inc, 1943-1969
Alemán, Fedora, 1956-1957
Altschuler, David, 1961 See also: Ricordi Americana See also: Teatro alla Scala
Ambassade d'Israel, 1969
American Music Center, 1941
Amigos de la Universidad Hebrea de Jerusalem, 1950-1969
Antonio, P., 1957-1965
APO see: Asociación del Profesorado Orquestal
Arte y Cultura Popular, Montevideo, 1937-1938
Asociación Amigos de la Música, 1960-1969
Asociación Amigos de la Música Hebrea, 1952
Asociación Coral Lorenzo Perosi, 1975
Asociación de Conciertos de Cámara, 1858-1868
Asociación de Músicos de la Argentina (ADEMA), 1944-1945
Asociación del Profesorado Orquestal (APO), 1929-1948
Asociación Estímulo Cultural (AEC), 1975-1976
Asociación General de Músicos de la Argentina (AGMA), 1939
Asociación Mutual Israelita Argentina, 1961-1969
Asociación Wagneriana de Buenos Aires, 1956-1969 See also: Sájaloff, Pedro
"A" miscellaneous
Bacevicius, Vytautas, 1940
Balzanelli, Alberto, 1966-1976
Banda Sinfónica Municipal de la Ciudad de Buenos Aires, 1963-1974
Bar-Am, Benjamin, 1961-1969
Baratoff, P., n.d.
Barbacci, Rodolfo, 1939
Bar-Illan, David, n.d.
Barletta, Leónidas, 1942-1966
Bautista, Julián, 1960-1976
Bayerischer Rundfunk, 1951
BBC see: British Broadcasting Corporation
Behrend, Jeanne, 1945
Bellán, Paul see: Orrego-Salas, Juan
Bernstein, Leonard, 1963
Bianchi, Renzo see: Teatro alla Scala
Biblioteca Central y Archivo del Instituto Científico Judío, 1929-1940
Biblioteca Municipal de Morón, 1974
Biographical Encyclopedia of America, 1941
Birger, Raya, 1968-1972
Blinder, Eugenio, n.d. and Naomi Blinder
Blumental de Mizne, Felicja, 1945-1947
Bongiorno, Martha, 1976-1978
Boosey & Hawkes, 1945-1951
Borrelli, Antonio, 1963-1968
Boult, Sir Adrian, 1958-1973 See also: British Broadcasting Corporation
Braga, Ernani, 1943
Brandwein, Horst M., 1963
British Broadcasting Corporation, 1944-1973 See also: Boult, Sir Adrian
Bromley, Tom, 1947-1951
B. Schott's Söhne, Mainz, 1950-1959
Buenos Aires (Argentina), Embajadores, European ambassadors, 1965-1975
Buenos Aires Musical, 1964
"B" miscellaneous
Caamaño, Roberto, n.d. See also: Fondo Nacional de las Artes
Cabral-Lima, José Inácio, 1943-1958
Calderón, Pedro Ignacio, 1976 See also: Teatro Colón
Calusio, Ferruccio, 1952
Campos-Parsi, Héctor, 1957
Cané, Luis, 1943
Caramuta, Américo, 1964
Carl Fischer, Inc., 1939-1978
Carvalho, Eleazar De see: De Carvalho, Eleazar
Casa de las Américas, 1965-1974
Castro, José María, 1939-1960
Castro, Juan José, 1930-1965
Castro, Luis Arnoldo, 1945
Castro, Roberto, 1966-1978
Castro, Washington, 1938-1976
Central Music Library in Israel, 1969
Centro Interamericano de Educación Técnica (CIDET), 1960
Ceskoslovensky Rozhlas, Radio Praga, 1965-1966
Chaikevich, Ilia, 1923
The Chamber Musical Guild, 1944
Chávez, Carlos, 1936-1977 See also: Orquesta Sinfónica de México
Chicago Chamber Orchestra Association, 1966
Cimaglia-Espinosa, Lía, n.d.
Círculo Argentino de Autores, 1933
Círculo Brahmsiano, 1965
Círculo Cultural Ruso-Israelita, 1929
Círculo de Autores y Compositores de Música, 1933
Clarín, 1967
Cohn, Arthur see: The Edwin A. Fleisher Collection, Free Library of Philadelphia
Collegium Musicum de Buenos Aires, 1954-1969
Comisión Municipal de Cultura, Mar del Plata, 1959-1960
Comisión Nacional de Cultura, Buenos Aires, 1945-1946
Concours Internationaux Henrik Wieniawski, Poznan, 1971-1975
Concours Musical International Reine Elizabeth de Belgique, 1954
Concurso Internacional de Piano "Jorge Lalewicz", 1965
Concurso Internacional de Piano Magda Tagliaferro, 1966
Consejo Municipal del Distrito Federal, Caracas, 1957
Consejo Nacional de Cultura, Cuba, 1962
Consejo Nacional de Educación, Buenos Aires, 1942-1971
Conservatorio "Antonio María Valencia", Colombia, 1958
Conservatorio "Juan José Castro", 1969
Conservatorio Municipal de Música "Manuel de Falla", 1967-1970
Conservatorio Nacional de Música "Carlos López Buchardo", 1959-1974
Coolidge, Elizabeth Sprague, 1937-1941
Cooper, Emile, 1925
Copland, Aaron, 1942-1976
Coro Polifónico de Santa Fé, 1967
Costa, Pedro, 1961
Cowell, Henry, 1943-1958 See also: New Music Edition
Curchitser, Santiago, 1969-1978
"C" miscellaneous
Dannemann, Ulrich, 1971
Davidson, Charles, 1969
De Carvalho, Eleazar, 1965
Diccionario de Músicos Compositores Argentinos, 1937
Dirección Nacional de Bellas Artes, 1937
Dirección Servicio Oficial de Radiodifusión, 1959-1960
Drago, Mariano see: Banda Sinfónica Municipal de la Ciudad de Buenos Aires
Dranishnikov, Vladimir, 1927-1928
D'Urbano, Jorge see: Academia Nacional de Bellas Artes
"D" miscellaneous
Eastman School of Music, 1973
Ediciones Internacionales Fermata, 1942
Editorial Argentina de Música, 1951-1955
Editorial Codex, 1969
Editorial Israel, 1943
Edward B. Marks Music Corporation, 1947
The Edwin A. Fleisher Collection, Free Library of Philadelphia, 1941-1970
Eitler, Esteban, 1947-1955
Empreza Concerto Teatral, 1940
Enciclopedia Musicale Ricordi, 1956
Engel, Joel, 1925
Engel, Lehman, 1941
E. P. Dutton & Co. Inc., 1970
Epstein, Ernesto see: Collegium Musicum de Buenos Aires
Erize, Jeanette Arata de, 1962-1968 See also: Mozarteum Argentino
Escuela Superior de Bellas Artes, Universidad de La Plata, 1957-1967
Espinosa, Guillermo, 1947-1969
Estrada, Carlos, 1956
Etler, Alvin, 1941
"E" miscellaneous
Fasman, Boria Boris, 1929
Fidlon, Ilia, 1941-1955
Fine, Vivian, 1941-1943
The Fleisher Collection, Free Library of Philadelphia see: The Edwin A. Fleisher Collection
Fondo Nacional de las Artes, 1958-1975 See also: Caamaño, Roberto
Fontova, José María, n.d.
Fontenla, Jorge see: Universidad Nacional de Cuyo
Franze, Juan Pedro, 1968
Freed, Isadore, 1940-1953 See also: Saminsky, Lazare
Freitas e Castro, Enio de, 1949
Friedler, Egon, 1975
Fuchs, Teodoro see: Orquesta Sinfónica de Córdoba
Fundación Cultural Coliseum, 1966
"F" miscellaneous
García, Blas, 1962-1965 See also: Provincia de Buenos Aires, Ministerio de Educación
García-Estrada, Juan A., 1957
García-Morillo, Roberto see: Conservatorio Nacional de Música "Carlos López Buchardo"
Garmendia, Emma, 1969
Garreffa, Domingo, 1961
Geissler, Segfried?, 1952
Gerberov, Michael, 1938
Gianneo, Luis, 1937-1968
Gilardi, Gilardo, 1962
Ginastera, Alberto, 1973-1975
Gómez-Carrillo, Manuel, 1940
Goreloff, Clara G. de, 1968
Gotthelf-Levita, Gerardo, 1941-1947
Graetzer, Guillermo see: Collegium Musicum de Buenos Aires
Gradenwitz, Peter, 1949
Graffman, Vladimir, 1949-1950
Gramatges, Harold see: Casa de las Américas
Grinstein, David, 1948
Grosman, Carlos, 1969
Grupo de Cámara de Buenos Aires, 1971-1974
G. Schirmer, Inc., 1937-1956
Guigui, Efrain, 1956 and Gerardo Levy
Guinsburg, Juana, 1970-1974
Guinsburg, Rodolfo, 1962 See also: Loustaunau, Haydée
Guggenheim Memorial Foundation see: John Simon Guggenheim Memorial Foundation
Gutierrez, Bolívar, 1957-1958 See also: Servicio Oficial de Difusión Radioelétrica (SODRE)
Gutierrez, Hipólito Felipe, 1977
"G" miscellaneous
Habschied, José, 1953-1954
The Haifa Music Museum, 1969
Helm, Everett B., 1945
Heltai, Francisco, 1956
Hilsberg, Neya, 1955
Holzmann, Rudolph, 1940
Hurtado, Leopoldo, 1962-1976
"H" miscellaneous
Imprenta Litografía Musical Garrot, 1943-1944
Indiana University, 1962-1963 See also: Orrego-Salas, Juan
Iniesta, Iocasta Kusrow-Corma de, 1962
Initiative Committee for an American Center for Jewish Music, 1938
Institución José Angel Lamas, Caracas, 1954-1957 See also: Palacios, Inocente
Instituto Central de Relaciones Culturales Israel-Iberoamérica, 1969
Instituto Científico Israelita en la Argentina, 1930-1974
Instituto Científico Judío, 1939-1971
Instituto Cinematográfico del Estado, 1942
Instituto Cultural Argentino-Israelí, 1953
Instituto de Arte Moderno, 1950
Instituto de Intercambio Cultural Argentino-Israelí, 1969-1976
Instituto de Relaciones Culturales Argentina-U.R.S.S., 1959
Instituto Goethe, 1973
Instituto Interamericano de Musicología, 1941 See also: Lange, Francisco Curt
Instituto Judío Argentino de Cultura e Información, 1951-1969
Instituto Lucchelli Bonadeo, 1971
Instituto Nacional de Cultura, Caracas, 1970
Instituto Nacional de Radio y Televisión, Bogotá, 1965
The International Who's Who in Music, 1978
ISER see: Seri, José Eduardo
Israel Broadcasting Authority, Jerusalem, 1969-1973
Iturburu, Córdova, 1946
"I" miscellaneous
The Jacob Michael Collection of Jewish Music, 1948
Jellinek, Lore, 1940-1941
Jernek, Carel, 1968
The Jewish Agency for Palestine, Department of Education, 1950-1953
Jewish Music Council, 1948-1949
John Simon Guggenheim Memorial Foundation, 1959
Jonas, Manla, n.d.
Jospe, Lena, 1940
Juventudes Musicales de la Argentina, 1966
"J" miscellaneous
Kaplan, Sima, 1955-1963
Kay, Ernest, 1977
Kendall, Kenneth, 1941
Kibrick, Salvador, n.d.
Knepler, Guillermo, 1963-1965
Kletzki, Paul, 1956-1972
Koc, Marcelo, 1960-1966
Koellreuter, H. J., 1950-1969
Koffler, Józef, 1937
Korgulia, S., 1924-1925
Koussevitzky, Fabien see: Sevitzky, Fabien
Kortschak, Hugo, 1937-1938
Kuper, Emil' see: Cooper, Emile
Kuri-Aldana, Mario, 1965-1966
"K" miscellaneous
Lakond, Wladimir, 1969 See also: Southern Music Publishing Company Inc.
Lange, Francisco Curt See also: Instituto Interamericano de Musicología
Lawler, Vanett, 1945 See also: Pan American Union
League of Composers in Israel see: Bar-Am, Benjamin
Leeds Music Corporation, 1951
Legación de Israel, 1949-1953
Legación de la República de Bulgaria, 1963
León, María Teresa, 1955 See also: Alberti, Rafael
Leonardi, Waldomiro Augusto, 1949
Levy, Gerardo see: Guigui, Efrain
Ley, Salvador, 1960
Liceo Municipal, Santa Fé, 1957
Lira Espejo, Eduardo, 1967
Litvin, Isaac, 1960-1977
López-Buchardo, Elena, 1969
López-Monte, Heriberto G., 1964
Lores, Pedro de, 1957
Loustaunau, Haydée, 1961-1976 See also: Guinsburg, Rodolfo
"L" miscellaneous
Magliani, Mario, 1970
Makarov, S., 1927
Malaral, Julio, 1967
Malko, Berthe, 1967
Malko, Nicolai, 1929-1956
Manfred, Ernest F., 1967
Mangen, Henri, n.d.
Mannuval, E., 1940
Martini, Juan Emilio, 1971
Martucci, Angel S., 1974
Masters of Our Day see: Freed, Isadore see: Saminsky, Lazare
Mattauch, Hilde, 1956-1961
Mattiello, Angel, 1965
Melos Ensemble de Buenos Aires, n.d.
Mindlin, Adolfo, 1944-1971
Ministerio de Cultura de U.R.S.S., 1962
Ministerio de Educación y Justicia, Dirección de Cultura, 1951-1972
Ministerio de Gobierno, 1964
Ministerio de Planeamiento, 1977
Ministerio de Relaciones Exteriores y Culto, 1953-1969
Ministro Plenipotenciario de Israel, 1949
Montero, Juan F., 1965
Montés, Tila y John (Duo Montés), 1944-1976
Morgulis, Gregorio, 1939
Mozarteum Argentino, 1961-1964 See also: Erize, Jeanette Arata de
Muller, María V. de see: Arte y Cultura Popular
Municipalidad de Avellaneda, Comisión de Cultura, 1951
Municipalidad de la Ciudad de Buenos Aires, 1946-1971
Municipalidad de Morón, 1954
Mundo Israelita, 1944
Muchnik, Jacobo, 1983
Music Press, Inc., 1946-1948
Musikverlag Hans Wewerka, 1966
"M" miscellaneous
Narké, Víctor de, 1961
National Federation of Music Clubs, 1941-1949
New Music Edition, 1937-1942 See also: Cowell, Henry
New Orleans Philharmonic-Symphony Society, 1956
New York City Opera, 1969 See also: Rudel, Julius
New York Philharmonic, 1965 See also: Bernstein, Leonard
The New York Public Library see: Smith, Carleton Sprague
Nicoloff, Peter, 1958-1960
Nogueira de Saint-Upery, Inés, 1944
Nudelman, Flora, 1963
"N" miscellaneous
OAS, Music Division see: Espinosa, Guillermo
OEA, Sección Música see: Espinosa, Guillermo
Office de Radiodiffusion-Télévison Israélienne, 1973
Olivesky, José, 1957-1975
Organización de Conciertos Gerard, 1969-1970
Organización de Estados Americanos (OEA), Seccción Música see: Espinosa, Guillermo
Organización Hebrea Macabi, 1951
Organization of American States (OAS), Music Division see: Espinosa, Guillermo
Orloff, Adrian, 1942
Ormandy, Eugene, 1951
Orquesta Sinfónica de Córdoba, 1942-1960
Orquesta Sinfónica de México, 1937 See also: Chávez, Carlos
Orquesta Sinfónica del Estado, 1951
Orquesta Sinfónica Venezuela, 1955-1965
Orrego-Salas, Juan, 1950-1969 See also: Indiana University
Ortenberg, Edgar, 1969
Palacios, Inocente, 1954-1974 See also: Institución José Angel Lamas, Caracas
Pan American Union, 1946 See also: Lawler, Vanett
Paridis, Andreas, n.d.
Pasquale, Maria C. de, 1949
Peer-Southern Organization, 1972-1978
Perceval, Julio, 1941
Pérez-Carreño, Camila, 1957
The Philadelphia Orchestra Association, 1951
Philadelphia Philharmonic Orchestra see: Ormandy, Eugene
Pinette, Jorge, 1952
Politikens Forlag, 1948-1961
Porat, Josef
Prague Quartet, 1966
Prague Symphony Orchestra see: Smetácek, Václav
La Prensa, 1946
Prix de Composition Musicale Prince Rainier III de Monaco, 1965
Promociones Musicales, 1966-1968
Provincia de Buenos Aires, Ministerio de Educación, 1965 See also: García, Blas
"P" miscellaneous
Quien es Quien en la Argentina, 1961-1973
Ralesky, Arminda, 1971-1974 and Moisés Ralesky
Ramírez, Ariel, 1972-1973 See also: Sociedad Argentina de Autores y Compositores
Ravina, Arturo L., 1966-1970
Reis, Mrs. Arthur M., n.d.
Rendón, Guillermo, 1963-1964
Renison, Herbert, 1963
Reno Philharmonic Symphony Orchestra see: Stone, Gregory
Ricordi Americana (G. Ricordi), 1941-1968 See also: Teatro alla Scala See also: Altschuler, David
Riemann Musiklexicon, 1956-1969
Ríos-Reyna, P. A. see: Orquesta Sinfónica Venezuela
Ritmo, 1962
Roisman, Joseph, 1957-1972
Rosenthal, Ernesto, 1963
Rozovskii, S., 1935-1937
Rubinstein, Arthur, 1951
Rudel, Julius, 1969 See also: New York City Opera
Rugeles, Ana Mercedes, 1955-1977 and Manuel F. Rugeles
"R" miscellaneous
Sabsay, Fernando Leonidas, 1953-1974
Sachs, Rodolfo, 1942
SADAIC see: Sociedad Argentina de Autores y Compositores
Sájaloff, Pedro, 1966 See also: Asociación Wagneriana de Buenos Aires
Sala, Jorge, 1967-1973
Saleski, Gdal, 1941
Salgado, Susana, 1973-1977
Saminsky, Lazare, 1938-1955 See also: Freed, Isadore
Santa-Cruz, Domingo, 1941-1946
Sarmiento, Jorge, n.d.
Savlavky, Lily, n.d.
Schirmer, Inc. see: G. Schirmer, Inc.
Schott's Söhne, Mainz see: B. Schott's Söhne, Mainz
Schurjin, Raúl, 1960
Schuster, Joseph, 1946
Sebastiani de Missair, Pía, n.d.
Seder, Theodore A. see: The Edwin A. Fleisher Collection
Seeger, Charles see: Pan American Union
Seri, José Eduardo, 1973-1974
Serrano Redonnet, Ana, 1963-1968
Servicio Internacional Radiofónico Argentino, 1953
Servicio Oficial de Difusión Radioelétrica (SODRE), 1952 See also: Gutierrez, Bolívar
Servicio Oficial de Radiodifusión, 1958-1969
Sevitzky, Fabien, 1953-1967
Shashkin, S., 1962
Shawnee Press Inc., 1969-1977
Sherwood Music School, 1963
Shul'gin, 1939
Siccardi, Honorio, 1937-1960
Simon, Eric see: Gutierrez, Bolívar
Singer, Wolff, 1922
Singerman, Berta, 1956
Sirota, Leo, 1960
Slonimsky, Nicolas, 1937-1950
Smetácek, Václav, 1968-1972
Smith, Carleton Sprague, 1949-1951
Sociedad Argentina de Autores y Compositores (SADAIC), 1938-1977 See also: Ramírez, Ariel
Sociedad Argentina de Educación Musical, 1969-1970
Sociedad de Actores Israelitas en la Argentina y Uruguay, 1943
Sociedad Hebraica Argentina, 1939-1969
Sociedad Israelita Unión y Fraternidad, 1930
SODRE see: Servicio Oficial de Difusión Radioelétrica
Somogyi, Laszlo, 1961
Southern Music Publishing Company Inc., 1949-1974 See also: Lakond, Wladimir
Sormani, Egbert J., 1969
Spalding, Mary, 1955-1965
Spiller, Ljerko, 1939-1976
Spivak, Raúl, 1945-1958
Steinberger, Emil, 1969
Sternic, Lázaro, 1960
Stofblat, Nestor, n.d.
Stokowsky, Leopold, 1949-1951
Stone, David, 1967
Stone, Gregory, 1947-1975
Strang, Gerald see: New Music Edition
Suárez Urtubey, Pola, 1970 See also: Academia Nacional de Bellas Artes
Subsecretaría de Difusión, 1953
Szarán, Luis, 1974
Szterenfeld, Alejandro, n.d. Conciertos Gama
"S" miscellaneous
Teatro alla Scala, 1961 See also: Ricordi Americana
Teatro Argentino, 1966-1968
Teatro Colón, 1943-1969 See also: Calderón, Pedro Ignacio
Teatro Excelsior, 1929
Teatro IFT, 1960-1963
Temple University, College of Music see: Stone, David
Templeton Publishing Co., Inc., 1969
Terraza, Emilo, 1958-1965
Theodore Presser Company, 1966-1968
Thomas Y. Crowell Company, 1945
Tiempo, César, 1935-1958
Tisbierek, José, 1943 and María Kareska Tisbierek
Tortorella, Adalberto, 1966-1976
"T" miscellaneous
Ugarte, Floro M., see: Teatro Colón
Unidentified
Unión de Compositores de la Argentina, 1966-1971
Union Panamericana see: Pan American Union
United Kingdom, British Council (Buenos Aires; Santiago), 1944-1945
The United States Group for Latin American Music, 1947-1948
United States of America, Embassy, 1969
United Temple Chorus, 1945
Universal Edition, 1950
Universidad Central de Venezuela, 1957
Universidad de Buenos Aires, 1958
Universidad de Chile see: Orrego-Salas, Juan see: Santa-Cruz, Domingo
Universidad de Nariño see: Gotthelf-Levita, Gerardo
Universidad de Puerto Rico, 1955
Universidad Hebrea de Jerusalem, 1937
Universidad Nacional de Cuyo, Escuela Superior de Música, 1972-1973
Universidad Nacional de La Plata, 1959
Universidad Nacional de Tucumán, 1967
The University of Arizona, 1963
The University of Miami Symphony Orchestra see: Sevitzky, Fabien
The University of Texas at Austin, 1976
Urteaga, Irma, n.d.
Valenti-Ferro, Enzo see: Buenos Aires Musical
Valcarenghi, Guido see: Ricordi Americana
Venier, Bruno, 1967-1975
Verson, Cara, 1940
Vicuña, Magdalena, 1969
Viñao, Alejandro, 1975-1976
Victoria, Marcos, 1964
Voz Hebrea, 1933
Vronsky, 1951 and Babin
"V" miscellaneous
Wainer, Jacobo, 1953-1969
Waldo, Elisabeth, 1948
Wagner, Werner, 1950
Warshaver, Josefina, 1953
Wewerka, Hans, 1966
Who's Who in the Western Hemisphere, 1943
Who's Who in World Jewry, 1962
Wieczorek, Marian, 1976
Williams, Ronald R., 1972
Wislocki, Stanislaw, n.d. and Isabelle Wislocki
The World Who's Who of Musicians, n.d.
"W" miscellaneous
Yost, Ricardo, 1969
"Y" miscellaneous
Zabaleta, Nicanor, 1956
Zajac, Enrique, 1944-1955
Zubrinsky, Rodolfo, 1958-1968
Zubrinsky, Valentín, 1961-1965
Zydowskie Towarzystwo Muzyczne, 1936
"Z" miscellaneous
Pupils, 1923-1978
Bigotti, Magdalena, 1976
Bluwol, Osvaldo M., 1976
Borghi, Nélida, C., 1972-1977
Cambareri, Alberto, 1965
Campana, José Luis, 1973-1977
Carmona, Ana María, 1964
Castro, Marta R[edoano] de, 1961
Cerrutti, Ernesto, 1969-1971
Criscuolo, María Teresa, 1961-1972
Crüse, Hugo, n.d.
Curutchet de Val, Leonor María, 1966-1968
Di Giacomo, María J., 1969
Figueroa, Oscar A., 1972
Freccero, Susana Elisa, 1969
Giaimo, José Alberto, 1975
Gollhardt, Werner, 1963
Grünberg, Sonia, 1976
Kauderer, Emilio, 1974
Kohau, Pablo, 1974
Litwin, Mario, 1973
López, Carlos, 1957
Piñeiro Sorondo, Martha, 1955-1957
Rapoport, Oswaldo, 1943
Reynaud, Héctor Sergio, 1955-1967
Romano, Jacobo, 1954-1957 See also: Zulueto, Jorge
Spitalnik, Ismael, 1945
Teseo, René, 1975
[Unidentified]
Valverde, Myriam, 1965-1967
Winnik, Jorge, 1961
Zulueto, Jorge, 1954 See also: Romano, Jacobo
Miscellaneous
Writings, 1940-1987
Includes articles, awards, speeches, catalog, radio and television scripts by Jacobo Ficher and lectures given by others about Ficher.
Argentinean music and musicians
Awards and acceptance speeches
Catalog of works
Jacobo Ficher on himself
Lecture on Heitor Villa Lobos
Radio and television broadcasts
Tel-Aviv trip, 1969
Writings by others about Jacobo Ficher
Programs, 1919-1997
Includes printed programs and photocopies of programs.
Scrapbooks, 1914-1990
Includes concert programs, letters, clippings and critical reviews.